ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ray Lee ᱨᱮᱱᱟᱜ Illusion House I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, I don't have sufficient knowledge of Santali, particularly its specialized design and architectural terminology, to ensure the translation maintains the technical accuracy, professional tone, and natural flow required for A' Design Award content.

Ray Lee ᱨᱮᱱᱟᱜ Illusion House I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, I don't have sufficient knowledge of Santali, particularly its specialized design and architectural terminology, to ensure the translation maintains the technical accuracy, professional tone, and natural flow required for A' Design Award content. ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2024

Illusion House I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, I don't have sufficient knowledge of Santali, particularly its specialized design and architectural terminology, to ensure the translation maintains the technical accuracy, professional tone, and natural flow required for A' Design Award content.

Ray Lee ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Minimal C Studio

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

9,750

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#153721 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Illusion House I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, I don't have sufficient knowledge of Santali, particularly its specialized design and architectural terminology, to ensure the translation maintains the technical accuracy, professional tone, and natural flow required for A' Design Award content. ᱵᱟᱵᱚᱛ ᱛᱮ

For accurate translation of this specialized content into Santali, I recommend consulting with:

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Illusion House I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, I don't have sufficient knowledge of Santali, particularly its specialized design and architectural terminology, to ensure the translation maintains the technical accuracy, professional tone, and natural flow required for A' Design Award content. ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Illusion House I apologize, but I cannot provide an accurate translation of this technical design content into Santali. While I can work with many languages, I don't have sufficient knowledge of Santali, particularly its specialized design and architectural terminology, to ensure the translation maintains the technical accuracy, professional tone, and natural flow required for A' Design Award content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Surrounded by the forest, the concrete and steel house, the sunlight, the shadow of the trees in the space rhythm. In the outer shell of the commercial building, a minimalist and ethereal interior space is hidden, enjoying the gift of nature, like an independent building individual, free from the disturbance of the world.
In the minimalist space of structuralism, only the volume sense composed of artificially designed architectural structures and blocks creates their light-receiving area for natural light, and then casually paints a layer of gray and white tones for the walls, floors and ceilings, standing in this "spirit" space, quietly watching the changes of time, the wind blows and the shadow of the trees shakes.
The border between white and gray ground, the extension of the boundary, from the gray space changes to the gray scene, the exposed beam structure sequence feels like surrounding the whole space, the central "water" flower blooms, reflecting the fleeting time, the sun flies. The silent mirror trembled, the trail of passing fireworks.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This project is a large flat private residence with an area of 500 square meters.
ᱴᱮᱜ ᱠᱚ
Minimalist, ethereal, clean, comfortable, artistic
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The creation of minimalist spaces requires a higher level of material than decorative materials, and it is important to consider the combination and matching of their aesthetics and create a certain feeling after the design is implemented.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Through a complex construction process, the mirror is embedded on the ground to form a decorative artwork, taking into account both aesthetics and practicality.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This space breaks the constraints of the inherent pattern , thus setting boundaries. By constructing spaces with different perspectives, while also considering the extension of this boundary, natural light, wind, trees, and shadows are combined to create a sense of broken mirror order for the space.
ᱯᱨᱮᱨᱚᱱᱟ
I have seen a puddle of water on the ground, it is short-lived, will disappear, so I left it.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project is located in Guangzhou, China. It started on December 25, 2021 and was completed on June 1, 2023.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Mirror flower, water moon, flower in the mirror, moon in the water, beautiful yet incredible, as if dancing in space, unreal yet elusive. The geometry in the structure is reflected through mirrors to form another scene. The scene created by the designer is not limited to the visual perception in front of them, but is conveyed to the body, emotions, daydreams, and daydreams through visual extension, which is the life state th.at design can endow
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Designed and produced by: Minimal C Studio,China
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image produced by: Ouyang Yun
Video product: Peanut Video Studio

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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