Ya-Jung Yvane Hsieh ᱨᱮᱱᱟᱜ Paper for Light ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱠᱟᱹᱢᱤ: ᱱᱤᱡᱚᱨᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021
Paper for Light ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱠᱟᱹᱢᱤ: ᱱᱤᱡᱚᱨᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ
Ya-Jung Yvane Hsieh ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Limo Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#121779 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Paper for Light ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱠᱟᱹᱢᱤ: ᱱᱤᱡᱚᱨᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱪᱮᱛᱟᱱ ᱚᱲᱟᱜ: ᱯᱮᱯᱚᱨ ᱯᱷᱚᱨ ᱞᱟᱭᱴ ᱫᱚ ᱢᱤᱫ ᱱᱤᱡᱚᱨᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱢᱮᱰᱤᱴᱮᱥᱚᱱ ᱞᱟᱹᱜᱤᱛ ᱢᱤᱫ ᱥᱟᱱᱛᱟᱜ ᱡᱟᱭᱜᱟ ᱞᱮᱠᱷᱟ ᱨᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱑᱐᱐ ᱵᱚᱨᱚᱜ ᱢᱤᱴᱟᱨ ᱨᱮᱭᱟᱜ ᱚᱲᱟᱜ ᱫᱚ ᱯᱩᱨᱵ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱠᱟᱜᱚᱡ ᱠᱚᱞᱟ ᱠᱚ ᱚᱠᱟᱨ ᱛᱮ ᱯᱩᱸᱡᱤ ᱡᱚᱛᱚ ᱠᱟᱱ ᱵᱟᱵᱚᱛ ᱵᱮᱵᱚᱦᱟᱨ ᱠᱟᱛᱮ ᱦᱩᱭᱪᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱛᱩᱨᱩᱭ ᱴᱷᱚ ᱥᱟᱶᱛᱮ ᱵᱟᱝ ᱪᱤᱫᱚ ᱫᱮᱠᱷᱟ ᱦᱚᱸ ᱨᱮ ᱟᱨᱦᱚᱸ ᱯᱟᱦᱴᱟ ᱨᱮ ᱪᱟᱞᱟᱜ ᱫᱟᱲᱮᱭᱟᱜ ᱴᱨᱮᱠ ᱛᱮ ᱪᱟᱞᱟᱣᱟᱜ ᱢᱮ ᱡᱟᱦᱟᱸ ᱴᱷᱮᱱ ᱛᱮ ᱨᱟᱶᱟ ᱡᱚᱬᱟᱣ ᱵᱟᱦᱟᱨ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶᱠᱟ ᱟᱨ ᱱᱟᱨᱚᱢ ᱠᱚ ᱛᱮ ᱠᱚᱱᱴᱨᱚᱞ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱦᱚᱣᱟ ᱨᱮᱭᱟᱜ ᱪᱟᱞᱟᱣ ᱠᱚ ᱦᱚᱸ ᱰᱚᱦᱲᱟ ᱮᱫᱟ, ᱡᱟᱦᱟᱱ ᱛᱮ ᱠᱩᱛᱩᱢ ᱨᱟᱶᱟ ᱟᱨ ᱦᱚᱣᱟ ᱠᱚᱸᱰᱤᱥᱚᱱᱤᱝ ᱨᱮᱭᱟᱜ ᱫᱚᱨᱠᱟᱨ ᱠᱚᱢ ᱦᱩᱭ ᱠᱟᱱᱟ᱾ ᱴᱷᱟᱹᱰᱤ ᱠᱚ ᱫᱚ ᱚᱨᱤᱜᱟᱢᱤ ᱨᱮᱭᱟᱜ ᱫᱩᱢᱩᱴ ᱠᱟᱜᱚᱡ ᱞᱮᱠᱷᱟ ᱠᱟᱛᱮ ᱥᱮᱸᱫᱽᱨᱟ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱥᱚᱢᱟᱱ ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱪᱮᱴᱟᱱ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱᱟ᱾ ᱠᱟᱴ, ᱪᱟᱶᱟᱞ ᱠᱟᱜᱚᱡ ᱟᱨ ᱰᱟᱭᱴᱚᱢ ᱦᱮᱥᱮᱲ ᱫᱚ ᱨᱚᱸᱰ ᱥᱟᱶᱛᱮ ᱴᱷᱟᱹᱶᱠᱟ ᱴᱷᱤᱠ ᱮᱫ ᱠᱟᱛᱮ ᱯᱞᱟᱥᱴᱤᱠ ᱵᱮᱵᱚᱦᱟᱨ ᱠᱚᱢ ᱛᱚᱫᱚᱜ ᱠᱚ ᱮᱫᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Paper for Light ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱠᱟᱹᱢᱤ: ᱱᱤᱡᱚᱨᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Paper for Light ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱠᱟᱹᱢᱤ: ᱱᱤᱡᱚᱨᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱦᱮᱡ ᱴᱷᱤᱠᱟᱹᱱᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- To create a calm space for meditation, oriental paper art is the concept applied through the project in responding to the light. The Shoji Gate can mediate the intensity of light, which help decreasing the usage of artificial light. To reduce the consumption of plastic and balance the humidity, wood and timber structure became the main material and construction way. In the main space, the layers of light from the movement of Shoji Gate and the from Origami become the space’s response to nature.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The space dimension is 100m square.
- The layers of semi-transparent Shoji Gate can not only mediate the intensity and softness of the natural light but also lead the airflow, which helps reduce the usage of the air conditioner and the artificial light. Meanwhile, the designer applied abundant wood and Diatom mud in this project to balance the humidity and the temperature of the environment.
- The cantilever bench combines two functions: the seat for users and the track of Shoji Gate, which reduces the usage of furniture and provides the space with flexibility. - ᱴᱮᱜ ᱠᱚ
- Oriental space, Shoji Gate, Origami, Engawa, Nature light
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The concept of Origami (paper folding) is expressed from the form of ceiling and the patterns of Shoji Gate. The paper-crease-shaped ceiling and the horizontally-arranged wood floor create the axis of the main corridor, which not only extends users’ vision and provides two different atmospheres (steady and flowing) of the public area. By overlapping the six pieces of Shoji Gate, it becomes the diaphragm of natural light that mediates its softness and influences the user’s senses.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- A new idea by inspiration from oriental paper with real material and concept form to balance the indoor light brightness, air flow, temperature, humidity, etc based on the combinations non-aritfitrual constructed by local wood, rice paper, diatom, natural paint, which the space composited by elements of Shoji Gate, Origami, Engawa, Ceiling into a contemporary building. Break the boundary of traditional Shoji Gate - the six pieces of semi-transparent can be adjusted at any position on the track according to the direction and intensity of the light.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Combine diverse patterns of paper to create the contrast of solid and void in the space: the Shoji Gate versus the dim light; the paper-crease-shaped ceiling and the horizontally-arranged wood floor as the imaginary paper of the vision. - This project is a place for the users to meditate, so 60 percentage of the whole space is designed for the public area. The window bench seat and Shoji Gate in this area serve as the Engawa which create a semi-transparent boundary between the outdoors and the indoors.
- ᱯᱨᱮᱨᱚᱱᱟ
- Recall the importance of natural material- Paper has gradually lost its importance now owing to the development of plastic. However, compared to the plastic products, paper can naturally compose and is more eco-friendly. Furthermore, the characteristic of oriental paper makes it suitable for mediating the light and creating an ambiguous boundary for space, which makes it different from other materials. Therefore, the designer contributes to recall the importance of using natural material in this project. By applying the wood, paper, and Diatom mud, the usage of plastic, artificial light, and air conditioner can be efficiently decreased.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project is finished in Jan 2018 in New Taipei City.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- A Zen space for meditation with naturally oriental paper art, to enjoy the Empty Spirit. One big space invites host to stay in the ambience.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Ya-Jung Yvane HSIEH
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
