Way Architects ᱨᱮᱱᱟᱜ Centennial Shameen ᱥᱚᱸᱛᱟᱲᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱡᱟᱦᱟᱱ ᱚᱛᱟᱭ ᱠᱟᱢᱤ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
Centennial Shameen ᱥᱚᱸᱛᱟᱲᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱡᱟᱦᱟᱱ ᱚᱛᱟᱭ ᱠᱟᱢᱤ
Way Architects ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: WAY Architects
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#126989 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Centennial Shameen ᱥᱚᱸᱛᱟᱲᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱡᱟᱦᱟᱱ ᱚᱛᱟᱭ ᱠᱟᱢᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱥᱮᱸᱴᱮᱱᱤᱭᱟᱞ ᱥᱚᱢᱤᱬᱟᱸ ᱡᱟᱦᱟᱱ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱱ ᱭᱩᱸᱜ ᱟᱛᱮ ᱦᱚᱸ ᱴᱷᱮᱱ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱠᱩᱭᱟᱸᱡᱷᱳ, ᱪᱟᱭᱱᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱢᱤᱭᱟᱱ ᱡᱚᱡᱮᱨᱟᱜ ᱪᱮᱛᱟᱱ ᱮᱴᱟᱜ ᱨᱮᱭᱟᱜ ᱡᱟᱦᱟᱱ ᱚᱲᱟᱜ ᱨᱮ ᱦᱩᱭ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ 1862 ᱥᱮᱨᱢᱟ ᱨᱮ ᱛᱟᱭᱟᱨ ᱦᱩᱭᱮᱱ ᱠᱟᱱᱟ ᱟᱨ ᱟᱭᱢᱟ ᱦᱮᱴᱟ ᱨᱮ ᱟᱭᱢᱟ ᱥᱟᱢᱟᱱ ᱨᱩᱡ, ᱡᱚᱬᱟ ᱟᱨ ᱡᱷᱤᱨᱚᱠᱟᱜ ᱴᱷᱤᱠ-ᱴᱷᱤᱠ ᱟᱸᱰᱟ-ᱟᱸᱰᱤ ᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱠᱷᱟ ᱟᱨᱮ ᱴᱷᱟᱶᱠᱟ ᱠᱟᱱᱟ ᱾ 260 ᱥᱠᱣᱮᱨ ᱢᱤᱴᱟᱨ ᱨᱮᱭᱟᱜ ᱠᱚᱲᱟ ᱡᱟᱦᱟᱸ ᱨᱮ 4.55 ᱢᱤᱴᱟᱨ ᱨᱮᱭᱟᱜ ᱪᱷᱟᱛ ᱡᱟᱠᱷᱚᱸ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱱᱰᱮ ᱮᱠᱮ ᱥᱴᱤᱞ ᱨᱮᱭᱟᱜ ᱢᱩᱲᱩᱛ ᱛᱮ ᱢᱮᱡᱮᱱᱤᱱ ᱞᱮᱣᱮᱞ ᱮᱢ ᱦᱩᱭ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱥᱚᱶᱟᱛᱮᱱ ᱮᱠᱮ ᱡᱟᱛᱟᱠ ᱦᱚᱲᱠᱚ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱠᱚᱞᱟ ᱟᱨᱴ ᱮᱠᱥᱦᱤᱵᱤᱥᱚᱱ ᱟᱨ ᱚᱰᱚᱠ ᱞᱟᱹᱜᱤᱛ ᱮᱠᱟ ᱴᱤ ᱦᱟᱸᱡ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱾ ᱱᱟᱶᱟ ᱴᱷᱟᱶᱠᱟ ᱟᱨ ᱱᱟᱶᱟ ᱟᱨᱟᱸ ᱡᱤᱱᱤᱥ ᱠᱚ ᱚᱲᱚᱠ ᱠᱷᱟᱢ ᱴᱷᱩᱸᱵ ᱴᱩᱭᱩᱸ ᱜᱮᱭᱟᱜᱼᱟ ᱡᱟᱦᱟᱱ ᱥᱮᱨᱢᱟ ᱴᱷᱚᱠᱟ ᱠᱚᱛᱮᱫ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Centennial Shameen ᱥᱚᱸᱛᱟᱲᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱡᱟᱦᱟᱱ ᱚᱛᱟᱭ ᱠᱟᱢᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Centennial Shameen ᱥᱚᱸᱛᱟᱲᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱡᱟᱦᱟᱱ ᱚᱛᱟᱭ ᱠᱟᱢᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Located at No.41 Shamian Street on the central axis of Shamian Island, the project was built in 1862 with a history of 159 years. Adhering to the concept of protecting and reusing the historical buildings, this project transforms it into a multifunctional composite cultural space that can accommodate different scenes, for example, cultural art exhibition, and tea house for the community.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Taking advantage of the 4.55 meter's high ceiling height in the 260 square-meters room, a steel interlayer is inserted to add different layers. It added a mezzanine space with an independent frame structure locally to make full use of the existing space to create more possibilities.
- ᱴᱮᱜ ᱠᱚ
- Architecture, renovation, culture, building, public space
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The exterior of the building retains its original style: within the symmetrical form, precise proportions of doors and windows, and rich moldings lines. By now, stepping into the gate of Ceremonial sense will absolutely open up a new spatial experience.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Using a section of space as a transition for the entrance, outstanding from the old sense of form; on top of the uses of spacial transition at the entrance, it added new material and design techniques to emphasize the difference, and thus collision between the old and the new style has begun.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Awakening the long-term dormant state of this historical building, it has become an open public space integrated into the urban context and reconnecting the community. The language of the space is concise and lively, and the space still playing the pure beauty of decoration.
- ᱯᱨᱮᱨᱚᱱᱟ
- Inspired by the local context, the texture of the sandy floor contrasts with the black stone. The horizontal of the three kinds of grain on the stones interspersed with the white volume, which implies the historical meaning of Shamian which washed by the water of the time immemorial Pearl River.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in May 2020 and finished in January 2021 in Shameen Island, Guangzhou, China.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- New materials, new forms of design, and the newest lighting techniques are added to the classical space, interactive with the old pillar system; new things do not adhere to the old structure, and the relationship between the new and the old is clear.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Design Director: Keven Wong
Design Director: Fanmie
Lead Designer: Chow Hou Hong
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
