ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ

Clement Tung Jeun Cheng ᱨᱮᱱᱟᱜ Newton's Cradle Bāsāetkoṛeaḱ Bhitri Ḍijāin

Clement Tung Jeun Cheng ᱨᱮᱱᱟᱜ Newton's Cradle Bāsāetkoṛeaḱ Bhitri Ḍijāin ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Newton's Cradle Bāsāetkoṛeaḱ Bhitri Ḍijāin

Clement Tung Jeun Cheng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: CINCHstudio Spacial Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#133376 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Newton's Cradle Bāsāetkoṛeaḱ Bhitri Ḍijāin ᱵᱟᱵᱚᱛ ᱛᱮ

Niuṭoner Ḍolā ge Macau reaḱ 226 baraga miṭar bāsāetkoṛeaḱ bhitri, 2021 August khon pūrā akana. Naeṁ ḍijāin ńutum'ge Niuṭoner ḍolā reaḱ dolaḱ-dolaḱ golkoḱ khon emoʼ akana, jāhāṁ hāṭiṅ śakti bāṛ perej-orak reaḱ mesaʼ ońṭoleaḱ cinha lekha bebahar akana. Ārc, bāṅka sereń ar oṭal seṭak sabkoreḱ ruaṛ reko udug akana, bhāg-bhāg rup ko tin-dimenśanal rup reḱ parinati akaḍa jaḵhan phara pharaḱ diś khon ńel akana. Māraṅ mulaḱ jhārokāko sing-arsi ico akata ar bijli ālo reaḱ darkar hasa akata. Oṛak kāgaj ar bananaoʼ camṛā diri reaḱ jāgah lena akana, ar khola janasādhāraṇ jāegāʼ pārṭiśan bebahar hasa akata.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Newton's Cradle Bāsāetkoṛeaḱ Bhitri Ḍijāin ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Newton's Cradle Bāsāetkoṛeaḱ Bhitri Ḍijāin ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The essential memory of home and family is built upon the emotional connection between people. A space, on the other hand, is the medium, allowing interaction of family members, making memories and developing core values. It nourishes and strengthens the family bonds.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This project is 226 square meter.
ᱴᱮᱜ ᱠᱚ
Newton's Cradle, Interior, Interaction, Symbol, Bond
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Keeping the original big-sized windows, natural lighting is greatly introduced in the space, helps reduce use of electric lights. Different from common high-end living spaces with stones as the main material, this case is applied with wallpapers and artificial leathers to create the same effect yet reduce the damage mining process causes to the environment.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
he whole space has the traces of arches, curved lines and ovals, interweaving together in different areas. With the use of big and small curves, the detailed design turns the two-dimensional shapes into a three-dimensional sense. Looking from the front, they are just simple lines. While looking from the other angles, they can become three-dimensional shapes, creating a deeper depth, a detailed sphere.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The public area is designed to reduce the use of traditional partitions. Thus, the ventilation is better and it can reduce unnecessary building materials' waste. The consistent style of the design offers a comfortable living environment, which also makes daily aesthetics and core values correspond to each other. When design satisfies the owner, it also can boost sustainability by reducing the possibility of renovation and redecoration.
ᱯᱨᱮᱨᱚᱱᱟ
Inspired by the basic concept of Newton's Cradle: five spheres with same weight hung side by side closely together, pushing and swinging back and forth on the sides. It is said that the steady rhythm and the regular movement can make one focus or stop one's worry.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project is finished in August 2021 in Macau.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The perpetual swinging demonstrates the conservation of momentum, as if five spheres are working together to transmit the force. The concept is just like how family members interact with each other in the living environment. Home, is then the center where energy flows, going back and forth.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1-5: Photographer Billy Yiu, Newton's Cradle: Interaction, 2021.

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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