ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yi Jen Li ᱨᱮᱱᱟᱜ For Better Life ᱨᱮᱦᱮᱨᱮᱱ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱰᱤᱡᱟᱭᱤᱱ

Yi Jen Li ᱨᱮᱱᱟᱜ For Better Life ᱨᱮᱦᱮᱨᱮᱱ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021

For Better Life ᱨᱮᱦᱮᱨᱮᱱ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱰᱤᱡᱟᱭᱤᱱ

Yi Jen Li ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Moore Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#112223 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

For Better Life ᱨᱮᱦᱮᱨᱮᱱ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

For Better Life ᱴᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱛᱟᱭᱯᱮᱭ ᱡᱚᱛᱚ ᱨᱮ ᱢᱤᱫ ᱪᱟᱠᱨᱤ ᱮᱢ ᱠᱚᱨᱟᱣ ᱠᱚᱨᱟᱛᱮ ᱫᱚ ᱢᱤᱫ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱾ ᱡᱚᱛᱚ ᱠᱷᱚᱞᱟᱲ ᱯᱞᱮᱱ ᱫᱚ ᱠᱷᱚᱴ ᱵᱟᱸᱲᱤᱭᱟᱜ ᱟᱨ ᱦᱚᱸᱠᱚ ᱵᱟᱭ, ᱡᱟᱦᱟᱸ ᱡᱟᱦᱟᱸ ᱡᱟᱠᱮᱫ ᱦᱟᱹᱲᱟᱢ ᱦᱚᱲᱠᱚ ᱛᱟᱭᱚᱢ ᱟᱹᱰᱤ ᱵᱤᱸᱫᱟᱹ ᱠᱷᱚᱱ ᱪᱟᱞᱟᱜ-ᱪᱟᱞᱚᱜ ᱮᱢ ᱮᱢᱟᱜᱼᱟᱭ ᱾ ᱢᱟᱨᱟᱝ ᱠᱷᱤᱲᱠᱤᱲᱤ ᱠᱚ ᱫᱚ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱟᱹᱨᱤ ᱠᱚᱢ ᱟᱨ ᱪᱮᱴᱟᱫ ᱡᱟᱦᱟᱱ ᱦᱤᱡᱩᱜ ᱠᱚ ᱟᱹᱛᱩ ᱮᱫᱟᱭ ᱾ ᱵᱟᱨᱪ ᱯᱞᱭᱩᱰ, ᱥᱤᱢᱮᱱᱴ ᱤᱴ, ᱫᱟᱨᱩ ᱵᱷᱟᱺᱲᱟ, ᱵᱟᱦᱨᱮ ᱠᱷᱚᱱ ᱟᱹᱱᱟᱛ ᱴᱟᱭᱞᱥ ᱟᱨ ᱯᱟᱭᱤᱱ ᱫᱟᱨᱩ ᱠᱚ ᱫᱚ ᱠᱟᱢ ᱞᱟᱹᱠᱛᱤ ᱤᱫᱤ ᱦᱤᱲᱤᱧ ᱠᱩᱲᱤ ᱛᱮ ᱟᱡ ᱨᱩᱯ ᱨᱮ ᱵᱮᱵᱚᱦᱟᱨ ᱟᱠᱟᱱᱟ ᱾ ᱡᱮᱴᱟᱜ ᱡᱤᱱᱤᱥ ᱫᱚᱦᱚ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱸᱣ ᱫᱚ ᱢᱤᱫ ᱡᱟᱯᱟᱱᱤ ᱞᱮᱠᱟᱛᱮ ᱩᱪᱟᱹ ᱠᱚᱴᱷᱟ ᱨᱮ ᱡᱟᱴᱟᱜ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱮᱴᱟᱜ ᱠᱚᱴᱷᱟ ᱠᱚ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱥᱮᱞᱯ, ᱚᱛᱟ ᱟᱨ ᱠᱷᱩᱞᱟ ᱟᱞᱢᱤᱨᱟᱦᱠᱚ ᱵᱮᱵᱚᱦᱟᱨ ᱟᱠᱟᱱᱟ ᱾ ᱨᱚᱝ ᱨᱚᱝ ᱫᱚᱲᱟᱭ ᱟᱨ ᱫᱩᱯᱟᱹᱨᱟᱜᱚᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱡᱟᱦᱟᱸ ᱛᱮ ᱫᱚ ᱚᱛᱟᱭ ᱟᱨ ᱡᱤᱣᱤᱭᱟᱹᱱ ᱚᱠᱛᱚ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

For Better Life ᱨᱮᱦᱮᱨᱮᱱ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ For Better Life ᱨᱮᱦᱮᱨᱮᱱ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In response to the excellent surrounding environment of this project, the open style space welcomes the Beitou most precious ecological greenery, forming a peaceful world for two people. In addition, from the moment of entering the space, the space is full of interesting elements such as round hooks, geometric display cabinets, pinewood pegboards, colorful furniture, and soft furnishings. Through visual extension and interaction, the connecting sceneries are in harmony and consists of modernity, enjoyment, and simplicity.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The design team broke away from the conventional technique of hiding the beams. Instead, they were covered in wood to maximize their existence, shaping the drop ceiling common in Taiwanese homes. There are also new ideas about the decor. The custom-made restaurant light fixtures are inspired by snowflake building blocks children play with and act as exquisite modern lighting and make the overall space type more integrated and inclusive, with the clients childhood memories, the old taste of Taiwan, and a brand new future all present.
ᱴᱮᱜ ᱠᱚ
Senior house, simple, modern, childlike, retro
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The design team followed the idea of simplifying and only used birch plywood, cement bricks, wooden flooring, imported tiles, and pinewood and presented them in their original forms with minimum processing, thereby reducing cumbersome construction and loss of surface materials while protecting the environment through the designing process.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In order to create a simple and clear space, the facade of the whole space is presented in white, and the storage cabinets are mostly open. However, for the elderly, white is a cold and monotonous color, and the open cabinet also has doubts about being dirty. Through a long period of communicating with the client about design, the design team not only enriches the pure white space with some warmth but also provides more convenience and accessible space design.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Broke away from the concept of conventional retirement homes and upheld the core value of "environment first, space second". With vibrant yet elegant colors, simple and clean material vocabulary, and creative designs rich in "Taiwanese flavors", created a leisurely and relaxing atmosphere in the vast and unpretentious space. In addition to the multi-functional Japanese-style room, the step-less design and the hollow, open storage function perfectly construct a convenient, barrier-free life.
ᱯᱨᱮᱨᱚᱱᱟ
The design team balances practical functionalities and the spiritual. A space rich in humanity was brought forth through open, semi-penetrated, and blank motifs. Natural light and greenery are invoked by maximizing windows so that the environment and people complement each other. To subvert the impression of elderly living space, the team utilized elegant, casual, and vivid colors and soft furnishings to introduce a younger visual experience and creative ideas, thereby giving the residents a vibrant, elegant, and wise "twilight aesthetics".
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was completed in September 2019 in Taipei City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Taking the safety consideration of the elderly and convenience into account, the whole residence is open and barrier-free. All storage functions are concentrated in the elevated Japanese-styled room, while the other rooms are equipped with shelves, platforms, hollow cabinets, etc., creating simple yet complete practical functionalities. In order to interpret a new concept of retirement, the designers installed colorful furniture and soft decoration, exquisite, interesting creative designs for the couple.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
TIEN-WUN LI, YI-JEN LI
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Moore Design

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ