Yang Bing and Hao Liyun ᱨᱮᱱᱟᱜ Evd ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2021
Evd ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Yang Bing and Hao Liyun ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: EVD Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#112174 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Evd ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
EVD ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱥᱟᱸᱜᱷᱟᱭ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱚᱯᱷᱤᱥ ᱟᱨ ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ 300 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱦᱟᱹᱵᱤᱡ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱨᱩᱯ ᱫᱚ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ ᱠᱚ ᱱᱟᱶᱟ ᱦᱚᱨ ᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ ᱡᱮᱢᱚᱱ ᱡᱟᱹᱣ ᱡᱩᱜ ᱛᱟᱦᱮᱱ ᱨᱮᱱᱟᱜ ᱵᱷᱟᱵᱽᱱᱟ ᱥᱮᱞᱮᱫᱚᱜᱼᱟ᱾ ᱢᱤᱫ U ᱨᱩᱯᱟᱱ ᱴᱷᱟᱶ ᱫᱚ ᱢᱤᱫ ᱡᱤᱞᱤᱧ ᱥᱮᱫ ᱟᱨ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱟᱨᱟᱝ ᱡᱷᱟᱨᱠᱟ ᱥᱟᱶ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱫᱟᱨᱮᱭᱟᱜ ᱢᱟᱨᱥᱟᱞ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱵᱚᱞᱚᱜᱼᱟ ᱟᱨ ᱟᱡᱟᱫᱽ ᱛᱮ ᱯᱟᱥᱱᱟᱣᱜᱼᱟ᱾ ᱵᱷᱤᱛᱨᱤ ᱴᱷᱟᱶ ᱥᱚᱵᱷᱟ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱞ ᱨᱩᱯ ᱠᱚ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱥᱮᱸᱜᱮᱞ ᱵᱟᱸᱪᱟᱣ ᱯᱟᱭᱤᱯ ᱟᱨ ᱮᱭᱟᱨ ᱠᱚᱱᱰᱤᱥᱚᱱ ᱰᱚᱠᱴ ᱠᱷᱚᱱ ᱦᱩᱭ ᱟᱠᱟᱱ ᱴᱷᱮᱠᱟ ᱠᱚ ᱥᱚᱢᱟᱫᱷᱟᱱ ᱛᱮ ᱮᱛᱦᱚᱵᱚᱜᱼᱟ᱾ ᱟᱭᱢᱟ ᱠᱟᱸᱛᱷ ᱨᱮ ᱥᱤᱯᱤ ᱦᱩᱲᱩ ᱟᱨ ᱫᱟᱨᱮ ᱟᱴᱷᱟ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱟᱨᱴ ᱨᱚᱝ ᱠᱚ ᱵᱮᱵᱷᱟᱨᱚᱜ ᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Evd ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Evd ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Type: office and exhibition area
Area: 300 sqm - ᱴᱮᱜ ᱠᱚ
- Evd, office, workplace, classical aesthetics, Classical spatial languages
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
- ᱯᱨᱮᱨᱚᱱᱟ
- The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- April 2019-September 2019, Shanghai
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Design team: Yang Bing, Hao Liyun
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Super Yingxiang
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
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