Mayumi Ehara ᱨᱮᱱᱟᱜ Bay Arce Bay Arce ᱨᱮᱥᱴᱚᱨᱮᱸᱴ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱨ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2021
Bay Arce Bay Arce ᱨᱮᱥᱴᱚᱨᱮᱸᱴ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱨ
Mayumi Ehara ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Bay Arce
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#120338 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Bay Arce Bay Arce ᱨᱮᱥᱴᱚᱨᱮᱸᱴ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Bay Arce ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱤᱯᱷᱩᱰ ᱨᱮᱥᱴᱚᱨᱮᱸᱴ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱠᱟᱱᱟᱡᱟᱣᱟ ᱯᱚᱴ ᱨᱮᱭᱟᱜ ᱠᱨᱩᱡ ᱴᱚᱨᱢᱤᱱᱟᱞ ᱵᱤᱞᱰᱤᱸ ᱨᱮ ᱛᱟᱦᱮᱸᱱᱟᱜ ᱠᱟᱱᱟ ᱾ ᱡᱟᱠᱟᱛ ᱡᱟᱭᱜᱟ ᱫᱚ ᱢᱤᱫ ᱯᱩᱨᱟᱹ ᱜᱞᱟᱥ ᱪᱟᱴᱟᱝ ᱠᱷᱚᱱ ᱫᱟᱨᱤᱭᱟᱛᱮ ᱢᱩᱠᱷ ᱠᱟᱱᱟ, ᱟᱨ ᱫᱟᱨᱤᱭᱟᱛ ᱨᱮᱭᱟᱜ ᱫᱟᱲᱮᱭᱟᱜ ᱫᱚ ᱠᱚᱨᱟᱣ ᱠᱷᱚᱱ ᱡᱟᱠᱷᱚᱱ ᱦᱟᱴᱤᱧ ᱠᱚ ᱵᱷᱤᱛᱤᱨ ᱨᱮ ᱚᱰᱚᱠ ᱟ ᱚᱱᱟ ᱛᱟᱦᱮᱸᱸ ᱛᱟᱦᱮᱸ ᱫᱮᱠᱷᱟᱣ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱾ ᱡᱟᱠᱟᱛ ᱨᱮᱭᱟᱜ ᱵᱟᱭᱛᱷ ᱫᱚ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱚᱲ ᱟᱠᱟᱨ ᱟᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱡᱟᱦᱟᱡᱽ ᱠᱚ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱛᱟᱦᱮᱸᱸ ᱛᱟᱦᱮᱸ ᱩᱫᱩᱜ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱟ ᱫᱚ ᱤᱥᱷᱤᱠᱟᱣᱟ ᱯᱨᱚᱣᱤᱸᱥ ᱨᱮᱭᱟᱜ Noto Hiba ᱫᱟᱨᱮ ᱨᱮᱭᱟᱜ ᱫᱟᱲᱮ ᱫᱟᱲᱮ ᱴᱩᱠᱨᱟ ᱠᱚ ᱠᱷᱚᱱ ᱵᱟᱱᱟᱣ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱥᱤᱰᱟᱢ ᱛᱮᱡ ᱡᱟᱠᱟᱛ ᱨᱮ ᱡᱟᱠᱟᱛ ᱠᱷᱚᱱ ᱫᱟᱨᱤᱭᱟᱛ ᱧᱮᱞᱚᱜ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱠᱷᱚᱱ ᱫᱮᱠᱷᱟᱣ ᱠᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱢᱤᱫ ᱫᱩᱠᱷᱩ ᱪᱮᱛᱟᱱ ᱛᱮ ᱣᱷᱤᱞᱪᱮᱭᱟᱨ ᱵᱮᱵᱷᱟᱨᱤᱭᱟᱠᱚ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱟᱲᱟᱝ ᱮᱢ ᱚᱠᱟ ᱠᱟᱱᱟ ᱾ ᱫᱟᱨᱮ ᱨᱮᱭᱟᱜ ᱪᱮᱛ ᱫᱚ ᱛᱤ ᱛᱮ ᱵᱟᱝᱠᱟᱣ ᱠᱟᱛᱮ ᱰᱟᱸᱲ ᱨᱩᱯ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱟᱨ ᱚᱠᱟ ᱫᱚ ᱚᱛᱟᱭ ᱨᱮ ᱪᱟᱸᱰᱚ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Bay Arce Bay Arce ᱨᱮᱥᱴᱚᱨᱮᱸᱴ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱨ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Bay Arce Bay Arce ᱨᱮᱥᱴᱚᱨᱮᱸᱴ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The structure of the audience seats cannot be seen from the entrance, and when you enter the store, you can gradually see the audience seats and the sea.
This is similar to the gradual increase in expectations.
The entire audience seats have a large rounded shape and look like a large ship.
If you look closely, the fine wood expresses the craftsmanship of the combination of natural wood colors. In addition, the wooden panel that represents the waves is beautifully lit up on the ceiling. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Floor area: about 230 square meters
- ᱴᱮᱜ ᱠᱚ
- (Kanazawa Port) (Ishikawa Prefecture)
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The wood called Noto Hiba from Ishikawa Prefecture uses materials with excellent characteristics such as deodorant and insect repellent as the foundation.
In addition, the wave shape of the ceiling, which is the image of the waves of the sea, is also made of wood by a very delicate technique.
The whole waist is also beautiful with a combination of fine wooden chips
It creates a rounded shape and looks like a ship. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Metals such as steel bend easily to express the waves on the ceiling, but because the load on the ceiling is too high and I wanted to use wood, I draw a wavy drawing for each sheet and bend with wood. In Earl
I configured it. It is fixed to the ceiling with a fine pin. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- What kind of space composition is comfortable for me? Also, the cozy space will succeed as a commercial space. I always think about that and work.
For this Bay arce, you can enjoy a fresh seafood meal in a space overlooking the sea, so that you can respond to various occasions such as friends, family, lovers, anniversaries and weddings. - ᱯᱨᱮᱨᱚᱱᱟ
- Bay arce is a seafood restaurant located in the Kanazawa Port Cruise Terminal Building.
Not only customers anchored at Kanazawa Port but also Japanese tourists can enjoy it.
The sea side is covered with glass on one side, so you can get a beautiful view of the sea.
For visitors
It is a step floor format from the sea side so that it can be seen from any audience seat. Up to the height of one copy so that it can be used by people in wheelchairs
You can climb on the slope floor.
The sofa seats on the sea side, the round table seats, and the step floor seats are designed so that you can enjoy it even if you come with various people. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in February 2019 in Kanazawa City, Ishikawa Prefecture.
It opened in April 2020. - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photographer Kozo Takayama
ᱥᱯᱚᱱᱥᱚᱨᱰ
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