ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Lorena Antea Caruana and Naoki Watanabe ᱨᱮᱱᱟᱜ ZENustas ᱴᱩᱴᱩᱢ ᱥᱮᱞᱚᱬ

Lorena Antea Caruana and Naoki Watanabe ᱨᱮᱱᱟᱜ ZENustas ᱴᱩᱴᱩᱢ ᱥᱮᱞᱚᱬ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

ZENustas ᱴᱩᱴᱩᱢ ᱥᱮᱞᱚᱬ

Lorena Antea Caruana and Naoki Watanabe ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Hi-Dea

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#135762 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

ZENustas ᱴᱩᱴᱩᱢ ᱥᱮᱞᱚᱬ ᱵᱟᱵᱚᱛ ᱛᱮ

ZENustas ᱡᱟᱦᱟᱸ ᱡᱟᱯᱟᱱ ᱨᱮᱭᱟᱜ ᱯᱷᱩᱡᱤ ᱯᱩᱬᱚ ᱞᱚᱜᱚᱬ ᱨᱮ ᱭᱟᱭᱡᱩ ᱠᱚ ᱧᱟᱢ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱢᱤᱭᱟᱸ ᱴᱩᱴᱩᱢ ᱥᱮᱞᱚᱬ ᱠᱟᱱᱟ ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱭᱟᱜ ᱟᱡᱛ ᱠᱟᱴᱷᱤ ᱮᱴᱟᱠ (80 ᱯᱷᱚᱨ ᱢᱤᱴᱟᱨ) ᱢᱩᱬᱩᱛ ᱠᱚ ᱵᱟᱨᱤᱭᱟ ᱰᱷᱟᱸᱴᱟ ᱟᱨᱤᱠᱟᱱᱟ: ᱢᱟᱨᱟᱝ MDF ᱡᱚᱛᱚ ᱠᱟᱴᱷᱤ ᱨᱮᱭᱟᱜ ᱯᱩᱥᱱᱟᱣ ᱥᱟᱶᱛᱮ, ᱟᱨ ᱯᱚᱸᱰᱟ ᱡᱚ ᱚᱸᱰᱚᱲᱮ ᱚᱯᱛᱮ ᱦᱩᱭ ᱠᱟᱱᱟ ᱚᱱᱟ ᱥᱟᱶᱛᱮ ᱚᱛᱟ ᱠᱟᱱᱟᱭ ᱛᱮᱵᱟᱞ ᱡᱟᱛᱟᱜ ᱩᱸᱠᱩ ᱛᱮ ᱠᱩᱲᱤ ᱞᱟᱭᱤᱱ ᱛᱮ ᱾ ᱯᱚᱞᱤᱠᱟᱨᱵᱚᱱᱮᱴ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱵᱟᱹᱡᱟ ᱠᱩᱴᱟᱢ (backlit feature wall) ᱨᱮ ᱵᱤᱵᱤᱲ ᱡᱩᱲᱤ ᱠᱚ ᱛᱮᱭᱟᱜ ᱥᱟᱶᱛᱮ, ᱡᱟᱦᱟᱸ ᱡᱟᱯᱟᱱ ᱨᱮᱭᱟᱜ ᱯᱩᱨᱟᱹᱱᱤ ᱨᱮᱡᱟᱭ ᱠᱟᱜᱚᱡ ᱠᱚ ᱥᱟᱠᱟᱢ ᱨᱮᱭᱟᱜ ᱢᱟᱲᱟᱝ ᱛᱮ ᱮᱠᱟ ᱠᱟᱱᱟ ᱾ ᱚᱱᱟ ᱠᱩᱴᱟᱢ ᱰᱤᱡᱟᱭᱤᱱ ᱴᱷᱮᱱ ᱯᱟᱦᱴᱟ ᱟᱢ ᱠᱟᱱᱟ ᱡᱟᱠᱟᱛ ᱥᱚᱸᱭᱟᱛ (mirror) ᱛᱟᱭᱚᱢ ᱨᱮ ᱚᱪᱚᱲ ᱜᱮ ᱠᱩᱲᱤ ᱠᱚ ᱠᱟᱛᱮ ᱨᱚᱥᱱᱟᱭ ᱛᱟᱦᱮᱸ ᱠᱚᱭᱟ ᱾ ᱟᱲᱟᱜ ᱠᱟᱴᱷᱤ ᱠᱚ ᱛᱮ ᱚᱯᱛᱮ ᱟᱠᱟᱱ ᱥᱚᱸᱭᱟᱛ ᱠᱚ ᱥᱟᱶᱛᱮ ᱡᱟᱭᱜᱟ ᱠᱚ (station) ᱦᱮᱸᱫᱮ ᱟᱠᱟᱱᱟ ᱟᱨ ᱭᱟᱭᱡᱩ ᱠᱚᱨᱮᱭᱟᱜ ᱪᱟᱞᱟᱜ ᱠᱟᱴᱷᱤ ᱠᱚ ᱮᱢ ᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ZENustas ᱴᱩᱴᱩᱢ ᱥᱮᱞᱚᱬ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ ZENustas ᱴᱩᱴᱩᱢ ᱥᱮᱞᱚᱬ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Yaizu is a town located near Mount Fuji in Japan. Here, the Natural space bursts into the Urban one defining highly suggestive scenarios.
Similarly, in the Beauty Salon, Nature is brought into the space adding an iconic touch to the interiors. The backlit feature wall in polycarbonate is a contemporary interpretation of the traditional Japanese rice paper facades. This wall, hosting dimensional plants, is also a tribute to the traditional Japanese painting, setting a bold contrast between figure and background.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The 80 square meters space is mainly composed of two materials: MDF with a Dark wood finish and White washable wallpaper. By defining a horizontal datum line at the height of the tables, the two materials separate the lower from the upper part of the space providing a simple and yet contemporary look to the space. LED lighting used in the store increases efficiency while reducing the costs and the dimmable lights support the energy saving by interacting with the daylight.
ᱴᱮᱜ ᱠᱚ
japanese interiors, japalian, zen-ustas, hi-dea interiors, italian japanese design, japan hair salon
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The Hair Salon reflects a simple shape language where only a few materials compose the space, reaching the essential.
The construction processes have been reduced by using standardized furniture and repeated simple bespoke elements in natural materials, while the whole renovation has been completed in 7 days.
The wall with backlit panels in polycarbonate is the standing out feature element, the more expressive and articulated-looking component of the space. This wall aims to improve the light exposure to the customers seating in front of the mirror, defining intense and diffuse lighting.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
A challenging point of the design has been understanding the relevant architectural elements of the Japanese tradition and translate them into a space with a contemporary look and feel and destination. The use of the oriented short walls, coming from the Western tradition produces an almost circular customer flow, enriching the straightness of accesses and paths so typical of the Japanese tradition.
The rounded shape language, loaned by the Italian architectural tradition completes the straight-looking pure geometry typical of this area, while providing surprising touchpoints.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Taking inspiration from the natural surroundings, the Beauty Salon aims to reflect on the idea of Threshold in Japanese traditional architecture: the space between outside and inside. In this space, the Threshold is represented by the feature wall with nature and backlit panels. Located to be visible from the outside, the feature wall invites the customers to access the space to explore the new functions.
ᱯᱨᱮᱨᱚᱱᱟ
ZENustas is a word composed by merging the Japanese word Zen, meaning All, with the Latin word Venustas, the word for Beauty. The space aims to celebrate various forms of beauty, from natural one, proper of the Zen culture, to human-made beauty. The inclusive space is composed of Eastern and Western Architectural languages that synergistically shape the Interiors shaping a vibrant but still relaxing space.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
ZENustas Hair Salon is located in Yaizu, in proximity of the Mount Fuji in Japan. The project lasted 3 months while the construction phase lasted 7 days only.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
ZENustas Hair Salon's design reflects a holistic approach.
The wooden floor texture orientation creates a more intuitive customer journey that, from the entrance, naturally leads the customer towards the hairdressing stations. The wooden floor texture settles with the direction of the freestanding vertical short walls, providing consistency to the space. These oriented walls serve different purposes: increasing the number of available stations by optimizing the use of the space and, through the oriented mirrors, providing customers with the possibility of looking at the surrounding without leaving their chairs.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Lead Architect: Lorena Antea Caruana
Lead Local Architect: Naoki Watanabe
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #No.1: Lorena Antea Caruana (Photo credits / Architect)
Image #No.2: Lorena Antea Caruana (Photo credits / Architect)
Image #No.3: Lorena Antea Caruana (Photo credits / Architect)
Image #No.4: Lorena Antea Caruana (Photo credits / Architect)
Image #No.4: Lorena Antea Caruana (Photo credits / Architect)

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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