Yingyi Chen ᱨᱮᱱᱟᱜ The Metamorphosis Kapoṛ ᱫᱚ ᱯᱷᱮᱥᱚᱱ, ᱞᱤᱡᱟᱹ ᱟᱨ ᱵᱟᱥᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱯᱷᱮᱥᱚᱱ· 2021
The Metamorphosis Kapoṛ
Yingyi Chen ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Sculpture studio
ᱯᱷᱮᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#106017 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Metamorphosis Kapoṛ ᱵᱟᱵᱚᱛ ᱛᱮ
Metamorphosis kau ge okoi handcrafted kapoṛ, mutation ar evolution reaká́ ideas te inspire akana. Nowa design kau exaggerated janwar skeleton reaká́ lekhá́ te bengeḍ akana, ho hormo re fit hoṛ lekhá́ te. Nowa gaṛeda korom hoṛ ar janwar reaká́ cross image lekhá́ te lel akana. Nowa kapoṛ kau biodegradable plastic, leather ar up te bengeḍ akana. Plastic kau scrap material kanae, oka kau up sathe hot press ho akan re fabric lekhá́ te bengeḍ akana. Leather ar up kau studio reaká́ leftover ar barbershop reaká́ waste khon recycle akana. Ti, tiyu, latar, kata ar kata pahiliya part reko sanam ḍaṛea ar mesa dohoṛao ḍaṛea, jaha kau easy te sen aṛa baḍae naya te bodolao lagit'.
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Metamorphosis Kapoṛ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Metamorphosis Kapoṛ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- In concepts of mutation and evolution,this design are based on exaggerated animal skeletons and designed to fit the body which is grounded in a unique visual interpretation of animal anatomy, building upon existing skeleton structures to create it that appear as natural properties of the human body, suggesting strength, power and sensuality—a cross-image of human and animal, an atemporal, supreme creature, beyond past and future.The design was handcrafted with degradable plastic, leather, hair.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 520mm Width x450mm Depth x 1200mm Height
- ᱴᱮᱜ ᱠᱚ
- Mutation, Metamorphosis, Leather, Plastics, Body
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The metamorphosis of human was made of degradable plastic, leather and hair. Biodegradable plastics are scrap materials provided by relevant manufacturers.Then apply the hot pressing technique and add the hair to form the fabric; Leather is the leftover material in the daily use of the studio, which is stitched after recycling. Hair comes from barbershop waste. As time went by, the work was finally broken down completely.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- First, how to express the texture of human skin in the future is an important problem. Second, the joints of the fingers, the part of the tail, the bulging part of the back, these details are a polyhedron, the model is more difficult to make.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The production process of this work is just like that of sculpture. In the process of human birth-development-metamorphosis, it is continuously ground, bent and processed. This process is the transformation from the original ape-man to the "synthetic material" of modern man. I have studied the medical aspects of the human body, and I have learned about the evolution of human beings in various ways in ancient times, such as the stage from crawling to standing upright. These studies and experiments laid the foundation for the project.
- ᱯᱨᱮᱨᱚᱱᱟ
- "What began as such a simple form has evolved, and continues to evolve, into the most beautiful and wonderful of infinitely many forms." Charles Darwin said.Concepts of mutation and evolution are explored in order to develop a contemporary cross-image of human and animal, an atemporal, supreme creature, beyond past and future.All of the objects were handcrafted.Leather and hair are form recycling. Eventually this design was broken down into a new cycle.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in January 2020 and finished in March 2020 in China.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Each part of The metamorphosis of human could be disassembled and reassembled, for example, The arms, hands, front, back, and foot ornaments. This is for ease of wear and tear, freedom of movement, and the ability to replace or add parts in the future, thus achieving a process of constant renewal and evolution.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyright to Yingyi Chen
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: photographer Zhiming Li, Model Quansi Liu, 2020
Image #2: photographer Zhiming Li, Model Quansi Liu, 2020
Image #3: photographer Zhiming Li, Model Quansi Liu, 2020
Image #4: photographer Zhiming Li, Model Quansi Liu, 2020
Image #5: photographer Zhiming Li, Model Quansi Liu, 2020
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