Mu-Chin Chiang ᱨᱮᱱᱟᱜ Ombre Aplomb ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱟᱹᱱᱟᱹ ᱡᱚᱛᱚᱱ ᱡᱚᱛᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
Ombre Aplomb ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱟᱹᱱᱟᱹ ᱡᱚᱛᱚᱱ ᱡᱚᱛᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ
Mu-Chin Chiang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Emerald Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#132470 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Ombre Aplomb ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱟᱹᱱᱟᱹ ᱡᱚᱛᱚᱱ ᱡᱚᱛᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
Ombre Aplomb ᱢᱮᱱᱛᱮ ᱢᱤᱫ ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱟᱹᱱᱟᱹ ᱡᱚᱛᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱚᱠᱟ ᱠᱷᱟᱱ 160 ᱵᱚᱨᱮ ᱢᱤᱴᱚᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱟᱯᱟᱨᱴᱢᱮᱸᱴ ᱨᱮᱱᱟᱜᱼᱟᱭ ᱾ ᱱᱚᱶᱟ ᱯᱞᱟᱱ ᱨᱮ ᱢᱤᱫ ᱠᱷᱩᱞᱟᱹ ᱴᱷᱮᱱ ᱡᱤᱣᱚᱸ ᱡᱟᱭᱜᱟ, ᱵᱟᱨ ᱦᱚᱸ ᱦᱟᱸᱰᱤ ᱠᱚᱲᱟᱹ ᱚᱲᱟᱜ (ᱟᱡᱠᱟᱹ ᱵᱟᱛᱷᱨᱩᱢ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟᱭ) ᱟᱨ ᱵᱟᱨ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱷᱟ ᱚᱲᱟᱜ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱᱟ ᱾ ᱡᱟᱱᱚᱲᱟᱜ ᱡᱟᱦᱟᱸᱛᱮ ᱡᱟᱦᱟᱸ ᱴᱷᱮᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱛᱮᱜᱼᱟᱭ, ᱚᱱᱰᱮ ᱵᱟᱨ ᱨᱚᱝ ᱟᱹᱲᱟᱹ ᱢᱮᱱᱟᱜ-ᱟ ᱾ ᱵᱤᱭᱟᱸᱠᱚ ᱠᱟᱨᱟᱨᱟ ᱟᱨ ᱱᱮᱨᱚ ᱢᱟᱨᱠᱩᱭᱤᱱᱟ ᱢᱟᱨᱵᱮᱞ ᱠᱚ ᱢᱤᱫ ᱡᱚᱛᱟᱹ ᱟᱨ ᱯᱚᱸᱰᱟ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱛᱮᱭᱟᱨ ᱮᱫᱟ, ᱢᱮᱴ ᱚᱰᱚᱠ ᱴᱟᱭᱤᱞ ᱟᱨ ᱨᱮᱴᱤ ᱨᱚᱝ ᱢᱤᱨᱚᱨ ᱯᱮᱱᱮᱞᱤᱝ ᱛᱮ ᱡᱩᱲᱟᱹᱣ ᱠᱟᱛᱮ ᱾ ᱚᱰᱚᱠ ᱛᱟᱞᱟ (ᱯᱷᱞᱚᱚᱨᱤᱝ) ᱨᱮ ᱵᱟᱦᱟ ᱠᱟᱴ (ᱯᱟᱨᱠᱮᱴ) ᱟᱨ ᱯᱚᱞᱤᱥ ᱠᱟᱱ ᱢᱟᱨᱵᱮᱞ ᱡᱩᱲᱟᱹᱣ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱡᱚᱢ ᱡᱟᱭᱜᱟ ᱟᱨ ᱦᱟᱸᱰᱤᱡᱚᱛ ᱡᱟᱭᱜᱟ ᱚᱴ ᱚᱴ ᱠᱟᱴ ᱠᱟᱛᱮᱭᱟᱭ ᱾ ᱵᱟᱸᱛᱤ ᱤᱫᱤ ᱡᱟᱭᱜᱟ ᱛᱚ ᱟᱞᱟᱫᱟ ᱠᱚᱲᱟᱹ ᱨᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱯᱩᱨᱵ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱨᱟᱸᱫᱷᱟ ᱵᱮᱵᱚᱥᱛᱟ ᱦᱚᱲᱦᱚᱲ ᱠᱟᱛᱮ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Ombre Aplomb ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱟᱹᱱᱟᱹ ᱡᱚᱛᱚᱱ ᱡᱚᱛᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ombre Aplomb ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱟᱹᱱᱟᱹ ᱡᱚᱛᱚᱱ ᱡᱚᱛᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Imbued with oriental dualism and western expressions, this 160-square-meter residential apartment comprises a spacious open living space, 2 bedrooms ensuite, and 2 functional rooms. A distinct dual-color contrast can be seen in every orientation throughout the space, artfully creating both rational and emotional appeals.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Contruction area 160 square meter.
- ᱴᱮᱜ ᱠᱚ
- Marbles, antique mirrors, grey mirrors, titaninum panelling…etc.
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Shades and brightness are complementary and interrelated to each other. Complying with the natural appearance of bianco carrara and nero marquina marbles, the black-and-white color scheme is massively found between matte wall tiling and gray mirror paneling on the elevation. The flooring mixes wood parquet and polished marbles, delineating the dining section from the open shared space.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- According to the client's request, in order to accommodate Eastern culinary methods, and not to interfere with overall decorations, the kitchen is individually segmented in a room. Relocating the gas pipeline in long distance therefore became an arduous task.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- To assure the plan is durable and pragmatic for daily usages, except materiality and color formation, functional utility and agile movement are also included in the overall design.
- ᱯᱨᱮᱨᱚᱱᱟ
- Duality is a profound philosophy of mind, which can be referred to the relation between interior and exterior, mental and physical, substance and spiritual matters. Borrowing Chinese philosophical undertones and mingling with contemporary art forms, while this residential project implies dualistic thoughts forged with aesthetic forms, to build up a livable, and well-functioned habitation is also considered.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Complete in February 2021, located in Taoyuan city, Taiwan
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Whereas the private spaces, subdivided by a metallic doorway, are paved in deeper backdrops, taking the advantage of sufficient day-lighting, the shared areas are air-filled with clean and elegant arrangement. The antique mirror paneling behind the hearth, paired with white marbles, spares more rooms for audio devices, and enhances spacious visuality.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Emerald Design Co., Ltd.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Mu-Chin, Chiang
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Andy's Photography
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
