ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yi-Lun Hsu ᱨᱮᱱᱟᱜ Nature Apartment भितरी डिजाइन

Yi-Lun Hsu ᱨᱮᱱᱟᱜ Nature Apartment भितरी डिजाइन ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2021

Nature Apartment भितरी डिजाइन

Yi-Lun Hsu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Minature Interior Design Ltd.

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#116697 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Nature Apartment भितरी डिजाइन ᱵᱟᱵᱚᱛ ᱛᱮ

ने' केस रेयाक् मुखिया डिजाइन सिधान्त काना दो दिना उजाड़, हरित आर दारु तेत्तु. डिजाइनर पुरान् टाटामी रुम आर बाञ ञेती भण्डार एमाक् आर सोमोस्त् ठाउँ तिन गो रुम रे आर मेन्ते बाङओक् चाहेञा. सिमित बजट साथे, डिजाइनर बोहोक लुम्बर कोर प्लाईवुड अलमारी रुपे बेभार लेदा. ने' प्रोजेक्ट दारु तेत्तु रेयाक् देसी बानाव उदुक एदा. डिजाइनर पुन्चिङ रेयाक् जुदा जुदा जोड़ाव कोते भितरी ठाउँ रे जुदा ज्यामितीय रोचक्ता सरजाव एदाए.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Nature Apartment भितरी डिजाइन ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Nature Apartment भितरी डिजाइन ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The main design principles of this case is daylight, greenery, and wooden elements. The designer hopes to remove the old tatami room and unnecessary storage, and re-separate whole space into three rooms. At the same time, the windows blocked by cabinets are restored and the green plants are placed.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This space is 100 square meters.
ᱴᱮᱜ ᱠᱚ
Interior Design, Residence
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
At the entrance hall, the designer uses jungle-style hexagonal tiles with cement floor to shape the dust-falling area. Let the owner feel the fresh natural atmosphere as soon as they enter the door. In order to improve the traffic flow and uneasiness space, the designer uses a glass screen as the partition between the entrance and the dinning room. After the traffic flow of the entrance is separated from the kitchen, a warm dining corner is formed.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
This apartment is located in Hsinchu City. The original layout is two rooms and a tatami room which is open to the corridor. Too many cabinets in the room make the tatami room, master bedroom and dressing room lack of daylight and oppressive. Because of the screen in the entrance, the traffic flow of the entrance, the dinning room and the kitchen are staggered. There is not enough space for the dining table.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In the master bedroom and dressing room, the designer removed the old cabinets, restoring three-sided windows and bright sunlight. Arrange the cabinets along the wall and behind the TV wall, the designer keep the maximum lighting area.
ᱯᱨᱮᱨᱚᱱᱟ
With a limited budget, the designer used a large number of lumber core plywood as cabinets with protective paint in the public space. this project presents the rustic texture of the wooden elements.On the lumber core plywood of the shoe cabinet, the designer creates a different geometrical interest for the interior space with the combination of different combinations of punching.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in october 2019 in Hsinchu City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In order to satisfy the storage of books and showpieces, there is a stepped bookshelf combined iron frames and wooden boards behind the sofa. The wooden box on the iron frame can be moved and replaced at will. The homeowner personally put in some pots of green plants to increase warm of the home.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yi-Lun Hsu
Wen-Yuan Hsiao
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Chi-Shou Wang

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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