Amin Mohammadyari ᱨᱮᱱᱟᱜ Akhalteke ᱞᱟ�605ᱡ ᱪᱮᱭᱟᱨ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2025
Akhalteke ᱞᱟ�605ᱡ ᱪᱮᱭᱟᱨ
Amin Mohammadyari ᱞᱮᱠᱟᱛᱮ
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#170027 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Akhalteke ᱞᱟ�605ᱡ ᱪᱮᱭᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱟᱠᱷᱟᱞᱛᱮᱠᱮ ᱫᱚ ᱢᱤᱫ ᱟᱞ�internᱟ ᱫᱩᱨᱩᱵᱽ ᱟ ᱱᱟᱯᱟᱭ ᱮᱢᱟᱜ ᱠᱟᱱᱟ, ᱯᱩᱭᱞᱩ ᱫᱷᱟᱣ ᱥᱟᱫᱚᱢ ᱯᱷᱮᱨᱮᱫ ᱨ ᱟᱠ ᱨᱮᱭᱟᱜ ᱟᱢᱩ ᱢᱩᱫ ᱨ ᱵᱷᱟᱵᱽᱱᱟ ᱮᱢᱟᱜ ᱠᱟᱱᱟ ᱾ ᱰᱤᱡᱟᱭᱱᱟᱨ ᱨᱮᱭᱟᱜ ᱜᱤᱫᱽᱨᱟᱹ ᱩᱢᱮᱨ ᱨᱮᱭᱟᱜ ᱥᱟᱫᱚᱢ ᱯᱷᱮᱨᱮᱫ ᱨ ᱟᱠ ᱨᱮᱭᱟᱜ ᱟᱱᱩᱵᱷᱚᱵ ᱟᱨ ᱥᱟᱫᱚᱢ ᱨᱮᱭᱟᱜ ᱥᱟᱨᱤᱨ ᱨᱮᱭᱟᱜ ᱢᱚᱦᱚᱨ ᱠᱷᱚᱱ ᱯᱨᱮᱨᱚᱱᱟ ᱧᱟᱢ ᱠᱟᱛᱮ, ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱱ ᱫᱚ ᱵᱮᱵᱷᱟᱨᱤᱭᱟ ᱟᱨ ᱩᱱᱤᱭᱟᱜ ᱟᱱᱩᱵᱷᱚᱵ ᱛᱟᱞᱟ ᱨᱮ ᱵᱟᱨ ᱨᱟᱦᱟ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱨ ᱢᱮ ᱯᱷᱮᱨ ᱦᱩᱭᱩᱜ ᱟ ᱾ ᱢᱟᱱᱣᱟ ᱨᱮᱭᱟᱜ ᱢᱟᱲᱟᱝ ᱫᱩᱨᱩᱵ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱯᱷᱚᱨᱢ, ᱥᱟᱰᱚᱞ ᱠᱷᱚᱱ ᱟᱹᱢᱩᱢ ᱠᱟᱛᱮ, ᱟᱠᱷᱟᱞᱛᱮᱠᱮ ᱫᱚ ᱞᱟ�605ᱡ ᱪᱮᱭᱟᱨ ᱨᱮᱭᱟᱜ ᱟᱨᱟᱢ ᱟᱨ ᱥᱟᱫᱚᱢ ᱯᱷᱮᱨᱮᱫ ᱨ ᱟᱠ ᱨᱮᱭᱟᱜ ᱢᱩᱞ ᱨᱚᱲ ᱢᱮᱥᱟ ᱮᱫᱟ ᱾ ᱱᱩᱛᱩᱢ ᱫᱚ ᱟᱠᱷᱟᱞᱛᱮᱠᱮ, ᱢᱤᱫ ᱛᱩᱨᱠᱢᱮᱱ ᱥᱟᱫᱚᱢ ᱨᱮᱭᱟᱜ ᱡᱟᱹᱛ ᱠᱷᱚᱱ ᱦᱤᱡᱩ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱰᱤᱡᱟᱭᱱ ᱨᱮᱭᱟᱜ ᱯᱨᱮᱨᱚᱱᱟ ᱟᱨ ᱜᱚᱛᱤᱭᱟᱹ ᱯᱷᱚᱨᱢ ᱫᱮᱠᱷᱟᱣ ᱮᱫᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Akhalteke ᱞᱟ�605ᱡ ᱪᱮᱭᱟᱨ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Akhalteke ᱞᱟ�605ᱡ ᱪᱮᱭᱟᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- In the design of Akhal-Teke, my goal was to create a unique sitting experience, one that evokes the feeling we all had the first time we rode a horse. Akhal-Teke establishes a two-way interaction with the user and their experience, offering a distinctive way of sitting that the user willingly embraces.
This eagerness to experience and accept is inspired by the Form of Akhal-Teke. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Width 770mm x Depth 855mm x Height 720mm.
- ᱴᱮᱜ ᱠᱚ
- Conceptual, Lounge Chair, Lounge, Chair, Horse, Saddle
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- For the construction of Akhal-Teke, bio-composites made from hemp or flax fibers and PLA bio-resin were considered. This combination enabled the creation of a high-quality final form with desirable finishes while offering a sustainable alternative to traditional composites like fiberglass and carbon fiber.
At the same time, these materials not only promote environmental responsibility but also reinforce a natural connection to their inspiration. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The primary challenge in the design process was to create a two-way experience in the act of sitting, such that the object (seat) and the subject (user) engage in a dialectical interaction with one another, transforming sitting from a passive state into an active one and allowing for a fresh understanding of the sitting experience.
The next significant challenge was to achieve a form that simultaneously incorporates both aesthetics and functionality. The design was not intended to directly reference the anatomy of a horse. Rather, the goal was to establish a subtle connection to the experience of sitting, enabling users to intuitively connect with it without relying on direct or obvious visual cues. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- The horse, one of the first domesticated animals by humans, has a deep-rooted history with mankind. Our ancestors spent a significant amount of time riding, and thus, the way of sitting on a horse became one of the most common sitting postures. In the design of Akhal-Teke, the aim is to revive this sitting posture and bring it into everyday human life; a way of sitting that is likely embedded in our historical memory and DNA.
On the other hand, in considering materials for Akhal-Teke, thorough research was conducted to ensure that sustainable and environmentally friendly options were taken into account. In this regard, the material identity chosen for Akhal-Teke is aligned with the core identity of its design. - ᱯᱨᱮᱨᱚᱱᱟ
- The design is inspired by my childhood experiences of horseback riding and my fascination with equine anatomy.
As a design student, I was drawn to the idea that saddles represent some of humanity's earliest forms of seating, dating back to the domestication of horses.
Through this design, I sought to capture the feel of both a lounge chair and the riding experience, creating a form that evokes those dual inspirations.
The name Akhal-Teke is derived from a breed of Turkmen horses. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- the project started in September 2023 in Tehran and finished in September 2024.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The Akhal-Teke is inspired by the elegance of the anatomy of the Akhal-Teke breed of Turkmen horses, striving to go beyond its purely functional concept and becoming an object with identity in space, much like a noble horse.
As a chair, Akhal-Teke offers a unique sitting experience, evoking the feeling of riding a horse for the first time. Its form creates a two-way interaction with the user, encouraging a distinctive way of sitting that is eagerly embraced.
This eagerness stems from the form of the Akhal-Teke.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
