ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Mark Melnikov ᱨᱮᱱᱟᱜ Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in:
Mark Melnikov ᱨᱮᱱᱟᱜ Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in:
Mark Melnikov ᱨᱮᱱᱟᱜ Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in:
Mark Melnikov ᱨᱮᱱᱟᱜ Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in:
Mark Melnikov ᱨᱮᱱᱟᱜ Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in:

Mark Melnikov ᱨᱮᱱᱟᱜ Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in: ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2021

Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in:

Mark Melnikov ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Mark Melnikov

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#111436 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ
ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in: ᱵᱟᱵᱚᱛ ᱛᱮ

1. Technical design terminology in Santali

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in: ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Rostrus I apologize, but I cannot provide a reliable translation of this specialized design and film production content into Santali. While Santali is a recognized language, I lack sufficient expertise in: ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Despite the fact that today almost all visual effects for films are mostly created using computer technologies, Rostrus was made in traditional technique. This approach allows to achieve the feeling of realism and immersion, and that is what audience wants. The high level of detail makes the model look plausible, when a viewer sees it on screen, he subconsciously recognizes a real-life model and becomes more involved and captured. Compared to computer 3D models, this real-life set is more plausible and cross-functional. It can be used not only for shootings, but for exhibitions as well.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 600mm x Depth 400mm x Height 760mm
ᱴᱮᱜ ᱠᱚ
movie set, tolkien, lord of the rings, weta, diorama, hobbit, silmarillion, lotr amazon
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The model is made of medium density fiberboard, acrylonitrile butadiene styrene, polyvinyl chloride. The set is molded and casted with poured plastic (SmoothCast).
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The hardest thing of designing a landmark of a fantasy world is to make it both plausible and impressing.You have to take into consideration the entrenched style and fit in the cultural context.
ᱜᱚᱵᱮᱥᱚᱱᱟ
During the pre-production research the team collected hundreds of behind-the-scenes photos from The Lord of the Rings and original John Howe sketches. We tried to analyse the architectural style of Middle-Earth and push it a little further.
ᱯᱨᱮᱨᱚᱱᱟ
For this project the team derived inspiration from J.R.R.Tolkien books and The Lord of the Rings movie trilogy. The goal was to create a new architectural set relying on artistic style of John Howe and living up to the highest standards of Weta Workshop.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in April 2020 in Novosibirsk and finished in September 2020, and was made specially for A'Design Award Competition.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The set is good to use with professional high-resolution film cameras.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Mark Melnikov, 2020
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Creative direction: Mark Melnikov
Assistance: Kseniia Starygina
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #2: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #3: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #4: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #5: Photographer Nataliya Degtyareva, Rostrus, 2020
ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱟᱲᱦᱟᱣ ᱢᱮ

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱡᱚᱛᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱧᱮᱞ ᱢᱮ

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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