ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Anqi Zhao and Tianyi Zhang ᱨᱮᱱᱟᱜ The Emperor's New Gem ᱟᱹᱫᱷᱩᱱᱤᱠ ᱜᱚᱦᱱᱟ

Anqi Zhao and Tianyi Zhang ᱨᱮᱱᱟᱜ The Emperor's New Gem ᱟᱹᱫᱷᱩᱱᱤᱠ ᱜᱚᱦᱱᱟ ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱜᱟᱦᱱᱟ· 2021

The Emperor's New Gem ᱟᱹᱫᱷᱩᱱᱤᱠ ᱜᱚᱦᱱᱟ

Anqi Zhao and Tianyi Zhang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Zhao & Zhang Studio

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#114406 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Emperor's New Gem ᱟᱹᱫᱷᱩᱱᱤᱠ ᱜᱚᱦᱱᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱯᱮ-ᱢᱟᱹᱴᱤᱭᱟᱹ ᱟᱨ ᱥᱚᱢᱟᱱ ᱛᱚᱦᱚ ᱨᱮᱭᱟᱜ ᱵᱮᱱᱟᱣ ᱛᱟᱞᱟᱨᱮ ᱥᱚᱢᱛᱩᱞ ᱫᱚ ᱯᱩᱨᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱵᱩᱡᱷᱟᱹᱣ ᱮᱢᱟᱭ᱾ ᱠᱟᱱ ᱜᱚᱦᱱᱟ ᱫᱚ ᱟᱭᱢᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱠᱟᱛᱮ ᱢᱤᱫ ᱥᱟᱶᱛᱮ ᱢᱤᱥᱟᱹᱣ ᱟᱠᱟᱱᱟ᱾ ᱚᱸᱰᱮ ᱵᱟᱝ ᱞᱟᱹᱠᱛᱤᱭᱟᱜ ᱡᱷᱟᱸᱡᱽ ᱪᱤᱛᱟᱹᱨ ᱵᱟᱹᱱᱩᱜᱼᱟ, ᱟᱨ ᱛᱟᱞᱟ ᱴᱷᱟᱶ ᱫᱚ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱫᱷᱟᱹᱨᱤ ᱥᱟᱶ ᱯᱩᱨᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫ ᱥᱟᱯᱷᱟ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱵᱚᱫᱚᱞ ᱮ ᱮᱢᱟᱭ᱾ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱪᱮᱛᱟᱱ ᱠᱟᱹᱢᱤ ᱟᱨ ᱥᱟᱢᱟᱱ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱢᱮᱥᱟ ᱦᱚᱸ ᱟᱹᱰᱤ ᱢᱤᱞᱟᱹᱣ ᱜᱮᱭᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Emperor's New Gem ᱟᱹᱫᱷᱩᱱᱤᱠ ᱜᱚᱦᱱᱟ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Emperor's New Gem ᱟᱹᱫᱷᱩᱱᱤᱠ ᱜᱚᱦᱱᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This earring only uses one wire to support everything, forming a three-dimensional structure. Make it visually form three surrounding flat shapes, but these surrounding shapes are only make a transition in one flat. Then they are interspersed and combined at different angles to form the final three-dimensional space.
Overall use of metalworking and inlay craftsmanship.The position of the "None Gem" gemstone holder uses a surface frosting treatment to make it more distinctive from the main part.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
66mm long, 25mm wide.
ᱴᱮᱜ ᱠᱚ
Contemporary, Modern Jewelry, Geometry, Metalworking
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Metalworking and inlay craftsmanship, s925 silver material.
Artificial stone.Silver plated platinum and gold finish.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The most difficult part of this project is how to achieve consistency in the perspective of each product when making it. Because it is purely handmade, there will be some slight deviations when adjusting each different spatial angle, but any slight deviation will also change the final shape. So we spent a lot of time and energy to adjust it when making the plate, and because of the characteristics of the silver material itself, we still need to constantly adjust its load-bearing capacity and center of gravity and whether the final weight is acceptable.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The starting point of this project comes from the problems and feelings we encountered in the actual design and production of products in the past year by talking to hundreds of customers and trying to understand their needs.We find that many people have misunderstandings about the material, and they will simply judge the value and price of a work based on whether it has a complicated shape and beautiful gems etc.. Even our family.In many cases, the size of a gem in the eyes of consumers is even greater than to feel a work. This reminds us of many fairy tales we have seen when we were young.
We have also made many models to adjust its structural form and spatial display, in order to allow people to pay more attention to the design itself.
ᱯᱨᱮᱨᱚᱱᱟ
Niceness are always easy to be overwhelmed, just like gems. It will make people trance, and also make people no longer satisfied with appreciation. The fairy tale of "The Emperor's New Clothes" gave us lots of inspiration.At the moment when many people are chasing excess material desires and endless comparison psychology, we want to express through this work to tell people whether they have it or not,all is well.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in December 2019 in Beijing and finished in April 2020 in Wuhan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
According to different light exposure and different structural space display, it creates different visual effects. It looks like a separate picture from every angle.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Anqi Zhao,2020.
Trademark (2018) Anqi Zhao
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Anqi Zhao and TianYi Zhang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Total Image : Photographer Xi Ai, Anqi Zhao. / Illustrator Anqi Zhao, Xi Ai.

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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