ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Huiming Tan ᱨᱮᱱᱟᱜ Beyond Appearances ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ

Huiming Tan ᱨᱮᱱᱟᱜ Beyond Appearances ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2023

Beyond Appearances ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ

Huiming Tan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Huiming Tan

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

11,586

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#150617 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Beyond Appearances ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱵᱤᱭᱚᱸᱰ ᱟᱯᱮᱭᱟᱨᱮᱱᱥᱮᱥ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱜᱩᱣᱟᱝᱰᱚᱝ, ᱪᱟᱣᱡᱷᱟᱣ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ ᱠᱟᱱᱟ᱾ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱞᱮᱯᱟᱣ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱯᱩᱭᱞᱩ ᱡᱩᱜᱽ ᱵᱟᱜᱟᱱ ᱠᱚᱣᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱮᱵᱥᱴᱨᱮᱠᱴ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ᱾ ᱢᱟᱨᱥᱟᱞ ᱟᱨ ᱩᱢᱩᱞ, ᱵᱚᱫᱚᱞᱚᱜ ᱠᱟᱱ ᱧᱮᱞ ᱢᱩᱸᱰ ᱟᱨ ᱟᱪᱩᱨ ᱠᱟᱱ ᱡᱟᱭᱜᱟ ᱫᱚ ᱴᱩᱠᱲᱟᱹ ᱨᱮ ᱡᱚᱛᱚ ᱧᱮᱞ ᱨᱮᱭᱟᱜ ᱵᱤᱪᱟᱹᱨ ᱩᱫᱩᱜᱟᱭ᱾ ᱢᱤᱫ ᱥᱮᱫ ᱨᱮ ᱪᱮᱛᱟᱱ ᱪᱷᱟᱫ ᱩᱥᱩᱞ ᱫᱚ ᱞᱟᱛᱟᱨ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱧᱮᱞᱤᱭᱟᱹ ᱠᱚ ᱫᱚ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱ ᱦᱚᱨ ᱛᱮ ᱟᱹᱭᱩᱨ ᱠᱚᱣᱟ᱾ ᱢᱤᱫ ᱢᱟᱲᱟᱝ ᱠᱷᱩᱸᱴᱤ ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱟᱝ ᱚᱪᱚᱜ ᱫᱟᱲᱮᱭᱟᱜ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱫᱚ ᱵᱟᱨᱭᱟ ᱥᱮᱞᱮᱫ ᱠᱷᱩᱸᱴᱤ ᱛᱮ ᱛᱮᱸᱜᱚᱭ ᱟᱠᱟᱱᱟ ᱟᱨ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱴᱮᱠᱥᱪᱚᱨ ᱥᱟᱶ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱥᱩᱥᱴᱷᱤᱨ ᱥᱟᱡᱟᱣ ᱛᱮ ᱨᱚᱝ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱢᱤᱫ ᱠᱟᱹᱵᱭᱚ ᱞᱮᱠᱟᱱ ᱡᱟᱭᱜᱟ ᱨᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Beyond Appearances ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Beyond Appearances ᱟᱨᱴᱤᱥᱴᱤᱠ ᱨᱚᱝ ᱫᱮᱠᱷᱟᱣ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Diverse artistic paint has been used to create the space, abstractly translating classical Chinese garden imagery. Spatially, the concept of "seeing the whole in the part" is conveyed through the interplay of light and shadow, changing scenery, and the flow of space. As one wanders through the silent space, they are able to transcend into infinite imagination.
ᱴᱮᱜ ᱠᱚ
Art museum, art paint, exhibition hall, tranquil, poetic, Chinese garden
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In the treatment of the top ceiling, the height was intentionally lowered on the right side, creating discomfort in contrast to the open space vaguely visible on the left. This prompts visitors entering the passage to move forward, following the planned route psychologically. The building originally had an unremovable column, and a sloping roof was designed to cover the indoor space. Two columns were built beside the column to support the roof, forming a three-pronged column. To avoid making it look too heavy and cumbersome, one of the columns was cut and blended into the building template texture, creating a seamless experience for showcasing artistic paint products.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Artistic paint is a special type of coating that contains a large amount of pigments and fillers, allowing it to produce a wide range of colors and textures. It can be used not only for wall and ceiling decoration, but also as a surface coating for furniture, sculptures, and other art pieces. As such, for a space showcasing artistic paint, we aim for it to be full of artistic and unique beauty, providing visitors with a distinctive spatial experience. We drew inspiration from the expression techniques of traditional Oriental gardens and incorporated them into a modern interior design that better meets the needs of humanity.
ᱯᱨᱮᱨᱚᱱᱟ
Inspired by classical Chinese gardens and drawing on the philosophical ideas of Eastern gardens, we have liberated traditional imagery and infused contemporary aesthetic awareness to create a poetic space that embodies the imagery of a garden within an indoor environment.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started its design phase in January 2020 and was completed in May 2021 in Chaozhou, Guangdong, China.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ