ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yang-Po Chen ᱨᱮᱱᱟᱜ Book Ing Bar ᱵᱷᱤᱛᱨᱤ ᱰᱤ�録ᱫᱮ ᱥᱟᱡᱟᱣ

Yang-Po Chen ᱨᱮᱱᱟᱜ Book Ing Bar ᱵᱷᱤᱛᱨᱤ ᱰᱤ�録ᱫᱮ ᱥᱟᱡᱟᱣ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2023

Book Ing Bar ᱵᱷᱤᱛᱨᱤ ᱰᱤ�録ᱫᱮ ᱥᱟᱡᱟᱣ

Yang-Po Chen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: DCT Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#149266 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Book Ing Bar ᱵᱷᱤᱛᱨᱤ ᱰᱤ�録ᱫᱮ ᱥᱟᱡᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱵᱩᱠ ᱤᱝ ᱮᱱᱟ ᱢᱤᱫ ᱵᱟᱨ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱡᱟᱦᱟᱸ ᱛᱟᱭᱣᱟᱱ ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱠᱟᱱᱟ ᱾ ᱵᱟᱦᱨᱮ ᱠᱷᱚᱱ ᱵᱷᱤᱛᱨᱤ ᱨᱮᱭᱟᱜ ᱛᱟᱨᱮ ᱫᱩᱵᱟᱨ ᱠᱚᱨᱮᱡ ᱫᱚ ᱢᱤᱫ ᱯᱮᱫᱟ ᱚᱠᱟᱛᱮ ᱚᱠᱚ ᱥᱟᱶᱛᱮ ᱥᱟᱸᱜᱤᱱ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱨᱮ ᱡᱷᱤᱡᱟᱣᱠᱟᱱ ᱠᱟᱛᱷᱠᱟᱛᱷᱟᱨᱤ ᱟᱹᱛᱩ ᱨᱮᱭᱟᱜ ᱫᱤᱸᱜ ᱠᱟᱛᱷᱟ ᱛᱮ ᱮᱛᱮᱥᱟᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱮᱴᱩᱠᱚᱣᱟ ᱟᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱛᱮ ᱴᱤᱯ ᱠᱟᱛᱮ ᱮᱦᱚᱵ ᱤᱫᱤ ᱠᱷᱚᱱᱴᱟᱜ ᱮ ᱠᱷᱩᱞᱟᱭ ᱠᱟᱱᱟ ᱾ ᱵᱷᱤᱛᱨᱤ ᱠᱷᱚᱱ, ᱫᱟᱥ ᱢᱤᱴᱚᱨ ᱦᱮᱥᱤᱡ ᱢᱟᱨᱵᱚᱞ ᱨᱮᱭᱟᱜ ᱠᱟᱩᱱᱴᱚᱨ ᱟᱨ ᱢᱤᱫ ᱫᱟᱨᱩ ᱨᱮᱭᱟᱜ ᱡᱤᱞ ᱮᱨᱠᱚᱦᱚᱞ ᱦᱟᱴᱤᱸ ᱮᱴᱟᱜ ᱠᱷᱩᱞᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱢᱟᱨᱥᱟᱞ ᱠᱟᱱᱟᱭ ᱾ ᱵᱟᱨᱤᱭᱟᱜ ᱚᱴ ᱫᱩᱵᱟᱨ ᱥᱮᱨᱢᱟ ᱠᱚ ᱟᱛᱶᱟ ᱠᱟᱱᱟ ᱮᱥᱮᱰ ᱠᱚᱢᱴᱟᱜ ᱡᱤᱞ ᱡᱚᱢᱟᱣ ᱟᱨ ᱡᱚᱢ ᱠᱩᱣᱟᱲ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱾ ᱡᱤᱞ ᱠᱮᱵᱤᱱᱮᱴ ᱨᱮᱭᱟᱜ ᱪᱮᱛᱟᱱ ᱨᱮ ᱢᱤᱫ ᱢᱤᱴᱚᱨ ᱠᱟᱱ ᱪᱮᱛᱟᱱ ᱫᱚ ᱦᱟᱹᱴᱤᱱ ᱵᱤᱢ ᱠᱚᱨᱮᱭᱟᱜ ᱡᱷᱚᱛ ᱡᱷᱚᱛ ᱦᱮᱥᱤᱡ ᱠᱚ ᱠᱚᱢ ᱮᱫᱟ ᱾ ᱥᱚᱯᱷᱟ ᱠᱚ ᱫᱚ ᱟᱞᱟᱫᱟ ᱟᱞᱟᱫᱟ ᱴᱷᱟᱶ ᱨᱮ ᱫᱚᱦᱚ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱮᱴᱠᱮᱫ ᱮᱴᱠᱮᱫ ᱠᱟᱛᱷᱟ ᱫᱩᱠᱩ ᱫᱚᱦᱚ ᱟᱠᱟᱱ ᱟᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱠᱚ ᱦᱮᱡ ᱟᱠᱟᱫᱟᱭ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Book Ing Bar ᱵᱷᱤᱛᱨᱤ ᱰᱤ�録ᱫᱮ ᱥᱟᱡᱟᱣ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Book Ing Bar ᱵᱷᱤᱛᱨᱤ ᱰᱤ�録ᱫᱮ ᱥᱟᱡᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Before entering the bar, the customers have to pass through a secret door like an 'escape room'. The designers take cultural stones to decorate the fully enclosed design, and customers have to press the right trigger to open the door to the bar. This ingenious idea adds a sense of mystery and at the same time, like in the Harry Potter movie, the key object is used as a medium to trigger the magic setting and lead to another world. To achieve the open plan desired by the client, the designers install a 10-meter-long bar and plan an alcohol wall at the back to achieve a horizontal visual extension.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The columns in the space are misplaced and the height of the beams is low. After reinforcing the basic structure, a light steel frame is used as part of the structural support above the bar, while the ceiling above the alcohol cabinet is mirrored to eliminate the visual defects of the height difference. In the area for serving customers, the designers arrange the sofas in a staggered manner to avoid eye contact between different customers and to form a private booth-like space. In addition to maintaining the spaciousness of the space, the designers are more attentive to creating a non-partitioned yet luxurious and private experience.
ᱴᱮᱜ ᱠᱚ
Modern style, old apartment renovation, marble, iron, woodwork, subtle luxury.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Building materials: woodwork, technology leather, marble, iron, cultural stone, old doors and windows, red brick, and drapery. The bar features a 10-meter-long black marble countertop and a woodworking alcohol wall that cross the space. The designers plan two mechanical doors, one for storing the guests' alcohol collection and the other for preparing meals, considering both aesthetics and practicality. The other side of the space is decorated with a suede red drape on the plain wall, and LED light strips are installed below to create a sense of hierarchy, embodying the warmth and softness of luxury.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The interiors have staggered columns and low beam heights that cause visual and construction obstruction. In addition, the client wants an open-plan bar. The designers use black marble to create a 10-meter-long bar counter in the bartending area, complemented by a handcrafted woodworking alcohol cabinet in the back. On the upper part, the ceiling mirror brings the visual focus through the reflection of light and shadow, while addressing the structural defects of the building. The staggered placement of sofas and furnishings creates a private atmosphere like booths.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The designers use black marble for the bar, complemented by classical British elements such as mirrors and golden wooden alcohol cabinets. On the other side, the dark red velvet drapery with floor lighting adds layers to the space and shapes a luxurious and warm atmosphere. In the area for serving customers, the designers arrange the sofas in a staggered manner to avoid eye contact between different customers and to form a private booth-like space. In addition to maintaining the spaciousness of the space, the designers are more attentive to creating a non-partitioned yet luxurious and private experience.
ᱯᱨᱮᱨᱚᱱᱟ
The project is the second collaboration between the client and the designers. The client wants to continue the design style of the first Book ing bar, combining the characteristics of alcohol and books with classical elements and light industrial style to convey a unique luxury urban atmosphere. Book ing Bar Zhongshan is in the building next to the MRT Shuanglian Station. The client hopes that every customer who walks into the Book ing Bar will feel the relaxed and tipsy atmosphere, and be isolated from the hustle and bustle as if they are hidden in the city.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in September 2022 in Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The bar is made of black marble, with a woodwork alcohol wall across the space. The designers plan two doors, one for storing the guests' alcohol collection and the other for preparing meals, considering both aesthetics and practicality. The other side of the space is decorated with a suede red drape on the plain wall, and LED light strips are installed below to create a sense of hierarchy, embodying the warmth and softness of luxury. In the area for serving customers, the designers arrange the sofas in a staggered manner to avoid eye contact between different customers and to form a private booth-like space.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
DCT Design

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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