ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Cynthia Turner ᱨᱮᱱᱟᱜ Ophthalmic Sustainability ᱢᱮᱜᱟᱡᱤᱱ ᱠᱚᱵᱷᱚᱨ ᱪᱤᱛᱟᱹᱨ

Cynthia Turner ᱨᱮᱱᱟᱜ Ophthalmic Sustainability ᱢᱮᱜᱟᱡᱤᱱ ᱠᱚᱵᱷᱚᱨ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱜᱨᱟᱯᱷᱤᱠ· 2024

Ophthalmic Sustainability ᱢᱮᱜᱟᱡᱤᱱ ᱠᱚᱵᱷᱚᱨ ᱪᱤᱛᱟᱹᱨ

Cynthia Turner ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Alexander and Turner Medical Illustration Studio

ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#154778 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Ophthalmic Sustainability ᱢᱮᱜᱟᱡᱤᱱ ᱠᱚᱵᱷᱚᱨ ᱪᱤᱛᱟᱹᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱚᱯᱷᱛᱷᱟᱞᱢᱤᱠ ᱥᱚᱥᱴᱮᱱᱮᱵᱤᱞᱤᱴᱤ ᱫᱚ ᱢᱤᱫ ᱠᱟᱹᱦᱱᱤ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱢᱤᱫ ᱵᱤᱨᱤᱛ ᱢᱮᱫ ᱟᱲᱮ ᱨᱮ ᱜᱩᱞᱩᱜ, ᱱᱟᱶᱟ ᱟᱨ ᱵᱟᱹᱲᱛᱤ ᱫᱟᱨᱮ ᱫᱟᱨᱟᱢ ᱡᱤᱭᱚᱱ ᱩᱴᱩᱱ ᱮᱢ ᱟᱠᱟᱱᱟ, ᱢᱤᱫ ᱚᱱᱚᱞ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱦᱟᱸ ᱨᱮ ᱢᱮᱫ ᱪᱤᱠᱤᱪᱟ ᱨᱮᱭᱟᱜ ᱦᱚᱨᱤᱛ ᱵᱟᱵᱚᱛ ᱨᱚᱲ ᱟᱠᱟᱱᱟ, ᱥᱚᱨᱡᱚᱨᱤ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱ ᱯᱮᱠᱮᱡᱤᱝ, ᱠᱷᱟᱹᱞᱤ ᱫᱷᱟᱣ ᱵᱮᱵᱷᱟᱨ ᱥᱟᱢᱟᱱ ᱠᱚᱢ ᱞᱟᱹᱜᱤᱫ᱾ ᱱᱚᱶᱟ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱒᱐᱒᱓ ᱨᱮᱭᱟᱜ ᱟᱭᱱᱮᱴ ᱯᱚᱛᱚᱵ ᱨᱮᱭᱟᱜ ᱠᱚᱵᱷᱚᱨ ᱟᱨ ᱯᱩᱨᱟᱹ ᱥᱟᱦᱴᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱬᱩᱛ ᱚᱱᱚᱞ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱢᱮᱨᱤᱠᱟᱱ ᱮᱠᱟᱰᱮᱢᱤ ᱚᱯᱷ ᱚᱯᱷᱛᱷᱟᱞᱢᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱯᱚᱛᱚᱵ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Ophthalmic Sustainability ᱢᱮᱜᱟᱡᱤᱱ ᱠᱚᱵᱷᱚᱨ ᱪᱤᱛᱟᱹᱨ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ophthalmic Sustainability ᱢᱮᱜᱟᱡᱤᱱ ᱠᱚᱵᱷᱚᱨ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The greening of ophthalmology strives to reduce the amount of discarded packaging, disposables and single-use items used in surgery. The image will be used on the cover and inside lead article of EyeNet, the journal of the American Academy of Ophthalmology for the November 2023 Issue.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 212.725 mm x Height 282.575 mm, 350 dpi, tiff
ᱴᱮᱜ ᱠᱚ
medical illustration, biomedical artist, visual science, ophthamology, sustainability, greening
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Created using Cinema 4D, a 3D modeling program, 3D Models, and hand-painting in Photoshop, using a stylus and tablet on a Mac.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Creating a unique and pleasing botanical composition, plant by plant, that looked living and vital, to frame and enhance yet not overwhelm the central eye.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The artist researched various plant choices, striving to assemble a variety of visually interesting textures. Many of the flowers and greenery are from 3D models that the artist rendered individually and then hand composed in Photoshop. The rest of the digital painting was finished by hand-painting in Photoshop to cast shadows from one element to the next, push and pull light, and add surface detailing.
ᱯᱨᱮᱨᱚᱱᱟ
The artist sought to create a fantasy illustration depicting a lush, fresh and burgeoning botanical environment flourishing around an heroic eye. The eye itself is fantastical, with a conjunctiva (the covering of the globe) made of Michelangelo's white dolomite marble. In contrast to the cracked marble, the iris is glowing as if illuminated from energy within.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was in development for two weeks at the artist's studio in Santa Rosa Beach, Florida, USA.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The illustration is meant to be uplifting and hopeful by depicting a fantastical imagining of the greening of ophthalmology.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Cynthia Turner, 2023
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Illustrator Cynthia Turner / Alexander and Turner Medical Illustration Studio / Ophthalmic Sustainability, 2023
Image #2: Illustrator Cynthia Turner / Alexander and Turner Medical Illustration Studio / Ophthalmic Sustainability, 2023
Image #3: Illustrator Cynthia Turner / Alexander and Turner Medical Illustration Studio / Ophthalmic Sustainability, 2023
Image #4: Illustrator Cynthia Turner / Alexander and Turner Medical Illustration Studio / Ophthalmic Sustainability, 2023
Image #5: Illustrator Cynthia Turner / Alexander and Turner Medical Illustration Studio / Ophthalmic Sustainability, 2023

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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