Satoru Nakahara इत्यनेन कृतं Dignity छायाचित्रकला

Satoru Nakahara इत्यनेन कृतं Dignity छायाचित्रकला इति छायाचित्रण एवं चित्र सम्पादन अभिकल्पना प्रतियोगितावर्गे 2021 A' Design Award लौहपुरस्कारः इत्यस्य अत्यन्तं प्रतिष्ठितः विजेता अस्ति।

लौहम्छायाचित्रणम्· 2021

Dignity छायाचित्रकला

कर्तृ Satoru Nakahara

ग्राहकः: Satoru Nakahara

छायाचित्रणम् वर्गे A' Design Award लौहपुरस्कारः विजेता

19,237

सत्यापितपुरस्कारविजेता

#115115 कृते पुरस्कारस्थितिं सत्यापयतु

स्थलं पश्यतु A' Design Award मध्ये पश्यतु सংवादविज्ञप्तिः पुरस्कारचिह्नम्

वर्णाः

परिकल्पना

Dignity छायाचित्रकला विषये

तेन छायाचित्रणद्वारा "गरिमा" इति डिज़ाइनः निर्मितः। तानि वस्तूनि देवदारु-आलुबुखारा-वृक्षाः सन्ति ये जापान-देशे सर्वत्र दृश्यमानाः शततमाधिकवर्षेभ्यः जीवन्ति च। ते प्राचीनकालतः "सुमि-ए" मसीचित्रकलायां विभज्यपटचित्रकलायां च व्यक्ताः सन्ति। छायाचित्राणि गृहीत्वा सः प्रदीप्तिं समायोज्य तानि श्वेतचतुष्कोणे विन्यस्तवान्। तस्य कृतिभ्यः द्रष्टा पृष्ठभूमिं कल्पयितुं "गरिमा"-रूपेण अस्तित्वं अनुभवितुं च शक्नोति। अतः तस्य डिज़ाइन-प्रयासः चित्रकलायाः छायाचित्रकलायाश्च मध्ये सीमानां विलोपनम् इति कथयितुं शक्यते।

मान्यता

A' Design Award लौहपुरस्कारः विषये

Dignity छायाचित्रकला A' Design Award लौहपुरस्कारस्य विजेता अस्ति; इदं प्रतिष्ठितं मान्यताप्रदानं तेभ्य उत्तमेभ्योऽभिकल्पेभ्यो दीयते ये सुनिर्मितेभ्यः सृष्टिभ्योऽपेक्षिताः व्यावसायिकीः औद्योगिकीश्चावश्यकताः पूरयन्ति। लौहविजेतारः स्वनिर्मातॄणां महत् कौशलम्, उच्चां विशेषज्ञताम्, विशेषज्ञोचितां बोधशक्तिं सृजनसामर्थ्यं च प्रदर्शयन्ति। Dignity छायाचित्रकला अत्यन्तं मूल्यवती प्रशंसिता प्रिया च सृष्टिर्व्यावहारिका नवोन्मेषयुक्ता च भविष्यतीति प्रत्याशा क्रियते। A' Design Award लौहपुरस्कारं जितवद् एतद् अभिकल्पकार्यम् उद्योगस्य श्रेष्ठतमाः पद्धतीः समन्वयति ज्ञानेन प्रतिभया च संयुक्तानि सक्षमप्राविधिकलक्षणानि च धारयति। Dignity छायाचित्रकला स्वसूक्ष्मसमीक्षायाः कारणाद् आद्रियते जीवनस्तरसुधारम् अर्पयितुं च निर्मितम् अस्ति, यद् विश्वम् उत्तमतरं स्थानं कर्तुं साहाय्यं करोति।

परिकल्पनायाः पृष्ठतः

सम्वादसामग्री

परिकल्पकेन प्रदत्ताः श्रेयसि, दलसदस्याः तान्त्रिकविवरणानि च।

अद्वितीयगुणाः: This project is to design a "Dignity" by photography. The subjects are trees that are trying to live and survive everywhere unnoticed by anyone in the city now. They have not said anything and made their appearance for a long time. So this project tried to design by photography for expressing these natural appearance in the white square framework as the most beautiful composition.
आयामाः एवं सम्पुटीकरणम्: These photographs were taken with fine mode and size are 6016×4016 by Nikon Z5. And all are digitized and JPG files. These original sizes are from 6 to 12 Mega-bytes. For this project, these were changed to the square framework and black and white. These were changed by using Adobe photoshop.
सूचकशब्दाः: Photography, Nature Photo, Black and white, Pine tree, Japanese Nature
उत्पादनप्रौद्योगिकी: These photographs were taken by Nikon's digital camera. These were considered the most beautiful position and form inside the square framework. And in the home studio, these photos have changed the exposure by using photoshop to be shaped more lively and most beautiful appearance.
परिकल्पना-आह्वानम्: The most difficult is to find objects in the city and to compose the best position to get the empty white background. To delete eliminate waste and discomfort, its appearance stands out more. This makes it possible to express of photography the abstract concepts of "Yugen" and "looseness" in traditional Japanese art culture. This is challenging for new design's possibilities to fuse with Art and photography, the Western and Eastern concept.
अनुसन्धानम्: This project has the background of ink paintings and "Sumi-e," folding screen painting. That objects are natural things that show the beauty in the four seasons, such as pine, bamboo, plum, flowers in the mountains and river. This project tried to express these forms by black and white photography as the most beautiful appearance in the square.
प्रेरणा: This project's idea came up suddenly at one time in the city. It is the moment when appears the beautiful appearance in the trees and plants. These were the existence casually that seen everywhere but have not been noticed. It is meaningful for design to clarify the beautiful appearance of life that has been created over a long period. In addition that this project concept is from ink paintings and "Sumi-e," folding screen painting in Japanese and Chinese art and culture.
परियोजनाकालः: This project started in May 2020 in Numazu, Japan, and finished in February 2021.
प्रचालनप्रवाहः: This project by photography was being able to create a beautiful appearance from the trees that usually and casually were seen. In these photos to create a more beautiful appearance, it selected the black and white photography and square framework.
एकस्वानि: Copyrights belong to Satoru Nakahara, 2020_2021
चित्रश्रेयः: Image #1:Photographer Satoru Nakahra,2020,Numazu.
Optional Image #1:Photographer Satoru Nakahra,2020,Numazu. Optional Image #2:Photographer Satoru Nakahra,2020,Numazu. Optional Image #3:Photographer Satoru Nakahra,2021,Shimizu.
Optional Image #4:Photographer Satoru Nakahra,2021,Numazu.