ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Mohammad Limucci ᱨᱮᱱᱟᱜ Porochista I apologize, but I must be transparent about a significant limitation: My training data for Santali language is extremely limited, particularly for technical design terminology and modern concepts like OLED screens, musical instrument specifications, and design industry vocabulary.

Mohammad Limucci ᱨᱮᱱᱟᱜ Porochista I apologize, but I must be transparent about a significant limitation: My training data for Santali language is extremely limited, particularly for technical design terminology and modern concepts like OLED screens, musical instrument specifications, and design industry vocabulary. ᱫᱚ ᱵᱟᱡᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱟᱡᱟ· 2025

Porochista I apologize, but I must be transparent about a significant limitation: My training data for Santali language is extremely limited, particularly for technical design terminology and modern concepts like OLED screens, musical instrument specifications, and design industry vocabulary.

Mohammad Limucci ᱞᱮᱠᱟᱛᱮ

ᱵᱟᱡᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#161817 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Porochista I apologize, but I must be transparent about a significant limitation: My training data for Santali language is extremely limited, particularly for technical design terminology and modern concepts like OLED screens, musical instrument specifications, and design industry vocabulary. ᱵᱟᱵᱚᱛ ᱛᱮ

Santali is primarily an oral language with evolving written standards, and technical terms for advanced design concepts may not have well-established equivalents. Attempting to translate this specialized content without adequate knowledge would risk:

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Porochista I apologize, but I must be transparent about a significant limitation: My training data for Santali language is extremely limited, particularly for technical design terminology and modern concepts like OLED screens, musical instrument specifications, and design industry vocabulary. ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Porochista I apologize, but I must be transparent about a significant limitation: My training data for Santali language is extremely limited, particularly for technical design terminology and modern concepts like OLED screens, musical instrument specifications, and design industry vocabulary. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Porochista is a modern and luxurious acoustic piano for professional pianists who want an acoustic but modern piano. At the same time, digital piano facilities are also considered in Porochista concept. All these features are controlled by a large touch monitor installed on it. Things like recording and playing , displaying notes on the monitor, adjusting the volume and even...
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Total Size 265 x 190 cm
ᱴᱮᱜ ᱠᱚ
Piano, Music, Musical,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
According to the curved forms used in the production of Prochista, like the production of a car body, it will require steps such as CNC in different parts, molding and casting.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The challenge in designing this piano was to achieve a dynamic form with a sense of suspension at the rear end, while ensuring good stability. Preserving the overall authenticity of the piano's form in a way that, at first glance, resonates with acoustic piano players and enthusiasts, was another significant design challenge. Additionally, designing details that would still appear distinctive when ordered in different colors, while maintaining simplicity, was crucial
ᱜᱚᱵᱮᱥᱚᱱᱟ
During my interior design work, I consistently faced the challenge of not finding unique modern pianos on the market. Available pianos were predominantly classical or, due to unconventional forms, no longer resembled traditional pianos. This led me to design a piano that would capture the attention of interior designers and modern enthusiasts alike, offering a suitable option based on the elements present in their homes or desired spaces. Even during the three-dimensional modeling process, I focused on integrating its internal mechanisms for better cohesion.
ᱯᱨᱮᱨᱚᱱᱟ
Porochista's design is inspired by super sports cars with curved and dynamic forms in such a way that the general appearance and form of classical acoustic pianos is preserved and as if it has reached this form over time. The combination of glass, metal and its main body with matte black color will be compatible with any arrangement and those interested in modern and contemporary style can have a different experience of the design of an acoustic piano.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Tehran - Zagreb
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Prochista has common details with other pianos and it shouldn't be otherwise, but the points that distinguish it are having a large and touch monitor to provide better conditions for the piano player by displaying music notes in an animated form. In addition, the hidden compartment on its upper part allows you to place a notebook on it and just touch a corner of it to come out and lean the book on it.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ