ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Maiko Mochizuki and Rei Nishitani ᱨᱮᱱᱟᱜ Red Wave ᱵᱚᱞᱚᱱ

Maiko Mochizuki and Rei Nishitani ᱨᱮᱱᱟᱜ Red Wave ᱵᱚᱞᱚᱱ ᱫᱚ ᱵᱮᱯᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱵᱮᱯᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ· 2023

Red Wave ᱵᱚᱞᱚᱱ

Maiko Mochizuki and Rei Nishitani ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Murayama Inc

ᱵᱮᱯᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#148376 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Red Wave ᱵᱚᱞᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

Red Wave ᱫᱚ International Graphic Arts Show 2022 ᱨᱮᱭᱟᱜ ᱵᱚᱞᱚᱱ ᱛᱮᱭᱟᱨ ᱨᱩᱯ ᱞᱮᱠᱟᱛᱮ ᱛᱤᱸᱜᱩ ᱞᱮᱱᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱜᱚᱲᱦᱚᱱ ᱟᱨᱟᱜ ᱨᱚᱝ ᱟᱨ ᱚᱱᱟ ᱠᱷᱟᱹᱛᱤᱨ ᱪᱮᱛᱟᱱ ᱟᱠᱟᱱ ᱢᱚᱱᱮ ᱨᱮᱭᱟᱜ ᱦᱤᱞᱟᱹᱣ ᱠᱚ ᱵᱩᱡᱷᱟᱹᱣᱟ᱾ ᱡᱤᱣᱤᱫᱟᱹᱱ ᱟᱨᱟᱜ ᱨᱚᱝ ᱟᱨ ᱞᱚᱦᱚᱨᱟᱜ ᱪᱷᱟᱸᱪ ᱫᱚ Covid ᱠᱷᱟᱹᱛᱤᱨ ᱛᱤᱸᱜᱩ ᱟᱠᱟᱱ ᱚᱵᱚᱥᱛᱷᱟ ᱠᱷᱚᱱ ᱵᱟᱝ ᱡᱷᱤᱡᱽ ᱠᱟᱛᱮ, ᱡᱚᱥᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱣᱰᱤ ᱥᱟᱶ ᱩᱫᱽᱜᱟᱹᱣᱼᱯᱩᱨᱟᱹᱣ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱨᱮᱭᱟᱜ ᱞᱚᱪᱷᱚᱱ ᱮ ᱥᱚᱫᱚᱨ ᱠᱮᱫᱼᱟ᱾ Red Wave ᱫᱚ ᱡᱟᱜᱟ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱵᱟᱪᱷᱟᱣ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱴᱷᱟᱶ, ᱦᱚᱨ ᱪᱤᱱᱦᱟᱹ, ᱚᱱᱞᱟᱭᱤᱱ ᱠᱳᱱᱴᱮᱱᱴ ᱮᱢᱟᱱ ᱞᱟᱹᱜᱤᱫ ᱦᱚᱸ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱚᱰᱮᱞ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱨᱮᱭᱟᱜ ᱵᱚᱫᱚᱞ ᱮᱢ ᱠᱟᱛᱮ ᱧᱮᱧᱮᱞᱤᱭᱟᱹ ᱠᱚᱣᱟᱜ ᱥᱮᱱᱚᱜ ᱨᱮᱭᱟᱜ ᱮᱴᱠᱮᱴᱚᱬᱮ ᱠᱚᱢ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱠᱮᱫᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Red Wave ᱵᱚᱞᱚᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Red Wave ᱵᱚᱞᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Red Wave was installed as the entrance structure for International Graphic Arts Show 2022, a comprehensive international exhibition for the printing and related industries. The design combines the beauty of an artwork with the functionality of an entrance gate. The energetic red color and fluid form symbolize the exhibition, which is full of enthusiasm with active business negotiations, not fearing the stagnant conditions caused by the Covid.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 27700mm x Depth 8440mm x Height 4000mm
ᱴᱮᱜ ᱠᱚ
Entrance, Gate, Registration, Exhibition, Printing industry, Red, Wave
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
We used a wrinkle-free fabric for striped molding which allows the graphic design to show through on both sides even printed on one side. The red colors are all slightly different and the lighting effects provide further color variation and movement. For the foundation of the molding, we used leased system products. The fabric served not only as decoration but also as a fixation for the foundation, minimizing the number of columns. This combines beauty with reduced environmental impact.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The biggest challenge was how to define the presence of this entrance. What we imagined from the exhibition theme, "Venture into the innovation!" was that IGAS, where people's adventurous spirit intersects, is like an ocean, where visitors pass through great waves. Finally, through repeated trial and error in design, the dynamic and organically beautiful entrance design was produced by its combination of straight and curved lines.
ᱜᱚᱵᱮᱥᱚᱱᱟ
We researched and examined the design of the International Graphic Arts Show 2022 to preserve its brand. The annual entrance to the exhibition has a unique air about it, somehow unchanging despite its changing form. We focused our research on creating a continuous structure like the architecture of the Tokyo Big Sight: the venue of this event, and on integrating the conflicting shapes of straight and curved lines into a single form.
ᱯᱨᱮᱨᱚᱱᱟ
IGAS is a showcase of the rich colors created by advanced printing technology, and we felt that we should visualize this beautiful and functional aspect of it. "Red Wave" means the "rich red" made possible by technology and the "movement of our heart" that is moved by it. In the simple form of a series of straight lines, the entrance gate functionally expresses that it is a gateway to emotion by using a precise gradation of colors to create the brightest red in the center of the passageway.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Installed at Tokyo Big Sight for 5 days from November 24 to November 28, 2022
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Red Wave had a special presence because it was installed on the main street of Tokyo Big Sight, the venue for this show. Red Wave was used not only as the name of the entrance, but also as a design concept for the special exhibition area, guidance signs, online contents, etc. within the venue, giving it a sense of unity. This reduces visitors' stress of moving around.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Maiko Mochizuki
Rei Nishitani
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer / Kudo Original Photo.Co,.Ltd, Red Wave, 2022.
Image #2: Photographer / Kudo Original Photo.Co,.Ltd, Red Wave, 2022.
Image #3: Photographer / Kudo Original Photo.Co,.Ltd, Red Wave, 2022.
Image #4: Photographer / Kudo Original Photo.Co,.Ltd, Red Wave, 2022.
Image #5: Photographer / Kudo Original Photo.Co,.Ltd, Red Wave, 2022.

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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