ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Huifeng Lin ᱨᱮᱱᱟᱜ Tide and Stream ᱠᱟᱞᱟᱠᱟᱨᱤ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ

Huifeng Lin ᱨᱮᱱᱟᱜ Tide and Stream ᱠᱟᱞᱟᱠᱟᱨᱤ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2020

Tide and Stream ᱠᱟᱞᱟᱠᱟᱨᱤ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ

Huifeng Lin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Bsa Design

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#104368 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Tide and Stream ᱠᱟᱞᱟᱠᱟᱨᱤ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱴᱟᱭᱤᱰ ᱟᱨ ᱥᱴᱨᱤᱢ ᱫᱚ ᱜᱩᱟᱝᱡᱚᱩ ᱨᱮᱭᱟᱜ ᱢᱮᱫ ᱚᱲᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱ ᱢᱤᱫ ᱠᱟᱞᱟᱠᱟᱨᱤ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱠᱟᱱᱟ ᱾ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱰᱟᱦᱟᱨ ᱴᱩᱠᱩ ᱦᱟᱛᱟᱣ ᱦᱚᱲ ᱫᱚ ᱴᱟᱭᱤᱰ ᱠᱚ ᱪᱤᱱᱦᱟᱹ ᱵᱟᱲᱟᱭᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱮᱴᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱷᱚᱱ ᱜᱩᱟᱝᱡᱚᱩ ᱛᱮ ᱟᱜᱩ ᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱪᱤᱱᱦᱟᱹ ᱵᱟᱲᱟᱭᱮᱫᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱨᱚᱝᱮ ᱨᱚᱝ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱡᱟᱣᱟᱭ ᱦᱚᱲ ᱠᱚ ᱛᱟᱦᱮᱸ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾ ᱞᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱢᱮᱴᱟᱞ ᱴᱩᱠᱩ ᱫᱚ ᱥᱴᱨᱤᱢ ᱠᱚ ᱪᱤᱱᱦᱟᱹ ᱵᱟᱲᱟᱭᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱡᱤᱱᱤᱥ ᱠᱚ ᱪᱤᱱᱦᱟᱹ ᱵᱟᱲᱟᱭᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱠᱚ ᱢᱚᱡᱵᱩᱛ ᱟᱨ ᱢᱟᱱᱮ ᱛᱮ ᱠᱩᱢᱩᱴ ᱠᱟᱱᱟ ᱾ ᱠᱮᱱᱴᱚᱱᱤᱡ ᱞᱟᱠᱪᱟᱨ ᱟᱨ ᱜᱩᱟᱝᱡᱚᱩ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱢᱚᱱ ᱦᱟᱛᱟᱣ ᱠᱟᱱ ᱟᱠᱷᱚᱨ ᱠᱚ ᱫᱚ ᱟᱨᱜᱩᱭ ᱞᱟᱹᱠᱛᱤ ᱛᱟᱭᱚᱢ ᱴᱟᱭᱤᱯ ᱯᱞᱮᱴ ᱞᱮᱠᱟ ᱛᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱥᱮᱢᱯᱮᱱ ᱥᱚᱱᱟ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱥᱴᱮᱱᱞᱮᱥ ᱤᱥᱴᱤᱞ, ᱰᱟᱦᱟᱨ ᱴᱩᱠᱩ ᱮᱠᱨᱤᱞᱤᱠ ᱟᱨ ᱥᱤᱞᱠᱥᱠᱨᱤᱱ ᱥᱴᱮᱱᱞᱮᱥ ᱤᱥᱴᱤᱞ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Tide and Stream ᱠᱟᱞᱟᱠᱟᱨᱤ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Tide and Stream ᱠᱟᱞᱟᱠᱟᱨᱤ ᱤᱱᱥᱴᱟᱞᱮᱥᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The upper transparent part represents "tide", standing for things brought to Guangzhou from other places. Colorful and dazzling elements are loved by young people. The lower metal part stands for "stream", representing indigenous things of the inland that are strong, rich, and meaningful. Characters we believe that carry the Cantonese culture and Guangzhou people's life attitude are displayed there in the form of movable type plates.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 800mm x Depth 800mm x Height 350mm
ᱴᱮᱜ ᱠᱚ
Tide and stream, Pearl River, Guangdong-Hong Kong-Macao Greater Bay Area, Cantonese culture, inclusiveness, dissemination, water culture
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Materials: Champaign gold stainless steel, transparent acrylic, silkscreen stainless steel.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Digital design method was applied for 3D modeling when designing the installation. Since the artist hoped it would be a building entity, structural calculation and incident light calculation were carried out during the design process. The space underneath the installation is the first overhead layer of the building. The streamlined metal shape can form flowing air at the bottom of the building, while allowing natural light to refract at the bottom of and inside the building.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The artist hoped the exquisite and gorgeous appearance could attract young people fond of contemporary art to appreciate the installation. They might discover what's in and behind the installation during the process of appreciation and finally get interested and think about it. The artist provided a trigger point for the audience to reflect on and think about traditional local culture, hoping more people to know about Guangzhou, an ancient and special city, from its developmental history to unique inclusiveness and to its particular role in world cultural exchange and integration.
ᱯᱨᱮᱨᱚᱱᱟ
Through years of the observation of the Pearl River tides, the designer discovered something interesting: the river water is cyan blue at high tide, and is mostly chartreuse at low tide. Cyan blue is the color of the sea while chartreuse is the color of upstream rivers. It seems to tell us the amusing phenomenon that when tides and streams converge, tides flow upward to the land and streams downward to the sea. Based on that, the design team created the artistic installation, Tide and Stream.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in October 2019 and finished in December 2019 in Guangzhou.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The designers used an artistically abstract way to express the phenomenon of tide upward and stream downward; tried to describe the similar scene where the Chinese and Western cultures collide in Guangzhou; and hoped to make visitors understand the inclusiveness of Guangzhou culture.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Chief designer: Huifeng Lin
Designer: Mi Kwan
Designer: Zihao Situ
Designer: Zhiyua Pan
Designer: Qigang Feng
Design company: BSA DESIGN
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1-Image #5: Photographer Y studio
Main image is Image #1, Optional Image #1 is Image #2, Optional Image #2 is Image #3, Optional Image #3 is Image #4, Optional Image #4 is Image #5.

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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