Fatima Dahmani ᱨᱮᱱᱟᱜ Taj I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, Santali requires specialized linguistic knowledge, particularly for:

Fatima Dahmani ᱨᱮᱱᱟᱜ Taj I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, Santali requires specialized linguistic knowledge, particularly for: ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱜᱟᱦᱱᱟ· 2023

Taj I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, Santali requires specialized linguistic knowledge, particularly for:

Fatima Dahmani ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Moucharabieh

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

14,758

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#141765 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Taj I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, Santali requires specialized linguistic knowledge, particularly for: ᱵᱟᱵᱚᱛ ᱛᱮ

1. Technical design terminology (3D technologies, geometric patterns, lace, etc.)

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Taj I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, Santali requires specialized linguistic knowledge, particularly for: ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Taj I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, Santali requires specialized linguistic knowledge, particularly for: ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: A unique 3D design artwork with mesmerizing properties, the Taj gold bracelet showcases a basic geometric pattern that unfurls to reveal an exquisite 3D lace. This design encourages women to embrace their boldness and let their inner personality shine. With this piece of jewelry, you carry with you the memory of a universal heritage captured by a jewel that challenges traditional codes of oriental jewelry with its innovative design.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: The dimensions for the small size (S) of the bracelet are Width 75mm x Depth 8mm x Height 6mm. The bracelet can be customized and made-to-order according to your preferences.
ᱴᱮᱜ ᱠᱚ: 3D printing, jewellery, bracelet, gold, islamic pattern, design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: This 3D lace jewelry was designed using jewelry software, and then 3D printed in wax and cast in 18K yellow gold. It can also be crafted in 18K white or rose gold
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The process involves designing complex 3D patterns and pushing the design to its technical limits in order to create delicate pieces that can be 3D printed in wax.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Lines and curves come together to create the intricate patterns and subtle harmonies of Moucharabieh jewelry. Drawing inspiration from the rich architecture and cultural history of creative lands, these designs break free from boundaries to reveal unique intertwining patterns. Each design is influenced by Islamic geometric art found in ancient and contemporary architecture, encapsulating a timeless heritage to create high-end costume jewelry.
ᱯᱨᱮᱨᱚᱱᱟ: Drawing inspiration from Indian aesthetics, this 3D lace design encapsulates the opulence of floral patterns and pendants found in Indian jewelry. The design features an Islamic geometric pattern created by intersecting four flat circles at the base of the jewel, which then unfurls into an intricate three-dimensional lace with floral motifs, evoking a sense of airiness and elegance.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started in Lille (France) and finished in 2019.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: Redefining Oriental jewelry goes beyond its conventional boundaries to explore new possibilities in aesthetics and inspiration. Embracing modern technologies as an integral part of my design process, I push the limits of creativity to offer intricate, captivating, and timeless patterns that are in tune with the times. This reinterpretation of Oriental jewelry reflects a contemporary approach that combines technical innovation with artistic expression.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Fatima Dahmani