Jung-Mei Wou ᱨᱮᱱᱟᱜ Aeon I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient reliable data to provide an accurate professional translation into Santali for this specialized design content. ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2023
Aeon I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient reliable data to provide an accurate professional translation into Santali for this specialized design content.
Jung-Mei Wou ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: JMW Art Studio
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#148751 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Aeon I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient reliable data to provide an accurate professional translation into Santali for this specialized design content. ᱵᱟᱵᱚᱛ ᱛᱮ
Santali is an Austroasiatic language with its own unique script (Ol Chiki) and structure, and providing a translation that meets your requirements for:
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Aeon I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient reliable data to provide an accurate professional translation into Santali for this specialized design content. ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Aeon I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient reliable data to provide an accurate professional translation into Santali for this specialized design content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This work is a reflection of time and space, reality and fantasy, instant and eternity, which appear to be opposites but are at the same time interdependent symbiotic phenomena. The form interprets the contrast between large and small with the round holes formed by the solid body. Abstract shapes, light, and shadow are refracted and intertwined with the environment, and the work leads the viewer into the illusion of personal subconsciousness when viewed at close range.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Work Dimension:
1030mmx910mmx1120mm Material: Stainless Steel - ᱴᱮᱜ ᱠᱚ
- Sculpture, Public Art, Contemporary Art, Installation Art, Philosophy, Dualism, A Happy Excursion
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- This work is made of forged stainless steel. The inside of the sculpture uses a grid-shaped stainless steel skeleton as the structure, and the surface is made of stainless steel thin plate split forging, knocking, and welding to make the sculpture lightweight.
The supporting point of the sculpture presents the lightness of the sculpture with two curved surfaces, and the ingenious balance of structural mechanics is also presented in this work. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The most challenging part of this sculpture is presenting the lightness of the sculpture with a double curved surface for the support points. In the process of experimenting with the balance of the sculpture, six models were made to test the circular hole that would affect the center of gravity of the sculpture. The size and the most suitable position were determined based on rational principles to achieve an exquisite balance of structural mechanics.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The wind load influences the shape of the sculpture and the surface optimisation method. Aerodynamic shape optimisation has helped to achieve the optimum design for a sculpture while reducing the wind load.
- ᱯᱨᱮᱨᱚᱱᱟ
- The concept of this work is inspired by the fable at the beginning of the first chapter of Zhuangzi's philosophy, "A Happy Excursion".
This work seeks to explore the essence of all symbiotic phenomena that appear to be in opposition to each other and are interdependent. The abstract sculpture, light, and shadow refract and intertwine with the environment, not only projecting a seemingly real space but also creating an illusion of the personal subconscious. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project took one year from concept model to finished work. This project was exhibited at the Taipei World Trade Center Art Fair in April 2016.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This sculpture intends to symbolise the relationship of duality and interdependence by combining the large fish whale and fish eggs in the sea. The shape is made of round holes surrounded by solid bodies, respectively expressing large and small.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Jung-mei Wou
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
