ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yalin Tan ᱨᱮᱱᱟᱜ Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content.
Yalin Tan ᱨᱮᱱᱟᱜ Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content.
Yalin Tan ᱨᱮᱱᱟᱜ Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content.
Yalin Tan ᱨᱮᱱᱟᱜ Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content.
Yalin Tan ᱨᱮᱱᱟᱜ Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content.

Yalin Tan ᱨᱮᱱᱟᱜ Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content. ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2024

Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content.

Yalin Tan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Yalın Tan + Partners

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#154669 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ
ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content. ᱵᱟᱵᱚᱛ ᱛᱮ

Santali is a language with limited digital resources, and translating specialized design terminology (such as "biophilic elements," "gender-neutral facilities," "lighting automation," etc.) requires deep expertise in both the language and technical design vocabulary that I cannot reliably provide.

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content. ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Unilever Istanbul I appreciate your request, but I must be transparent about my limitations. While I have knowledge of many languages, my training in Santali is insufficient to provide the professional-quality, technically accurate translation required for A' Design Award & Competition content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Unilever Istanbul's innovative office design stands out for its commitment to inclusive and sustainable workspaces. With gender-neutral facilities, private pods, and well-being rooms, it fosters diversity and employee well-being. Biophilic elements, natural materials, and advanced lighting automation enhance productivity. This design's strength lies in creating a harmonious balance between functionality, comfort, and environmental responsibility, setting a new standard for modern workplaces.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
15.000 sqm / 161458.6 ft2
ᱴᱮᱜ ᱠᱚ
#officedesign #workplace #inclusivedesign #biophilicdesign #sustainable design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
In the Unilever office project, fire-resistant acoustic ceiling covering materials and materials suitable for sustainable design have been used.
ᱯᱨᱮᱨᱚᱱᱟ
When Gaudi created his works, he drew inspiration from nature. Similarly, in the Unilever project, we aimed to evoke a sense of nature in the space, using natural and flowing forms abstractly.We incorporated the amorphous forms inspired by nature into the shell and fixed seating elements within the space. Additionally, we utilized these amorphous forms in the entrance of Unilever, where they welcome people and accentuate the brand identity.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
6 months, Istanbul
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The Unilever office project has been designed according to an open office system, allowing users to work flexibly anywhere and anytime they want, rather than dedicated desks. This has created flexible spaces for users and increased interaction among people. Additionally, sustainability and employee well-being were prioritized in the design, contributing to a healthier and more environmentally friendly workspace.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Unilever, 2022.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yalın Tan + Partners
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Ibrahim Ozbünar
ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱟᱲᱦᱟᱣ ᱢᱮ

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱡᱚᱛᱚ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱧᱮᱞ ᱢᱮ

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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