ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yu Hsuan Lin ᱨᱮᱱᱟᱜ Soaking in Daylight ᱴᱷᱤᱠᱟᱹᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱴᱮᱴ ᱨᱮᱠᱟᱹᱵ

Yu Hsuan Lin ᱨᱮᱱᱟᱜ Soaking in Daylight ᱴᱷᱤᱠᱟᱹᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱴᱮᱴ ᱨᱮᱠᱟᱹᱵ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Soaking in Daylight ᱴᱷᱤᱠᱟᱹᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱴᱮᱴ ᱨᱮᱠᱟᱹᱵ

Yu Hsuan Lin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Yung Cun Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#136758 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Soaking in Daylight ᱴᱷᱤᱠᱟᱹᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱴᱮᱴ ᱨᱮᱠᱟᱹᱵ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱥᱚᱠᱭᱤᱝ ᱤᱱ ᱰᱮᱞᱟᱭᱴ ᱚᱠᱟ ᱴᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱛᱮ ᱫᱚ ᱯᱤᱝ ᱠᱚᱴᱷᱟ (39-ping) ᱨᱮᱭᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱷᱤᱠᱟᱹᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱴᱮᱴ ᱠᱟᱱᱟ, ᱟᱨᱦᱚᱸ ᱟᱨᱮ ᱯᱮ ᱛᱮ ᱫᱟᱨᱩᱭᱟᱹ ᱠᱚᱲᱟᱹ ᱟᱨ ᱵᱟᱨ ᱛᱮ ᱛᱷᱟᱠᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜᱼᱟ । ᱚᱠᱟ ᱠᱚᱡ ᱠᱚ ᱡᱟᱯᱟᱱ ᱨᱮᱭᱟᱜ ᱥᱚᱨᱚᱞ ᱟᱨ ᱱᱤᱛᱚᱜ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱵᱮᱥ ᱡᱤᱱᱤᱥ ᱨᱩᱯ ᱠᱚ ᱢᱮᱥᱟ ᱮᱢ ᱠᱟᱱᱟ । ᱫᱟᱨᱮ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱴᱚᱞᱟ, ᱫᱟᱨ, ᱥᱤᱥᱴᱮᱢ ᱠᱮᱵᱤᱱᱮᱴ, ᱚᱰᱚᱠ ᱟᱨ ᱴᱷᱚᱲᱟ ᱠᱚ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ, ᱚᱱᱟ ᱟᱲᱟᱝ ᱨᱮ ᱯᱩᱭᱞᱩ ᱟᱨ ᱨᱟᱶᱟᱲ ᱛᱮᱸᱠᱟᱜ ᱦᱟᱨᱟ ᱠᱚ ᱡᱟᱭᱜᱟ ᱮᱢ ᱠᱟᱱᱟ ᱨᱟᱹᱲᱟᱹ ᱟᱨ ᱥᱟᱱᱛᱩᱴ ᱛᱮᱭᱟᱨ ᱨᱮ । ᱚᱠᱟ ᱴᱮᱨᱟᱡᱚ (Terrazzo) ᱛᱚᱲᱠᱮ ᱫᱚ ᱠᱟᱴᱷᱩ ᱡᱟᱭᱜᱟ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟᱭ, ᱟᱨ ᱨᱟᱶᱟᱲ ᱛᱮᱸᱠᱟᱜ ᱦᱟᱨᱟ ᱨᱮᱭᱟᱜ ᱦᱟᱨᱟ ᱠᱚ ᱨᱮ ᱪᱩᱱᱟᱹ-ᱠᱚᱱᱠᱨᱤᱴ (concrete) ᱮᱴᱮᱴ ᱨᱮᱭᱟᱜ ᱠᱚᱴᱤᱝ ᱢᱮᱱᱟᱜᱼᱟ । ᱠᱟᱸᱪ ᱠᱚ ᱨᱮᱭᱟᱜ ᱫᱟᱨ, ᱡᱷᱤᱡᱽᱨᱤ ᱟᱨ ᱴᱟᱸᱰ ᱠᱚ ᱴᱮᱴ ᱛᱮ ᱮᱛᱟ ᱦᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱚᱲᱟᱹ ᱨᱮ ᱥᱮᱛᱟ ᱨᱚᱥᱱᱟᱭ ᱪᱟᱞᱟᱣ ᱦᱩᱭᱩᱜᱼᱟ । ᱠᱷᱩᱞᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱹᱢᱤ ᱫᱚ ᱟᱸᱰ ᱮᱴᱮᱴ ᱡᱟᱭᱜᱟ ᱠᱚ ᱦᱚᱲᱢᱚ ᱛᱮ ᱟᱰᱟᱲ ᱛᱮ ᱩᱪᱩᱭ ᱮᱫᱟᱭ ᱠᱚᱨᱮ ᱴᱷᱮᱱ ᱠᱟᱱᱟ ᱛᱮ ᱛᱟᱦᱮᱸᱱᱟ ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Soaking in Daylight ᱴᱷᱤᱠᱟᱹᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱴᱮᱴ ᱨᱮᱠᱟᱹᱵ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Soaking in Daylight ᱴᱷᱤᱠᱟᱹᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱴᱮᱴ ᱨᱮᱠᱟᱹᱵ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The feature of this project is the master bedroom. To draw sufficient daylight into the room to increase brightness and add a sense of vitality, the designer came up with using glass-made doors, windows, and shelves after consideration. This ingenuity allows the sunlight to shine into the area, which the owner can greet each morning with liveliness.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This 39-ping space is equipped with three bedrooms and two living rooms. As one enters the residence, one can see through the entire interior from the entryway to the kitchen. The configuration is constructed under the open-end method to create a harmonious and relaxing public area to fulfill the client requirements. Meanwhile, the overall is mainly decorated with white-grey colors and is paired with wooden floorings, system cabinets, doors, chairs, and tables to create a rustic vibe.
ᱴᱮᱜ ᱠᱚ
Japanese simplism, modern luxurious, wooden elements, relaxing, heart-warming.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Since the client wanted to have a high-end living environment, the designer set up delicate details that are not common among interior design projects. For example, the terrazzo flooring of the entryway and the architectural concrete coating of the living room walls have brought out a primitive yet textured atmosphere, forming a rich, modern, yet orderly overall
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The most challenging area of this project is the master bedroom. Since the windows were poorly designed initially, daylight could not be drawn into the room, which further caused a gloomy and messy spatial feeling. This condition has also increased the designer's difficulty in designing the storage functionalities.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Since the client is fond of both the Japanese simplism and modern luxurious styles, the designer has given the pre-owned residence a new lease of life after careful consideration and arrangements. Whether it is the living room, the kitchen, the bedrooms, or the entryway, the wooden materials have allowed the household members always to be soaking in relaxation. The pressure on people nowadays can simply disappear as they return to their home; the home is not just a space, but a getaway from the lousy urban life.
ᱯᱨᱮᱨᱚᱱᱟ
The designer has cleverly merged the two seemingly-conflicting elements into the residence to realize the client dream of having a Japanese simplism yet modern luxurious living space. A massive amount of wooden building materials are applied in the living room, while the white-grey walls have embodied the essence of the Japanese simplism style. Meanwhile, the master bedroom is decorated with glass elements to create a sense of luxury while retaining a heart-warming feeling as any residence should be equipped with.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The client is super satisfied with the interior that combines the Japanese style with the modern tonal. Whether its the open-end living room or the master bedroom, all areas have reflected the client characteristics and preferences. Moreover, the overall traffic flow is perfectly designed, allowing household members to interact freely.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yu-Hsuan Lin
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Yung Cun Interior Design

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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