ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Steph Lee ᱨᱮᱱᱟᱜ Deconstruction Art Residential Interior Design

Steph Lee ᱨᱮᱱᱟᱜ Deconstruction Art Residential Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2021

Deconstruction Art Residential Interior Design

Steph Lee ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: S.l. Space Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#106999 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Deconstruction Art Residential Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ

Deconstruction Art ge Taiwan reyaʼ Taipei sahar re sampurna kanaʼ mit'ẽ residential interior design kan. Ground floor re living room, dining room ar kitchen ko open plan re bhagaoʼ akana, jahaʼ do bugi cholko circulation benaoʼ a ar hormo hormo ko goṭe re oṇṭe lagit rasika edaʼ kata. Mit'ẽ maranaʼ L-akar reyaʼ jharkha ge upper level reyaʼ dining room ar nichere thakaʼ living room seŋgel ko juṛaoʼ kate, sing ciraʼ ar harit najar ko bhitri konaʼ re ito a. Bakhrare thakaʼ dhuaṛ ko cabinet ko baŋ nel lekhaʼ tehen benaoʼ a ar unkuʼ visual bhar ko kam me a. Saral sahed ko ar mananaʼ range ko mit'ẽ santi ar sundara paribeś benaoʼ a.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Deconstruction Art Residential Interior Design ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Deconstruction Art Residential Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The design starts from an open scale that focuses a spacious field of view, an open style design planning for the living room, dining room, and kitchen on the 1st floor makes a smooth space circulation through the use of multi layer construction and further becomes the connecting factor to make a closer family relationship, integrating the completed functions for each area in the building.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The interior area of this project is about 460 square feet.
ᱴᱮᱜ ᱠᱚ
deconstruction, open style, overlapping, interior scenery, low key color tone
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
A large area L shaped window is decorated in the living room, which makes a spatial connection between the dining room at the upper storey and the living room at the lower one. Plentiful sunlight and natural green atmosphere are cast into the inner corner to demonstrate the house's simple essence through the changes of up and low layers, the extensions between lines and planes, and to create the diversity of layers for the circulation space.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The existing and bad housing conditions of the building must be considered as the key project planning before becoming as the design items, such as strengthening the structures of floors and walls, making a lightweight design of staircase, improving the waterproofing treatment for the entire building, making sure sufficient sunlight and smooth air flow, and improve the building construction.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Comparing to the luxurious design, the designer pays more attention to the expression of medium essence and the enlightenment for the spirit of living. A hidden wall door design is used for all cabinets of this project and an invisible look is decorated for the doors of cabinets; what these design techniques do are to lower the pressure that the cabinets may cause, reflect the lightweight and graceful from the changing light and shadow, feel a spacious horizon and enjoy a relaxing and comfortable life.
ᱯᱨᱮᱨᱚᱱᱟ
The designer adopts the techniques of overlapping and extending the light and colors in the space to create a multi layered contextual architecture viewpoint to demonstrate how plentiful the interior scenery is and show how it becomes the perfect communication bridge between house and people.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in July 2019 and located at Taipei city, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
While the physical connection appears between the light and shadow, the chemistry relationship happens to the virtual and solid space boundaries. The uses of simple mediums and low-key colors are to create an understated and elegant attitude, the designer expects to continue the style of this massing through the connection between the unframed scenery and urban city in order to achieve the objective of weakening the areas' interfaces and maintaining the atmosphere.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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