The Birth of a Book Igitabo na Urszula Giren

Umushinga The Birth of a Book Igitabo wa Urszula Giren ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Inyandiko Zisohoka.

ZahabuInyandiko Zisohoka· 2020

The Birth of a Book Igitabo

na Urszula Giren

Umukiriya: Urszula Gireń

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Inyandiko Zisohoka

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #97144

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye The Birth of a Book Igitabo

Ivuka ry'Igitabo ni igitabo cyacapwe kivuga ku iyubakwa ry'ibitabo mu Bupolonye bwo mu kinyejana cya 16. Iki gitabo cyerekana ibicapo bya kera mu ngano yabyo nyakuri, bityo abasomyi bakabona uburyo bwa kera nyakuri. Igifuniko cy'inyuma cyerekana uburyo bwo gutondeka impapuro bwakoreshwaga ku buryo bwa octavo bwa kera. Umugozi w'akamenyetso werekana uburebure bw'ibitabo bya folio, quarto na octavo. Amashusho yabajwe ku biti ari ku mpapuro z'imitwe acapwa mu mabara yahinduwe, byibutsa amabuye y'icapiro yari atwikiriwe n'irangi ryirabura. Ingano yacyo ni milimetero 256 kuri 320, gifite impapuro 560 n'amashusho agera ku 1200. Intego ni ugusobanurira abasomyi benshi uburyo bw'icapiro bwo mu gihe cya Renaissance.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

The Birth of a Book Igitabo ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. The Birth of a Book Igitabo biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. The Birth of a Book Igitabo itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Ibipimo n'Ipaki: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Ibibazo Fatizo: renaissance book, first roman typefaces, old prints, typography
Ikoranabuhanga ryo Guteza Imbere: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Ikibazo cy'Ishusho: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Ubushakashatsi: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Ibyatumye Habaho: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Igihe cy'Umushinga: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Uburyo bw'Imikorere: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Abafotoye: Urszula Gireń / 2019