ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yu-Ting Lee ᱨᱮᱱᱟᱜ Wen Bo Land Residential Interior Design (ओड़ाक् भितरी डिजाइन)

Yu-Ting Lee ᱨᱮᱱᱟᱜ Wen Bo Land Residential Interior Design (ओड़ाक् भितरी डिजाइन) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2023

Wen Bo Land Residential Interior Design (ओड़ाक् भितरी डिजाइन)

Yu-Ting Lee ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Zingidea interior design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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Wen Bo Land Residential Interior Design (ओड़ाक् भितरी डिजाइन) ᱵᱟᱵᱚᱛ ᱛᱮ

Wen Bo Land ताइवान रेयाक् 76 वर्गमीटर रेयाक् एपार्टमेंट नागेल एनाक् ओड़ाक् भितरी डिजाइन काना। मूल तीन गादी सुतम रेयाक् बांधाय ठेंगा दो बदल'लेना जाहाँ बार गादी सुतम, ओका रेयां मेनाक्तै एक् दिश्नाम कोठा, जोम कोठा आर बार सोच कोठा। भितरी बाड़ि को हातावले लेना ओड़ाकेदाक् साझा एरिया दो बड़ी'तेयाक् आर सेटांग जोहोक् बुढ़ि दो बेसी बोलोतेयाक् लागित। ओड़ाक कोयाक् कोरनोर, बाड़ि आर आलमारि को नरम मे'तान चाप बूटा दुल़ाड़ रुपेतेयाक् नाम। मेटे कांच रेयाक् केयत् को दो सेटांग बुढ़ि बेसी बोलोतेयाक् लागित एम'ओ, इनाक् बादे मुखिया दिश्नाम कोठा रे उकु केयत् मेनाक्काना निजी गनांग रेयाक् लागित। चोंगा-ओकोय बांचाव मे'तान सामग्री आर लेमिनेट सिटी दो पूसी लेगेय बागे साथी ओड़ाक् जुड़ि रेयाक् लागित बेसी बोलो काना।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Wen Bo Land Residential Interior Design (ओड़ाक् भितरी डिजाइन) ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Wen Bo Land Residential Interior Design (ओड़ाक् भितरी डिजाइन) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The design team used arc elements in this project to reduce the sharpness of the corners of the ceiling, facade, or cabinetry, thus presenting a smooth layout, walkways, and furniture. Except for the master bedroom, which is a hidden door that provides privacy, other doors are matte glass. The design team discarded the heavy doors and used transparent glass to create a visual effect of spatial extension for the small space. The entrance, public and private areas are in three different colors and flooring methods: mismatched, herringbone, and 1/3 mismatched. The foyer is paved with dark-colored faux stone to resist stains.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This project is a newly completed apartment on the 2nd floor. The actual area is 76 square meters, with a layout of 2 bedrooms, a living room, a dining room, and 2 bathrooms. The design team transformed the original layout of 3 bedrooms, 2 living rooms, and 2 bathrooms. They removed one of the partitions to reorganize the space and moved the facade of the master bedroom and the second bedroom to make the living and dining areas more spacious.
ᱴᱮᱜ ᱠᱚ
Rounded edges, Fenix panels, coffee cabinet, herringbone flooring, MUJI style.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Since the client is a cat lover, the entire flooring is laminate flooring. The facade is scratch-resistant, high-hardness special paint, while the TV wall is decorated with art paint. The rest of the facade is painted white with a gray tone. Furthermore, to create a pet-friendly space, the furniture is made of scratch-resistant materials, even the bottom of the sofa. The coffee cabinet is made of Italian Fenix panels, which have a matte surface and does not reflect light, presenting a low-profile and calm texture. Meanwhile, its surface is no pores to prevent dust, and it is scratch and heat-resistant.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The project was challenging in terms of convincing the client to accept the drastic changes and in terms of scheduling the construction workforce. First, the original layout was not sufficiently lighted, so the partitions had to be removed. In addition, the construction period coincided with the Lunar New Year and the epidemic outbreak, so the work shifts had to be split due to epidemic prevention considerations. Under such circumstances, it was necessary to rely on the trust and cooperation among all the team members and the client to synchronize the progress.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The open plan allows natural light to flood every corner of the space. The design team adopted a modern, low-saturation style to create a fresh and bright atmosphere. The Morandi blue-green coffee cabinet is a highlight in the light-colored space and echoes the client's hobby. The design team incorporated arc elements in the corners of ceilings, facades, and cabinets to eliminate sharp corners and beams. The curves soften the vision and enlarge the space. At the same time, the matte glass doors improve the lighting. Used three colors and flooring patterns to interpret the entrance, public and private areas.
ᱯᱨᱮᱨᱚᱱᱟ
The design team removed part of the interior walls to transform the original 3 plus 2 room layout into 2 plus 2 rooms. They introduced sufficient light in the open-plan public area and shaped the living room and dining room, where people gather, into the core section. The whole space is a modern, low-saturation style, and the white wood flooring makes the space look more spacious. The coffee cabinet with blue and green tones contrasts with the lighter tones of the surrounding area, which is eye-catching and presents the function of the area and the client's living style.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in June 2022 in Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The most satisfying part for the client is the spaciousness. The enlarged living room and restaurant area will not look crowded even if the public area is full of people. At the same time, the spacious space can meet the client's needs of making coffee and cooking for his guests. The ceiling of the living room is lowered about 40cm to conceal the air conditioner. To avoid people feeling uncomfortable, the design team used arcs to eliminate corners and wrap holes to achieve a comfortable visual experience.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yu-Ting Lee
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Zingidea interior design

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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