ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Chengyi Chen ᱨᱮᱱᱟᱜ Zeal Design ᱚᱯᱷᱤᱥ ᱨᱮᱭᱟᱜ ᱤᱴᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Chengyi Chen ᱨᱮᱱᱟᱜ Zeal Design ᱚᱯᱷᱤᱥ ᱨᱮᱭᱟᱜ ᱤᱴᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022

Zeal Design ᱚᱯᱷᱤᱥ ᱨᱮᱭᱟᱜ ᱤᱴᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Chengyi Chen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Zeal Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

11,467

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#126395 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Zeal Design ᱚᱯᱷᱤᱥ ᱨᱮᱭᱟᱜ ᱤᱴᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱡᱤᱚᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱢᱤᱫ ᱚᱯᱷᱤᱥ ᱤᱴᱚᱨ ᱡᱟᱦᱟᱸᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱚ 180 ᱚᱨᱟᱜ ᱢᱤᱴᱚᱨ ᱠᱚ ᱢᱮᱭᱟᱫ ᱠᱟᱱᱟᱭ᱾ ᱡᱟᱭᱜᱟ ᱠᱚ ᱡᱟᱦᱟᱸ ᱯᱩᱨᱟᱹ ᱯᱩᱫᱴᱮ ᱯᱩᱴᱮ ᱰᱚᱸ ᱢᱮᱭᱟᱫ ᱟᱠᱟᱱᱟ᱾ ᱯᱩᱫᱴᱮ ᱨᱚᱝ, ᱯᱩᱫᱴᱮ ᱫᱟᱨᱮ ᱨᱮᱭᱟᱜ ᱥᱟᱴᱷᱟᱛᱟ, ᱯᱩᱫᱴᱮ ᱞᱳᱦᱟ ᱨᱮᱭᱟᱜ ᱯᱟᱱᱮᱞ, ᱯᱩᱫᱴᱮ ᱤᱭᱦᱱᱤ, ᱯᱩᱫᱴᱮ ᱠᱮᱨᱟᱢᱤᱠ ᱟᱨ ᱟᱛᱭᱟᱹᱨ ᱯᱩᱫᱴᱮ ᱠᱟᱸᱪ ᱠᱚ ᱚᱠᱟ ᱚᱠᱟ ᱛᱮ ᱢᱮᱥᱟ ᱠᱟᱱᱟ ᱚᱱᱟ ᱢᱤᱫ ᱯᱟᱹᱨᱥᱤ ᱟᱨ ᱨᱟᱹᱨᱟ ᱱᱮᱞ ᱟᱱᱩᱵᱷᱚᱵ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱫ᱾ ᱠᱩᱲᱩᱢ ᱚᱲᱟᱜ ᱠᱚ ᱟᱨ ᱚᱛᱟ ᱨᱮᱭᱟᱜ ᱠᱩᱲᱩᱢ ᱞᱟᱭᱤᱱ ᱠᱚ ᱪᱤᱱᱤ ᱨᱮᱭᱟᱜ ᱞᱚ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱠᱚ ᱛᱮᱭᱟᱨ ᱠᱚᱨᱟᱣᱟᱭ, ᱚᱱᱟ ᱫᱟᱲᱮ ᱡᱟᱦᱟᱸᱠᱚ ᱱᱮᱞ ᱟᱭᱢᱟ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱠᱚ ᱟᱡ ᱟᱡ ᱛᱮ ᱚᱱᱟ ᱞᱚ ᱨᱮ ᱠᱷᱚᱸᱡ ᱠᱟᱱᱟ ᱡᱚᱠᱷᱚᱸ ᱟᱨᱦᱚᱸ ᱢᱩᱬᱩᱛ ᱠᱟᱱᱟᱭ᱾ ᱯᱟᱨᱥᱤ ᱦᱟᱹᱴᱤᱧᱚᱜ ᱠᱚᱴᱤᱝ ᱠᱚ ᱵᱟᱝ-ᱱᱟᱶᱟ ᱦᱚᱸ ᱥᱟᱫᱷᱚᱱ ᱠᱚᱨᱮᱭᱟᱜ ᱵᱮᱵᱷᱟᱨ ᱠᱚ ᱠᱚᱢ ᱮᱫᱟᱭ᱾ ᱠᱟᱞᱟ ᱠᱟᱢᱤ ᱟᱨ ᱵᱚᱦᱚᱞ ᱠᱚ ᱦᱟᱛ ᱛᱮ ᱦᱟᱴᱤᱱ ᱤᱴᱟᱹ ᱟᱨ ᱠᱟᱯᱲᱟ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Zeal Design ᱚᱯᱷᱤᱥ ᱨᱮᱭᱟᱜ ᱤᱴᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Zeal Design ᱚᱯᱷᱤᱥ ᱨᱮᱭᱟᱜ ᱤᱴᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
When enter a space, usually surrounded by the color of the space at the first time, and attention is most easily attracted by the color of the space. Space is a pure white space. White paint on the top of the wall, white wood surface, white metal plate, white leather, white ceramics, ultra white glass, try to create an extreme white space visual experience. Embody the aesthetic concept of "purity" and "stillness"; through the color of "white".
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Project area: 180 square meters
ᱴᱮᱜ ᱠᱚ
Work is practice, White, Listen to the inner voice, Office, Studio
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
In terms of material, the wall to use white coating environmental protection coating, reduce the waste of non-renewable resources, in terms of installation art, all is oneself use environmental protection material made by hand, there are super light clay, fabrics and clothing.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The original building structure can't change.
Low cost.
Meet the demand of the function of the office.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The hanging pictures and artistic installations in the whole space are designed and made by the designers themselves.
The expectation is that every work of art appearing in the space "tells" the same "story" as the space. They complete the space, and at the same time strengthen and restate the theme of the space from all aspects in their own way.
ᱯᱨᱮᱨᱚᱱᱟ
The curves on the ground and curved walls in the space are the designers' Deconstruction of the beauty of Chinese landscape. After sorting out the original structure, the viewer has a sense of "being in the landscape" rather than outside the landscape.
This intermittent "meandering" and "flowing" does not have a special fixed symbol, but is spread in the space in a form of Impermanence: repetition, flow, transformation, ups and downs, forming an impermanent aura.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Design time: May 2, 2020
Completion time: September 17, 2020
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Lead the worker construction. In terms of material, the wall to use white coating environmental protection coating, reduce the waste of non-renewable resources, in terms of installation art, all is oneself use environmental protection material made by hand, there are super light clay, fabrics and clothing. Use environmental protection material, reduce the use of non-renewable resources.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Chengyi Chen and Xiaojie Shen
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photography: RUCHU

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ