Milincu Camil and Tudoran Otilia ᱨᱮᱱᱟᱜ Stalker Stalker (Darajko Almari) ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2022
Stalker Stalker (Darajko Almari)
Milincu Camil and Tudoran Otilia ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Studio Minus
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#139136 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Stalker Stalker (Darajko Almari) ᱵᱟᱵᱚᱛ ᱛᱮ
Stalker menaḵ'-a ek darajko almari jaha oṇṭe kuṛi buruc-re ṭhen bhabe teyaŋ lagit design ho'oka, jahaṛ le sanamre ho ap' hijuk dareka. Onaʼ beech dareyaʼ, ash dareyaʼ ar plywood-teʼ bena akana, mirror, galvanized isko ar tinned isko cetan-tel-reʼ. Gel miyaʼ (11) baraiyaʼ darajko okoyeʼ mucaḍ lekan baŋ menak-a sab pon dis-reʼ thapa akana ar naiyaʼ tehen bir tantiʼ khon lukuʼ akana, ente tinned isko ḵapiʼ ko darajko ṭhaen cihnaʼ eʼdoʼ-a. Puniʼ prismatic mirror-ko oṇṭe kunḍel reflector benaoʼ-a jaha darsanko-reʼ nel juṛaʼ le sab thapa taḍaŋ khonaʼ rual ruaḍ-a. Stalker-ke ti-teʼ benaoʼ akana ar art ar furniture design lataraʼ meṇaʼkoa.
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Stalker Stalker (Darajko Almari) ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Stalker Stalker (Darajko Almari) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The stalker is that piece of furniture that one can't ignore.
He stares into one's soul, reflecting facets of the viewer's self. He is the alter ego with many secret drawers, hidden behind a vertical dark texture. Initially created as a mystery chest of drawers, the stalker also has four prismatic mirrors (corner reflectors) which reflect the viewer's eyes from every point one is standing. This piece of furniture creates a visual and philosophical dialogue with anyone who interacts with it. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 400 mm X 400 mm X 1700 mm
- ᱴᱮᱜ ᱠᱚ
- stalker, reflection, mirror, hidden drawer, corner reflector
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- beechwood, ash wood, plywood, mirror, galvanized steel, tinned steel
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The most difficult challenge was designing, positioning and aligning the corner reflector within the chest of drawers followed by finding a way of making a symmetrical frame so that drawer fronts were possible to be placed on all sides. Great debate was generated along the final height of the piece, as it is meant to be a mirror image of an unknown person. Many finishing recipes were tested, and in order to make a proper evaluation, the samples had to be made with the same texture as the finished piece.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The nominated piece of furniture is at the border between art and furniture design. We believe that such a present piece of furniture as a chest of drawers must have a very personal touch, being a mirror of our personalities and representing us.
The construction is made out of solid wood.
The wooden frame contains eleven non-identical drawers, which are unevenly distributed on all four sides of the piece of furniture.
All the drawers have different rights and fit in the whole depth of the structure. They are made using plywood, on which we applied a texture of wooden vertical wands which continue the general vertical pattern, subtly integrating the enclosures within the design. It is the tinned steel handles that indicate the position of the drawers.
The whole process was an experiment, as the project developed organically, the piece being built manually from the construction level to its last detail. There were also details that had to be changed along the way. The piece of furniture respects the three registers corresponding with the human body: head-body-legs. The legs were an experiment. Being made out of vertical welded steel they didn't support the wooden structure well. That is why they had to be bent.
We believe in the idea of makers, that by building manually a piece of furniture one can also create a piece of art. By working manually, the design decisions are more assumed at a detail level.
The general concept, the structure, and all the details including the finishings are also a controlled result of more tries.
The stalker remains a piece of furniture at the border between art and furniture design. - ᱯᱨᱮᱨᱚᱱᱟ
- One of the things the Covid-19 Pandemic did to us was to make us reflect upon ourselves. The stalker is a vessel for our alter ego, constantly and obsessive looking back. As the mirror image must have a soul, Items, memory anchors of our past self are kept in its drawers, concealed behind a vertical dark texture. This piece of furniture creates a visual and philosophical dialogue with anyone who interacts with it.
The stalker represents our alter ego, and is inspired by a person who discovers the partner's secrets, relating to the other person almost as to himself, as a mirror image, however keeping mysterious drawers. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in 2020 and was finished in 2021 in Timisoara, Romania
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The stalker is a piece of furniture that can be positioned in the center of a room, so he can be approached from any side.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Milincu Octavian Camil
Tudoran Otilia Alexandra - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image 1-5: photographer: Diana Bilec, The Stalker, 2022.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
