Matrix Design ᱨᱮᱱᱟᱜ Jinke CIFI City Cover ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱟᱠᱷᱲᱟ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022
Jinke CIFI City Cover ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱟᱠᱷᱲᱟ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱟᱭᱤᱱ
Matrix Design ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Matrix Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#136300 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Jinke CIFI City Cover ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱟᱠᱷᱲᱟ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱡᱤᱱᱠᱮ CIFI ᱥᱚᱦᱚᱨ ᱠᱚᱵᱷᱟᱨ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱥᱟᱣᱠᱥᱤᱝ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱠᱷᱲᱟ ᱚᱯᱷᱤᱥ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ 1863 ᱵᱤᱛᱛᱟ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱠᱚᱵᱷᱟᱨ ᱮᱫᱟᱭ᱾ ᱞᱮᱭᱟᱣᱴ ᱫᱚ ᱥᱟᱢᱟ�496 (ᱥᱚᱢᱟᱱ) ᱠᱟᱛᱮ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱷᱟᱨᱟ ᱟᱨ ᱡᱚᱦᱟᱨ ᱨᱮᱭᱟᱜ ᱟᱹᱠᱤᱞ ᱮᱢᱟᱠᱟᱱᱟ᱾ ᱟᱜᱩᱣᱟᱱ ᱦᱚᱞ ᱨᱮᱭᱟᱜ ᱠᱟᱢᱟᱱᱤ ᱨᱩᱯ ᱫᱚ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱞᱟᱭᱤᱱ ᱠᱚ ᱟᱛᱟᱜ ᱠᱟᱛᱮ ᱵᱷᱤᱛᱚᱨ ᱟᱨ ᱵᱟᱦᱨᱮ ᱨᱮᱭᱟᱜ ᱡᱩᱲᱟᱣ ᱮᱢᱟᱭ᱾ ᱢᱟᱛᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱠᱷᱩᱞᱟ ᱟᱨ ᱥᱟᱦᱡ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱞᱟᱠᱪᱟᱨ ᱫᱚ ᱰᱤᱡᱟᱟᱭᱤᱱ ᱨᱮ ᱫᱟᱜᱟ ᱮᱢᱟᱭ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱥᱟᱸᱠᱚ, ᱞᱟᱹᱭ ᱞᱟᱠᱪᱟᱨ ᱟᱨ ᱫᱟᱜ ᱨᱮᱭᱟᱜ ᱚᱲᱟᱜᱥᱟᱱᱟᱢ ᱫᱚ ᱵᱚᱦᱟᱣ ᱠᱟᱹᱨᱯᱮᱴ, ᱞᱟᱹᱭ ᱨᱩᱯ ᱨᱮᱭᱟᱜ ᱡᱤᱞᱤᱧ ᱴᱮᱵᱩᱞ ᱟᱨ ᱠᱚᱵᱡᱟ ᱠᱟᱣᱪ ᱨᱮ ᱮᱢᱟᱠᱟᱱᱟ᱾ ᱡᱤᱱᱤᱥ ᱠᱚ ᱨᱮ ᱟᱨᱴ ᱯᱮᱱᱴ, ᱠᱩᱲᱤᱛᱤᱢ ᱫᱷᱤᱨᱤ, ᱟᱨᱴ ᱜᱞᱟᱥ ᱟᱨ ᱟᱨᱯᱟ ᱮᱠᱨᱤᱞᱤᱠ ᱢᱮᱱᱟᱜᱼᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Jinke CIFI City Cover ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱟᱠᱷᱲᱟ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Jinke CIFI City Cover ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱟᱠᱷᱲᱟ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- From the plane layout to the internal space planning, the arched form that emphasizes the integration and unity of the inside and the outside, and finally a theme commercial concept pavilion with rich cultural context is created, which conveys an appropriate interactive experience to visitors.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project covers a total of 1863 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior, Commercial, Sales Center, Modern, Local Culture, Curve, Art
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The main materials in this project are art paint, artificial stone, art glass, bronze stainless steel, transparent acrylic, tin foil.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The water bar display stand is different from the traditional water bar, it is with white marble counter shops and more practical displays, creating a space atmosphere comparable to professional coffee and beverage shops.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design team found in the traceability of the site that the water brand resides in the water alley, and the bridge connects the distance from place to place. The boats travel between the lanes with developed water systems. As an important part of the urban texture, the water doorplate culture of the water town has been deeply engraved on the city's business card.
- ᱯᱨᱮᱨᱚᱱᱟ
- The design takes the local culture as the source of inspiration, and extracts the local eight-character bridge, boat culture and water elements as design logic and clues. At the same time, it pays attention to the experience of people's strong social needs in modern life, and fully respects the narrative expression of architectural vocabulary.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in November 2020 in Shaoxing and finished in March 2020 in Shaoxing.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The soft mix of water culture elements, flowing line carpets, ship-shaped long tables, and curved couches always take care of people's emotions and create a brand-new space atmosphere and feeling.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Zheng Yan, 2021.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Wang Guan
Liu Jianhui
Wang Zhaobao - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Zheng Yan, JINKE CIFI City Cover, 2021.
Image #2: Photographer Zheng Yan, JINKE CIFI City Cover, 2021.
Image #3: Photographer Zheng Yan, JINKE CIFI City Cover, 2021.
Image #4: Photographer Zheng Yan, JINKE CIFI City Cover, 2021.
Image #5: Photographer Zheng Yan, JINKE CIFI City Cover, 2021.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
