ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Kao Yu-Jou ᱨᱮᱱᱟᱜ Pattern of Nature ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱟᱭᱚᱸᱜ ᱠᱟᱛᱮ ᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱸᱱ

Kao Yu-Jou ᱨᱮᱱᱟᱜ Pattern of Nature ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱟᱭᱚᱸᱜ ᱠᱟᱛᱮ ᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱸᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Pattern of Nature ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱟᱭᱚᱸᱜ ᱠᱟᱛᱮ ᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱸᱱ

Kao Yu-Jou ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: AncÈ Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#131522 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Pattern of Nature ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱟᱭᱚᱸᱜ ᱠᱟᱛᱮ ᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱸᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱸ ᱟᱨᱦᱚᱸ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱠᱚᱲᱟ ᱢᱮᱱᱟᱜ-ᱟ ᱡᱟᱦᱟᱸ ᱱᱭᱩ ᱛᱟᱭᱯᱮᱭ ᱥᱚᱦᱚᱨ, ᱛᱟᱭᱣᱟᱱ ᱨᱮ 198 ᱵᱚᱨᱚᱜ ᱢᱤᱴᱚᱨ ᱰᱚᱦᱲᱟ ᱠᱚ ᱛᱮ ᱮᱴᱟᱜᱟᱜ-ᱟ᱾ ᱚᱲᱟᱜ ᱨᱮ ᱠᱷᱩᱴᱟ ᱠᱚ ᱵᱟᱹᱱᱩᱜᱼᱟ, ᱟᱨ ᱡᱟᱦᱟᱸ ᱠᱟᱶᱟᱜ ᱵᱮᱸᱜᱚᱨᱟᱜ ᱴᱷᱟᱹᱴᱷᱟᱹ ᱠᱚ ᱟᱠᱟᱲᱟᱹ ᱡᱟᱹᱲᱤ ᱚᱲᱟᱜ ᱚᱠᱛᱚ ᱦᱚᱲᱚ ᱜᱮᱭᱟ᱾ ᱪᱚᱴ ᱠᱚ ᱩᱲᱩᱡ ᱜᱮᱭᱟ ᱟᱨ ᱮᱭᱟᱨ ᱠᱚᱸᱰᱤᱥᱚᱱᱤᱝ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱩᱠᱩᱭ ᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱪᱮᱫ ᱟᱠᱟᱨ ᱨᱮᱭᱟᱜ ᱚᱱᱚᱲ-ᱴᱮᱸᱜᱚᱲ ᱵᱟᱲᱟᱡᱟᱣ ᱠᱟᱛᱮ ᱴᱷᱟᱹᱴᱷᱟᱹ ᱠᱚᱨᱮᱭᱟᱜ ᱦᱟᱨ ᱠᱚ ᱦᱟᱴᱤᱡ ᱮᱫᱼᱟ᱾ ᱟᱭᱢᱟᱹ ᱦᱟᱨᱟᱜ ᱮᱴᱚ ᱠᱷᱚᱱ ᱢᱤᱫ ᱴᱮᱴᱮᱭ ᱨᱮᱠᱷᱟ ᱴᱷᱟᱹᱴᱷᱟᱹ ᱫᱷᱟᱶᱲᱟᱭᱟᱜ-ᱟ, ᱡᱟᱦᱟᱸ ᱢᱩᱬᱩᱛ ᱰᱟᱲᱮ ᱠᱚᱲᱟ, ᱠᱷᱩᱞᱟᱹᱭ ᱨᱮᱭᱟᱜ ᱨᱚᱸᱫᱷᱚᱨ ᱚᱲᱟᱜ, ᱟᱛᱚᱴ ᱨᱮᱭᱟᱜ ᱴᱚᱭᱤᱞᱮᱴ ᱟᱨ ᱵᱟᱨ ᱱᱚᱢᱚᱨ ᱠᱚᱲᱟ ᱠᱚ ᱡᱩᱲᱟᱶᱟᱜ-ᱟ᱾ ᱢᱤᱫ ᱴᱟᱦᱮᱸ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱹᱴᱷᱟᱹ ᱦᱤᱥᱤᱡ ᱩᱠᱩ ᱠᱟᱛᱮ ᱟᱨᱦᱚᱸ-ᱴᱮᱴᱮᱭ ᱠᱟᱸᱪ ᱫᱚ ᱟᱴᱟᱶ ᱰᱤᱭᱟᱹ ᱠᱚ ᱠᱚᱲᱟ ᱠᱚᱨᱮ ᱮᱢ ᱞᱟᱹᱜᱤᱫ ᱵᱚᱫᱚᱞ ᱮᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Pattern of Nature ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱟᱭᱚᱸᱜ ᱠᱟᱛᱮ ᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱸᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Pattern of Nature ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱟᱭᱚᱸᱜ ᱠᱟᱛᱮ ᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱸᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
For this project, there is no pillar in the nearly 200 square-meters space, and the structure relies on thick beams like a spider web structure to carry the entire space. Without the constraints of the pillars, it seems that we can divide the space willingly. On the contrary, we must think more carefully about the response of the space and the ceiling, and reduce the pressure caused by the beams through the design.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
198 Sqm
ᱴᱮᱜ ᱠᱚ
ANCÈ INTERIOR DESIGN、ANCÈ DESIGN、ANCÈ STYLE、RESIDENTIAL DESIGN、OFFICE DESIGN、COMMERCIAL SPACE DESIGN、COMMERCIAL DESIGN、TAIWAN INTERIOR DESIGN、TAIPEI INTERIOR DESIGN、NEW TAIPEI CITY INTERIOR DESIGN
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Before starting to think about each case, we will communicate according to the needs and preferences of the users, and then we will analyze the space and extend the style. In the layout of the plane, we will think about the scale and proportion at the same time, and deepen the integrity of the space. During the process, we experienced communication and coordination with users, and slowly shaped the space into the most suitable appearance.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The space has the rare advantage of lighting on three sides, while the private areas are evenly divided on both sides of the space. By moderately releasing part of the wall, we changed it to translucent glass to connect the master bedroom and the end of the corridor. The glass draws light into the room, preserving the most precious light and shadow stories in the space.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The homeowner is hospitable and pays attention to the intimacy of the family. It is expected that the larger the public area, the better, while the private area is the opposite. We grab a horizontal line from the whole space to the main beam, and the whole wall runs through the master bedroom, open kitchen, guest toilet and second bedroom from left to right. The clean and complete facade is the visual focus through the warm wood tone base. At the same time, the area of the living room and dining room is enlarged, and the oppressive feeling of the long beam is also hidden. For short beams, we lowered the ceiling to the highest point and concealed the air-conditioning equipment, balancing the height difference between the ceiling and the beams, making the beams invisible through design techniques.
ᱯᱨᱮᱨᱚᱱᱟ
The protagonist in the space is the homeowner’s favorite open kitchen. In addition to being located in the center of the main visual facade, it is also equipped with a "ㄇ"shaped working area and independent air conditioning. The design of folding doors and horizontal sliding windows can be adapted to the needs of the user. The change seems to transparently cover the kitchen into an independent individual. In addition of being open, the outward facade can also be used as a bar counter to gather with friends and enjoy.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in November 2019 and finished in November 2020 in New Taipei City,Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
We hope to continue the meaning of our company's name in Chinese. We give every space a configuration, color tone, texture and temperature that suits them. We hope that every space is unique, warm and pure. The low-saturated color and natural texture, coupled with the appropriate configuration and spatial scale, make the space naturally full of vitality and comfortable feelings.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to KAO YU-JOU, ANCÈ INTERIOR DESIGN.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image#1: Photographer Jackal Liu,2021
Image#2: Photographer Jackal Liu,2021
Image#3: Photographer Jackal Liu,2021
Image#4: Photographer Jackal Liu,2021
Image#5: Photographer Jackal Liu,2021

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ