U a D ᱨᱮᱱᱟᱜ Xu Wei ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2023
Xu Wei ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ
U a D ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Uad
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#142326 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Xu Wei ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱡᱩ ᱣᱮᱭ (Xu Wei) ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱡᱮᱡᱤᱭᱟᱝ ᱯᱨᱚᱫᱮᱥ ᱨᱮᱱᱟᱜ ᱥᱟᱣᱥᱤᱝ ᱥᱚᱦᱚᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱠᱟᱱᱟ, ᱚᱠᱟᱨᱮᱱᱟᱜ ᱡᱟᱭᱜᱟ ᱫᱚ 8,000 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ, ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱟᱨ ᱫᱮᱠᱷᱟᱣ ᱡᱟᱭᱜᱟ ᱢᱤᱫ ᱪᱟᱬᱮᱭ ᱨᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱩᱫᱩᱜᱚᱜ ᱞᱟᱛᱟᱨ ᱛᱚᱞᱟ ᱫᱚ ᱵᱟᱨᱥᱮᱸᱫ ᱨᱮᱱᱟᱜ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ ᱠᱚ ᱩᱛᱚᱨ ᱟᱨ ᱫᱚᱠᱷᱤᱱ ᱪᱚᱛᱚᱨ ᱥᱟᱶᱛᱮ ᱡᱚᱲᱟᱣᱟᱭ᱾ ᱵᱷᱤᱛᱨᱤ ᱟᱸᱜᱱᱟ ᱠᱚ ᱫᱮᱠᱷᱟᱣ ᱡᱟᱭᱜᱟ ᱠᱚ ᱦᱟᱴᱤᱧ ᱟᱠᱟᱫᱟ ᱟᱨ ᱩᱫᱩᱜᱚᱜ ᱛᱮᱭᱟᱜ ᱵᱟᱲᱛᱤᱭᱟ᱾ ᱡᱚᱛᱚ ᱡᱤᱱᱤᱥ ᱠᱚ ᱯᱩᱸᱰ ᱡᱤᱭᱚᱢᱮᱴᱨᱤᱠ ᱨᱩᱯ ᱛᱮ ᱟᱞᱜᱟ ᱟᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱢᱟᱨᱥᱟᱞ, ᱩᱢᱩᱞ ᱟᱨ ᱫᱤᱥᱚᱢ ᱧᱮᱞ ᱠᱚ ᱫᱚ ᱢᱩᱬᱩᱛ ᱛᱟᱦᱮᱸᱱᱟ᱾ ᱡᱟᱭᱜᱟ ᱨᱮᱜᱮ ᱣᱮᱱᱤᱭᱚᱨ ᱠᱚ ᱡᱷᱟᱞᱟᱣ ᱟᱨ ᱨᱚᱝ ᱮᱢ ᱟᱠᱟᱱᱟ ᱡᱮᱢᱚᱱ ᱯᱟᱨᱚᱢᱯᱚᱨᱟ ᱪᱟᱣᱞᱮ ᱠᱟᱜᱚᱡ ᱞᱮᱠᱟ ᱯᱩᱸᱰ ᱥᱟᱯᱷᱟ ᱪᱮᱛᱟᱱ ᱧᱟᱢᱚᱜᱼᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Xu Wei ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Xu Wei ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- As for the distribution and functions of the areas, the overall design is as free and refreshing as Xu Wei's art works, in quest of a flowing atmosphere rather than meaningless and strange forms. The transparent ground floor connects exhibition halls on both sides and the north and south squares. Thanks to the changing light and shadows, as well as the huge transparent glass, the whole space is connected in harmony. Here, a splendid picture is unfolding, bringing our memory back to the past.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Project area: 8,000 square meters
Type: Art Museum - ᱴᱮᱜ ᱠᱚ
- UAD, Xu Wei, Art Museum, herringbone slope, Qingteng Bookstore
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Taking inspiration from Xu Wei's paintings, the designers set up an internal courtyard on both sides, respectively, reasonably dividing exhibition halls, enhancing interior transparency and adhering to the design idea of "merging courtyards with the interior". For example, landscaped structures are introduced into the interior framework system, providing visitors with more opportunities to explore the beauty of nature.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Many attempts were made to select main materials for the veneers. At the beginning, the materials chose by the designers appeared gray and dark, far from the desired effect. Later, in response, the veneers were re-polished on the site and re-clad with coatings, with the purpose of producing a visual effect as pure, clean and white as Chinese traditional rice papers.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- As for the whole space, the design team implements the holistic design philosophy of integrating architecture, the interior, and display space. Along the stairs, the rough plain-white textures on the surface extend to the second floor. The long, narrow hallway and the double-pitched roof are combined to create a framed view which encompasses both tourists and landscapes, and create a setting with various uses, including resting, gathering, viewing and taking pictures.
- ᱯᱨᱮᱨᱚᱱᱟ
- In order to achieve the aesthetic aim of "though made by man, it seems to be created by nature," the project takes cues from the essence of Oriental aesthetics of "unity of man and nature." The designers convert all elements into simple, white geometric ones, so as to highlight various scenes. The design not only responds to Xu Wei's artistic idea of "adopting basic colors," but incorporates into the local historical context and renders an ethereal art world with "blank" as a carrier.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Design Cycle: April 2020-April 2021
Completion time: October 2021
Locayion: No. 33, Houguan Lane, Yuecheng District, Shaoxing City, Zhejiang Province - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The museum and the surrounding landscapes are intertwined, creating a number of gray spaces that embody the Oriental aesthetic functions of "hiding, resting, self-cultivating and wandering" that are specific to Chinese traditional architecture. The designers create a complete and coherent spatial experience related with the architecture and landscapes for tourists, with the aid of the spatial construction technique known as "viewpoint transformation."
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chu Ran
Liu Wanlin
Wang Junzheng
Mei Wenbin - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Zhao Qiang
ᱥᱯᱚᱱᱥᱚᱨᱰ
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