ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Chien-Yuan Wang ᱨᱮᱱᱟᱜ Colors and the Origin ᱡᱤᱢ

Chien-Yuan Wang ᱨᱮᱱᱟᱜ Colors and the Origin ᱡᱤᱢ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Colors and the Origin ᱡᱤᱢ

Chien-Yuan Wang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: TOTEM Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

27,523

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#129876 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Colors and the Origin ᱡᱤᱢ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱠᱟᱩᱱᱴᱚᱨ ᱨᱮ ᱤᱥᱯᱟᱛ ᱵᱮᱱᱟᱣ ᱪᱤᱱᱦᱟᱹ Z ᱯᱟᱣᱟᱨ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱭᱟᱜ ᱢᱩᱞ ᱜᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱦᱟᱛᱟᱣ ᱠᱟᱛᱮ, ᱡᱟᱜᱟ ᱫᱚ ᱫᱟᱲᱮ, ᱠᱚᱢᱚᱞᱛᱟ ᱟᱨ ᱥᱚᱣᱱᱚᱫᱚᱨᱡᱚ ᱨᱮᱭᱟᱜ ᱥᱟᱶᱛᱮ ᱛᱟᱦᱮᱸᱱ ᱫᱚ ᱩᱫᱩᱜᱟᱹ। ᱰᱤᱡᱟᱭᱤᱱᱚᱨ ᱫᱚ ᱥᱩᱠᱷᱚ, ᱟᱥᱟ, ᱫᱟᱲᱮ ᱟᱨ ᱴᱷᱤᱠ ᱛᱟᱦᱮᱸᱱ ᱩᱫᱩᱜ ᱠᱚ ᱨᱚᱝ ᱠᱚ ᱥᱚᱫᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱟᱨ ᱮᱛᱚᱦᱚᱵ ᱪᱤᱱᱦᱟᱹ ᱨᱮᱭᱟᱜ ᱢᱩᱞ ᱚᱝᱥᱚ ᱠᱚᱨᱮ ᱞᱟᱜᱟᱣ ᱟᱠᱟᱫᱟ। ᱡᱤᱢ ᱨᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱱᱟᱯᱟᱭ ᱫᱟᱲᱮ ᱫᱚ ᱵᱮᱵᱷᱟᱨᱤᱭᱟᱹ ᱠᱚ ᱥᱟᱯᱷᱟ, ᱥᱚᱣᱱᱚᱫᱚᱨᱡᱚ ᱟᱨ ᱵᱤᱥᱣᱟᱥ ᱨᱮᱭᱟᱜ ᱮᱱᱮᱢ ᱮᱢᱟᱭ। ᱴᱚᱱ ᱨᱮᱭᱟᱜ ᱢᱩᱠᱷᱤᱭᱟᱹ ᱠᱚᱱᱥᱮᱯᱴ ᱫᱚ ᱯᱮᱱᱴᱚᱱ ᱒᱐᱒᱑ ᱠᱚᱞᱚᱨᱥ ᱚᱯᱷ ᱫᱤ ᱤᱭᱚᱨ ᱠᱷᱚᱱ ᱦᱟᱛᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱚᱞᱴᱤᱢᱮᱴ ᱜᱽᱨᱮ ᱟᱨ ᱤᱞᱩᱢᱤᱱᱮᱴᱤᱝ ᱤᱭᱮᱞᱳ ᱨᱮᱭᱟᱜ ᱡᱚᱲ ᱠᱟᱱᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Colors and the Origin ᱡᱤᱢ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Colors and the Origin ᱡᱤᱢ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Taking Z Power, the steel-structured logo at the counter as the core value of the design, the space embodies the coexistence of power, gentleness, and aesthetics. The designer applies colors expressing happiness, hope, power and stability onto basic elements symbolizing simplicity and origin. The positive energy created at the gym offers users experiences of purity, beauty and confidence.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project is 99 square meter.
ᱴᱮᱜ ᱠᱚ
Interior, Gym, Colorful, Pantone, Deconstruction
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The designer applies techniques of deconstruction and the idea of less is more, to balance the use of vibrant colors. The steel structured bars installed on the gate are kept as they look like originally; without use of cement and monolithic ornament, the bare brick walls are shown; the architectural concrete sets up a wall of simplicity, while the wires and beams are exposed without extra veneers covered on the ceiling.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The designer combines simple yet effective color blocks and geometric shapes with naturally bold texture. Vivid design languages therefore contribute to users' vigorous energy. The natural elements symbolizing "the origin" are set as the starting point of the gym. While the vibrant color tone is an extension to subconsciously motivate someone's mind, the design languages are effective to promote the concept of energetic workout and well-being.
ᱜᱚᱵᱮᱥᱚᱱᱟ
While the pandemic rages all over the world, the design can express and send out messages of unshakable power, hope and happiness, through language of colors and geometry. Misfortune and disaster will come to an end one day, when a greater future is waiting for us somewhere.
ᱯᱨᱮᱨᱚᱱᱟ
The main concept of the tone is borrowed from PANTONE 2021 Colors of the Year: the combination of Ultimate Gray and Illuminating Yellow, symbolizing solid and dependable quality from the well-thought-out feelings, and power of hope that is bright and warm.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project finished in July 2021 in New Taipei City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Once entering the space, brick walls and the taboo-breaking "period red" form as an opening page welcoming customers on the left side. The red of "vitality and adventure" coordinates with the grass green of "life, health, and nature." The arrangement of the bare brick walls, which are commonly hidden under the surface, emphasizes the concept of simplicity, essence and the origin.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Chien-Yuan Wang
Designer: Hui-Chen Fang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1-5: Photographer Chi-Shou Wang, Colors and the Origin, 2021.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ