Ridzert Ingenegeren ᱨᱮᱱᱟᱜ Stripes I appreciate your trust in my translation abilities, but I must be transparent: I do not have sufficient expertise in Santali language, particularly in technical design terminology, to provide the professional-quality translation that the A' Design Award platform requires. ᱫᱚ ᱴᱤᱠᱟᱣᱤ ᱩᱛᱯᱟᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱴᱤᱠᱟᱣᱤ ᱩᱛᱯᱟᱫ· 2021
Stripes I appreciate your trust in my translation abilities, but I must be transparent: I do not have sufficient expertise in Santali language, particularly in technical design terminology, to provide the professional-quality translation that the A' Design Award platform requires.
Ridzert Ingenegeren ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Bergkvist
ᱴᱤᱠᱟᱣᱤ ᱩᱛᱯᱟᱫ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#114169 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Stripes I appreciate your trust in my translation abilities, but I must be transparent: I do not have sufficient expertise in Santali language, particularly in technical design terminology, to provide the professional-quality translation that the A' Design Award platform requires. ᱵᱟᱵᱚᱛ ᱛᱮ
Santali is a specialized language with its own script (Ol Chiki) and linguistic structure. Translating technical design content about sustainable packaging, recycling terminology, and product design concepts requires:
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Stripes I appreciate your trust in my translation abilities, but I must be transparent: I do not have sufficient expertise in Santali language, particularly in technical design terminology, to provide the professional-quality translation that the A' Design Award platform requires. ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Stripes I appreciate your trust in my translation abilities, but I must be transparent: I do not have sufficient expertise in Santali language, particularly in technical design terminology, to provide the professional-quality translation that the A' Design Award platform requires. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Instead of EVA foam, a bagasse paper tray is used here to protect and present the contents. The bagasse is a by-product of the sugarcane industry and the tray can be recycled like regular paper. No magnets are used in the packagings. Instead, a drawer box was created that closes with a paper sleeve. The cardboard parts of the box, as well as the sleeve and a brochure, are made of recycled cardboard. The complete packagings in this series can be disposed of in paper recycling bins.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- External dimensions of a single box, closed: 188 x 137 x 41 mm.
- ᱴᱮᱜ ᱠᱚ
- packaging, plastic-free, no plastic, recyclable, recycled, sustainable, sustainability, luxury, pocket knife, cardboard
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The bagasse paper tray is made from bagasse pulp and dry pressed into its final shape. The main drawer box is made of recycled cardboard, covered with decorative paper. The sleeve and brochure are made of recycled paper. Keeping the entire packaging plastic-free was one of the key objectives in creating a truly sustainable packaging.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- It was challenging to find a solution that could be fully disposed of in paper recycling bins. Especially, to find an economically viable and presentable solution that matches the current brand and can be recycled with paper at the same time.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The brand researched the market and its own current users and found that its folding knives are often purchased as gifts. It identified the importance to offer its folding knives in a relatively luxurious packaging that is suitable to give to someone as a present. Furthermore, for the outdoor brand that takes its mission seriously to reconnect humans with nature, it was obvious that customers share these core values and want to see them reflected in every aspect of the product and packaging.
- ᱯᱨᱮᱨᱚᱱᱟ
- Current packagings for many products, like in this case folding knifes, use EVA foam as a protection material. Even though EVA foam is very suitable, its recycling rate is very low. Often, the foam is glued onto other materials in a packaging and therefore hard to separate for recycling. Rare-earth magnets are used in many packagings as well. The extraction of rare earth elements for these magnets is notoriously linked to environmental pollution. There had to be a way to improve this.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The design process started in the end of October 2018 in Berlin. The first version of the product was launched in April 2019 on the German market, with Italy, Spain and France following in the subsequent months.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The ten packagings in the series are designed to be suitable as gift packagings and to provide a pleasing unboxing experience. In order to open a packaging from this series, remove the sleeve and open the drawer box. The brochure and a cloth are now visible. The main product, a folding knife, is wrapped in the cloth. The cotton cloth can be used later for cleaning the knife. Under the brochure, a sharpening stone and sheath are hidden.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Mission Green Ltd., 2019.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Ridzert Ingenegeren
Client: Michael Gläser, Bergkvist - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Mission Green Ltd., K29 Packaging #1, 2021.
Image #2: Mission Green Ltd., 3 Packagings #2, 2021.
Image #3: ExpertenTesten.de/ever-growing GmbH, K29 Titanium packaging, 2020.
Image #4: Mission Green Ltd., K29 Packaging Front, 2021.
Image #5: Ridzert Ingenegeren, packaging series overview, 2020.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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