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Sense Move Primary Function: Umwambaro wo Kubyina na Zhulin Shi

Umushinga Sense Move Primary Function: Umwambaro wo Kubyina wa Zhulin Shi ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imyambarire.


IfezaImyambarire· 2020

Sense Move Primary Function: Umwambaro wo Kubyina

na Zhulin Shi

Umukiriya: Last Lab Inc.

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imyambarire

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #90799

Amabara

Imigereranyo

Ibyerekeye Sense Move Primary Function: Umwambaro wo Kubyina

Sense Move ni umwambaro utanga urumuri wagenewe ababyinnyi. Uyu mwambaro ufunga mu miterere y'imibare ikurikira imigendekere y'umubiri, ugakora igishushanyo kigenda ku kibuga. Ingaruka z'urumuri zerekana amarangamutima ahinduka. Kuzimya buhoro buhoro bigaragaza guhumeka, naho gukayangana bigaragaza ibyishimo. Uturindantoki dufite ubushobozi bwo kumva turi mu bice by'uyu mwambaro. Iyo umwe mu bari mu bukwe akoze ku kuboko kw'umubyinnyi, urumuri ruhinduka rusubiza uko rukozweho. Iki gishushanyo kigamije gushimangira isano y'amarangamutima hagati y'abakina n'abareba.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Sense Move Primary Function: Umwambaro wo Kubyina ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Sense Move Primary Function: Umwambaro wo Kubyina biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Sense Move Primary Function: Umwambaro wo Kubyina ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe
Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Ibipimo n'Ipaki
Width 70mm x Depth 30mm x Height 150mm
Ibibazo Fatizo
wearable technology, led lighting costume, kinetic sculpture
Ikoranabuhanga ryo Guteza Imbere
In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Ikibazo cy'Ishusho
The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Ubushakashatsi
I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Ibyatumye Habaho
With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Igihe cy'Umushinga
The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Uburyo bw'Imikorere
The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Abafotoye
Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou

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