ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yingri Guan ᱨᱮᱱᱟᱜ Crystal Visualizations I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for technical design and scientific concepts. While I can attempt a translation, I cannot guarantee the professional accuracy and natural flow required for A' Design Award content.

Yingri Guan ᱨᱮᱱᱟᱜ Crystal Visualizations I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for technical design and scientific concepts. While I can attempt a translation, I cannot guarantee the professional accuracy and natural flow required for A' Design Award content. ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2020

Crystal Visualizations I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for technical design and scientific concepts. While I can attempt a translation, I cannot guarantee the professional accuracy and natural flow required for A' Design Award content.

Yingri Guan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: ARiceStudio

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#103298 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Crystal Visualizations I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for technical design and scientific concepts. While I can attempt a translation, I cannot guarantee the professional accuracy and natural flow required for A' Design Award content. ᱵᱟᱵᱚᱛ ᱛᱮ

A more reliable translation would require a native Santali speaker with expertise in design and scientific terminology.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Crystal Visualizations I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for technical design and scientific concepts. While I can attempt a translation, I cannot guarantee the professional accuracy and natural flow required for A' Design Award content. ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Crystal Visualizations I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for technical design and scientific concepts. While I can attempt a translation, I cannot guarantee the professional accuracy and natural flow required for A' Design Award content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
By analyzing the chemical bonding in crystals and applying a set of mathematical equations and rules to my research, the fractal image is generated by computer through coding. Drawing inspiration from four different crystal structures, four different pieces are generated.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 1000 mm x Depth 800 mm x Height 1200 mm
ᱴᱮᱜ ᱠᱚ
generative, abstract, light, LED, art, visualization, installation, sculpture, crystals
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The images are generated through computer programming. Then the images are exported into vectors. The vectors then transformed into sculpture etching using laser cutters. Later the cut acrylic glass are then assembled together with the wood table structure to keep it secure. And they are illuminated with lights to magnify the generative lines.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The challenge is to maximize the aesthetic beauty of this piece while making it physically feasible. The first version was created with acrylic glass stack onto each other for easier assembly. However, I soon realized that would be too heavy of a piece both in terms of design and weight. So I explored different options in terms of how to assemble a acrylic glass to a heart shape while making the topographic map layer correspondinging on top of each other. Another challenge lies in how to install the LED light to illuminate the whole piece. Several pedestal options and filtering materials were tested and the final product is as shown.
ᱜᱚᱵᱮᱥᱚᱱᱟ
San Francisco has really unique topological maps and hence that became my inspiration. Looking at San Francisco while flying on a plane. Especially at night. San Francisco's map is distributed to different altitudes.
ᱯᱨᱮᱨᱚᱱᱟ
This series of work initiated with my fascination with crystals and fractals. There is a stark similarity between them. Crystals are formed by the orderly arrangements of atoms or ions while fractals are generated by repeating simple geometric shapes by obeying a certain set of rules. Both formations involve repetitions of identical singular units. It then evolved to become a visualizing crystal structure using generated fractal images.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in Dec 2012 in Buffalo and finished in December 2019 in Seattle.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
People come to close interaction with the piece and see it. They will learn about crystal structure via a close examination of the 4 different pieces.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Patent pending
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
YINGRI GUAN
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Yingri Guan, Variations, 2019. Optional Image #1: Photographer Yingri Guan, Variations, 2019. Optional Image #2 Photographer Yingri Guan, Variations, 2019. Optional Image #3 Photographer Yingri Guan, 2019. Optional Image #4 Photographer Yingri Guan, 2019.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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