Koji Aoki, Lin Su and Atsushi Fujita ᱨᱮᱱᱟᱜ Fujifilm Clay Studio2 Office Interior Design ᱛᱮᱭᱟᱨ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022
Fujifilm Clay Studio2 Office Interior Design ᱛᱮᱭᱟᱨ
Koji Aoki, Lin Su and Atsushi Fujita ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Fujifilm Corporation
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#131321 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Fujifilm Clay Studio2 Office Interior Design ᱛᱮᱭᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Clay Studio 2 ᱮᱱᱟ ᱢᱤᱫ ᱛᱮ office interior design ᱡᱟᱦᱟᱱ ᱛᱚᱠྱᱤ ᱮᱢ ᱠᱟᱱᱟ Tokyo ᱨᱮ product ᱟᱨ visual design ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱾ ᱱᱚᱶᱟ 300 square metres ᱡᱟᱭᱜᱟ ᱦᱟᱹᱛᱮ ᱢᱚᱱ ᱮᱢ ᱮ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱱ ᱨᱮ ᱢᱚᱱ ᱮᱢ ᱟᱨ ᱡᱚᱛᱚ ᱛᱮᱭᱟᱨ ᱠᱚ ᱡᱚᱛᱚ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱱᱟ, ᱪᱮᱫ ᱠᱟᱱ ᱮᱴᱟᱜ ᱵᱟᱛᱟ office ᱠᱚ communication ᱨᱮ ᱦᱟᱹᱛᱮ ᱴᱷᱮᱫ ᱮ ᱠᱟᱱᱟ ᱾ Concrete, paint ᱟᱨ wood cement board ᱠᱚ ᱵᱟᱝ ᱚᱲᱦᱚᱭ ᱠᱮᱨᱮᱫ ᱮᱱ, ᱚᱱᱚᱠ ᱠᱟᱛᱮ ᱨᱩᱢ ᱠᱚᱣᱟᱸ beams ᱟᱨ pillars ᱠᱷᱚᱱ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱞᱮᱠᱟᱛᱮ ᱦᱩᱰᱤᱧ ᱠᱟᱱᱟ ᱾ Garden landscaping ᱟᱨ natural scenery ᱠᱚ ᱵᱮᱠ ᱨᱩᱯ ᱦᱩᱭ ᱠᱟᱱᱟ ᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮ season badal ᱟᱨᱟᱜ ᱠᱟᱱᱟ ᱾ Desks ᱠᱚ ᱵᱟᱦᱨᱮ ᱛᱮ ᱠᱷᱚᱞ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱢᱤᱫ ᱮᱛ metre ᱴᱮᱵᱟᱞ ᱠᱟᱛᱮ ᱴᱷᱮᱦᱤᱨ meeting ᱠᱚ ᱦᱩᱭᱩᱜ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ ᱛᱮ ᱦᱚᱲ ᱠᱚ ᱴᱷᱟᱲᱟᱣ ᱟᱛᱤ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Fujifilm Clay Studio2 Office Interior Design ᱛᱮᱭᱟᱨ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fujifilm Clay Studio2 Office Interior Design ᱛᱮᱭᱟᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- ᱴᱮᱜ ᱠᱚ
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- concrete, painting, wood cement board
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - ᱯᱨᱮᱨᱚᱱᱟ
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita
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