ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ

Clement Tung Jeun Cheng ᱨᱮᱱᱟᱜ Gleaming Dimension Bader Ghar Bhitri Naksha

Clement Tung Jeun Cheng ᱨᱮᱱᱟᱜ Gleaming Dimension Bader Ghar Bhitri Naksha ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Gleaming Dimension Bader Ghar Bhitri Naksha

Clement Tung Jeun Cheng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: CINCHstudio Spacial Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Gleaming Dimension Bader Ghar Bhitri Naksha ᱵᱟᱵᱚᱛ ᱛᱮ

ᱜᱟᱶᱟᱹᱨ ᱴᱷᱮᱱᱮ ᱠᱟᱹᱴᱤᱡ ᱢᱮᱱᱟᱜ ᱠᱚ, ᱟᱨ ᱦᱤᱨᱟ ᱛᱟᱦᱮᱸ ᱨᱮᱱ ᱠᱟᱴ ᱠᱟᱴ ᱯᱟᱸᱡᱟ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱟᱦᱟᱨ ᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱵᱮᱸᱜᱮᱛᱟᱨ ᱠᱚ ᱨᱮ, ᱵᱟᱹᱭᱦᱟᱨ ᱠᱚ ᱨᱮ ᱟᱨ ᱦᱚᱸᱡᱚᱸ ᱠᱚ ᱨᱮ ᱡᱟᱦᱟᱸ ᱴᱷᱟᱭ ᱛᱮ ᱡᱚᱠᱷᱚᱸ ᱛᱟᱦᱮᱸ ᱛᱟᱸᱦᱮᱸ ᱛᱮ ᱩᱴᱟᱹᱨ ᱨᱟᱠᱟᱵᱚᱱ ᱠᱚ ᱯᱮᱨᱮᱡ ᱟᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Gleaming Dimension Bader Ghar Bhitri Naksha ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Gleaming Dimension Bader Ghar Bhitri Naksha ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The luxurious and exquisite modern living space is designed based on the concept of "gleam" and "dimension." The elements of lines, squares, cubes, tesseracts, and geometric shapes frame the vivid and dazzling style within. This exquisite space is not only a pursuit of comfort. All the details in the design are an effort to paint a beautiful picture of an ideal life, which are also symbols of status.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This project is 234 meter square.
ᱴᱮᱜ ᱠᱚ
Luxurious, Interior, Diamond, Gleaming, Dazzling
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The design therefore is an interpretation of diamond's features through application of different materials. The diamond cut is the inspiration of the design on walls, ceilings, and entrances of each area. It influences the way lines are applied in space. Combining with a well-planned lighting design, the effect depicts the glow, embodying a feast of life and living. With novel techniques to blend particular features of diamonds into the space, the living environment becomes different beautiful paintings with exquisite details and diverse lighting forms.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Keeping the original big-sized windows, natural lighting is greatly introduced in the space, helps reduce use of electric lights. Different from common high-end living spaces with marbles as the main material, this case is applied with wallpapers and artificial leathers to create the same effect yet reduce the damage mining process causes to the environment.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Lighter colors are the focus of the palette, while darker colors are highlights. They structure a vibrant contrast between each other visually and perceptually. With some champagne gold as highlights, the space gets more fun and richer in layers. Different from common high-end living spaces with marbles as main material, the designer applies wallpapers and synthetic leathers with different textures to create elegant details.
ᱯᱨᱮᱨᱚᱱᱟ
The diamond cubic crystal structure contributes to its highest hardness with it being crystal-clear. The infinite gleam and sparkle of diamonds stems from its high refractive index, representing prosperity, nobility, wealth, and power.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project is finished in August 2021 in Macau.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Entering inside, one can immediately see the squarish partition where the entrance and dining room meet. Through combination of lighting and the way each partition is structured, along with multi-layers of the shade of rich colors, each frame in the space is filled with vivid lines and colors. The public area's walls and ceiling are applied with lines, geometric shapes, and lighting design to add up more layers to the space, creating more frames within frames.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1-5: Photographer Billy Yiu, Gleaming Dimension, 2021.

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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