Wonderland Primary Function: Igishushanyo cy'imbere y'ikigo cy'imurikagurisha na Chengzhe Zhang

Umushinga Wonderland Primary Function: Igishushanyo cy'imbere y'ikigo cy'imurikagurisha wa Chengzhe Zhang ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

IfezaImbere y'Inyubako· 2020

Wonderland Primary Function: Igishushanyo cy'imbere y'ikigo cy'imurikagurisha

na Chengzhe Zhang

Umukiriya: Shanghai Hongshida Real Estate Development Co., LTD

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #92667

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Wonderland Primary Function: Igishushanyo cy'imbere y'ikigo cy'imurikagurisha

Book Text: Wonderland ni imbere y'ikigo cy'imurikagurisha giherereye i Shanghai, mu Bushinwa. Igishushanyo cyavuye ku ishusho ya Taoyuan Wonderland, igishushanyo cy'ubutaka cyakozwe n'umushushanyi w'igihe cya Ming Qiu Ying, kandi gikoresha amabara y'icyatsi, ipinki n'umweru mu kibanza gituje. Urukuta rwa slate y'imvi rubanza guhisha ireba, hanyuma inzu nkuru ifite uburebure bwa metero icumi ikigaragarira uko umuntu anyura mu nzira. Inzira yo hagati iyobora mu gace k'inama, agace k'imurikagurisha n'icyumba cyo kunywera icyayi. Ibitabo bishinze hasi n'insengero z'imisozero ifite ibishushanyo bitatanya utuce. Igikoresho cy'ikirahure gimanitse gikozwe ku bibabi by'imikondo birenga 5.000 cyashyizweho n'intoki.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Wonderland Primary Function: Igishushanyo cy'imbere y'ikigo cy'imurikagurisha ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Wonderland Primary Function: Igishushanyo cy'imbere y'ikigo cy'imurikagurisha biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Wonderland Primary Function: Igishushanyo cy'imbere y'ikigo cy'imurikagurisha ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Ibipimo n'Ipaki: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Ibibazo Fatizo: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Ikoranabuhanga ryo Guteza Imbere: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Ikibazo cy'Ishusho: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Ubushakashatsi: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Ibyatumye Habaho: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Igihe cy'Umushinga: The Project started in January 2018 in Shanghai China
Uburyo bw'Imikorere: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Abagize Itsinda: Mingxin Lu
Yunhui Tang
Abafotoye: Main Image: Photographer Hai Zhu, 2018