ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Gergo Futo ᱨᱮᱱᱟᱜ Waterfall ᱞᱩᱛᱩᱨ ᱥᱟᱠᱟᱢ

Gergo Futo ᱨᱮᱱᱟᱜ Waterfall ᱞᱩᱛᱩᱨ ᱥᱟᱠᱟᱢ ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱜᱟᱦᱱᱟ· 2026

Waterfall ᱞᱩᱛᱩᱨ ᱥᱟᱠᱟᱢ

Gergo Futo ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Viverté Jewellery

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#178753 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Waterfall ᱞᱩᱛᱩᱨ ᱥᱟᱠᱟᱢ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱣᱟᱴᱚᱨᱯᱷᱚᱞ (Waterfall) ᱫᱚ ᱞᱮᱰᱤ ᱚᱯᱷ ᱫᱤ ᱞᱮᱠ (Lady of the Lake) ᱠᱚᱞᱮᱠᱥᱚᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱞᱩᱛᱩᱨ ᱥᱟᱠᱟᱢ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱨᱛᱤ ᱞᱮᱠᱟᱱ ᱨᱩᱯ ᱫᱚ ᱞᱩᱛᱩᱨ ᱨᱮᱭᱟᱜ ᱥᱟᱦᱟᱡᱤᱠ ᱵᱟᱸᱠᱟ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱡᱮᱢᱚᱱ ᱦᱚᱲᱢᱚ ᱨᱮ ᱴᱷᱤᱠ ᱛᱮ ᱡᱟᱯᱟᱜᱼᱟ᱾ ᱟᱛᱩᱨ ᱥᱮᱱᱚᱜ ᱫᱷᱟᱛᱩ ᱜᱟᱨ ᱠᱚ ᱫᱷᱤᱨᱤ ᱠᱚ ᱜᱷᱮᱨᱟᱣ ᱠᱟᱫᱟ ᱟᱨ ᱧᱩᱨ ᱫᱟᱜ ᱨᱮᱭᱟᱜ ᱪᱚᱞᱚᱱ ᱠᱚ ᱩᱭᱦᱟᱹᱨ ᱚᱪᱚᱭᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ 14k ᱯᱩᱸᱰ ᱥᱚᱱᱟ (white gold) ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱟᱨ ᱞᱮᱵᱽ ᱨᱮ ᱦᱟᱨᱟ ᱟᱠᱟᱱ ᱦᱤᱨᱟ ᱟᱨ ᱨᱚᱸᱜᱚ ᱫᱟᱜ ᱢᱳᱛᱤ (freshwater pearls) ᱠᱚ ᱞᱟᱜᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱫᱚ ᱢᱟᱲᱟᱝᱛᱮ ᱛᱤ ᱛᱮ ᱢᱳᱢ (wax) ᱨᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱞᱚᱥᱴᱼᱣᱟᱠᱥ ᱛᱮᱠᱱᱤᱠ ᱛᱮ ᱰᱷᱟᱞᱟᱭ ᱞᱮᱱᱟ᱾ ᱡᱚᱛᱚ ᱫᱷᱤᱨᱤ ᱫᱚ ᱢᱟᱭᱠᱨᱚᱥᱠᱚᱯ ᱞᱟᱛᱟᱨ ᱨᱮ ᱞᱟᱜᱟᱣ ᱞᱮᱱᱟ᱾ ᱡᱟᱦᱟᱸ ᱛᱤᱥ ᱦᱚᱨᱚᱜ ᱦᱚᱲ ᱫᱚ ᱦᱟᱞᱟᱭᱚᱜᱼᱟ, ᱦᱤᱨᱟ ᱠᱚ ᱢᱟᱨᱥᱟᱞ ᱠᱚ ᱩᱞᱴᱟᱹᱣ ᱨᱩᱣᱟᱹᱲᱟ ᱟᱨ ᱡᱷᱚᱞᱠᱟ ᱫᱚ ᱵᱚᱫᱚᱞᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Waterfall ᱞᱩᱛᱩᱨ ᱥᱟᱠᱟᱢ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Waterfall ᱞᱩᱛᱩᱨ ᱥᱟᱠᱟᱢ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Part of the Lady of the Lake collection, the Waterfall earring is a sculptural piece shaped to follow the natural curve of the ear. Its fluid metal lines frame the diamonds to evoke the shimmer of falling water. The design stands out for its anatomical fit, light-responsive movement and refined minimalism, offering a contemporary interpretation of elegance inspired by natural motion.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 35 mm x 15 Depth mm x 115 Height mm
ᱴᱮᱜ ᱠᱚ
Water, freedom, flow, nature, liquid motion
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The piece is crafted in 14k white gold, set with lab-grown diamonds and freshwater pearls. Its flowing, water-like form was first sculpted by hand in wax, then cast using the lost-wax technique. The organic lines were refined with precision, and all stones were set under a microscope to ensure accuracy and exceptional craftsmanship
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The main challenge was avoiding a heavy, jewel-dominated look. I chose not to rely on many diamonds, seeking lightness instead of density. Early experiments included pouring molten metal into water to capture natural splashes, but this led to uncontrolled forms. Studying slow motion water imagery helped refine the direction. Balancing fluidity with anatomical fit was complex. The final piece expresses feminine strength through flowing movement rather than mass.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Artistic and practice based research. The goal was to understand how water moves, shines and carries strength, and to translate this into a form that fits the ear naturally. The process included extensive sketching, observation of real water movement and repeated redesign. Several early ideas were abandoned during testing. The final piece was hand-carved to preserve a natural flow. The research improved design clarity and created a stronger emotional and brand connection.
ᱯᱨᱮᱨᱚᱱᱟ
My work is shaped by a lifelong connection to water. Growing up beside an oxbow and later returning to swimming, I was deeply influenced by the quiet weightlessness and shifting light beneath the surface. Because water surrounds us from birth and sustains both the body and the Earth, this collection seeks to honour its purity, fluidity and quiet strength through forms that echo its natural movement.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The design and development of Lady of the Lake took approximately four months, from August 2023 to November 2023. The piece was conceived and completed in the designer’s atelier in Szeged, Hungary. The nearby waterfront environment served as an early source of inspiration during the conceptual phase.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The diamonds reflect light like the surface of deep water, while metal waves flow naturally along the shape of the ear, as if formed by the body itself. As the wearer moves, the piece responds — light shifts and shimmer appears. It transforms from a static object into a living presence, creating a strong, mythical impression that feels fluid and powerful.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Gergő Futó
Erneszt Szabó Tönki

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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