Przemyslaw Koczkodaj ᱨᱮᱱᱟᱜ Different Maps ओटा कला ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2021
Different Maps ओटा कला
Przemyslaw Koczkodaj ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: DifferentMaps
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#118659 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Different Maps ओटा कला ᱵᱟᱵᱚᱛ ᱛᱮ
ने डिजाइन मित् टुंग ३डी नक्शा कान, जाहां सड़क आर बुनियादी ढांचा लागित् लेजर ते काटा दारु आर दाक् जमा ओड़ाक् लागित् इपॉक्सी रेजिन बाबते तैयार आकान । ने नक्शा दुनिया रेयाक् जाहान् ठाय दो देखाव् दाड़ेयाक् आ, आम रेयाक् जीवन रे मित् टुंग खास गाप् बाड़ति ठाय चेतान् लागित् । नोवा आधुनिक प्रौद्योगिकी बाबते तैयार आकान, आर पुरान् बढ़ई काम रेयाक् कला सांगे लेजर सटीकता रेयाक् नावा संभावना को जोड़ाव् लागित् मेनाक् आकान ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Different Maps ओटा कला ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Different Maps ओटा कला ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The map is a 3D image of any place on Earth. The materials combine wood and epoxy resin, perfectly imitating the locations infrastructure. The layering of the wood and the deep, multi-tone resin give it a sense of depth. The use of real wood and resin makes every map unique, as they have slightly different shades and patterns.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 530 mm x 530 mm x 35 mm
- ᱴᱮᱜ ᱠᱚ
- maps, wood, resin, wall art, city
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The designers used the combination of modern technology and traditional carpentry. The individual street layers are laser-cut from plywood, but it is the manual grinding that gives it a perfect finish. The epoxy resin is poured in a special way and enhances the 3D effect.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The biggest challenge appeared in the process of creating the final piece was to combine the wood and the resin. It took many attempts to eliminate the bleeding of the resin into the wood and to get the final effect of a clean background with the saturated resin reservoirs. Obtaining a smooth, undisturbed surface of the resin was not easy either. It was only after removing numerous factors and hitting the right kind of resin that the designers arrived at the intended result.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The creative duet have drawn from many different experiences in creating this project. While she is more of an artist, he knows a lot about modern technologies. And although the design is mainly craft, the key element in making it is the use of new technologies like lasers, printers, and computers. The maps are then aesthetically pleasant and universal, but at the same time made in high quality. Since wood has its own structure, and the resin flows in different patterns, the map has a unique shade and pattern. It reminds you of one special time or place in your life, and is also one of its kind in form.
- ᱯᱨᱮᱨᱚᱱᱟ
- The authors are a married couple who both come from small cities in Poland and appreciate good art. To their disappointment, they found that it was close to impossible to get a good, original map of their towns. It is usually big cities like Rome, New York or Tokyo that are depicted on various forms of design. So they had an idea: what if it was possible to get your own, even tiniest spot on Earth shown on a map of good quality and design? In the end, not everyone falls in love in Paris, and every little place may want to be remembered.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The development of the project took 2 years. It started in 2018 and ended in 2020.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This piece of art is designed to be part of our closest environment, so that when we look at it we are reminded of our favourite places or moments. It can go in your home, office, hotel, or anywhere else.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Przemysław Koczkodaj
Designer: Anna Koczkodaj
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
