Yi Ching Lin ᱨᱮᱱᱟᱜ Ink Moon ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2026
Ink Moon ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Yi Ching Lin ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Nanowarm Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#180236 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Ink Moon ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱤᱝᱠ ᱢᱩᱱ ᱫᱚ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱛᱟᱭᱯᱮᱭ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ, ᱚᱠᱟ ᱫᱚ ᱛᱷᱚᱲᱟ ᱑᱑᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱᱟ ᱾ ᱦᱮᱸᱫᱮ, ᱫᱷᱩᱲᱤᱭᱟᱹ ᱟᱨ ᱯᱩᱸᱰ ᱨᱚᱝ ᱠᱚᱣᱟᱜ ᱡᱚᱲᱟᱣ ᱫᱚ ᱯᱩᱭᱞᱩ ᱠᱷᱚᱱᱟᱜ ᱤᱝᱠ ᱣᱚᱥ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱠᱚᱢᱞᱚ ᱨᱚᱝ ᱵᱚᱫᱚᱞᱚᱜ ᱠᱚ ᱩᱭᱦᱟᱹᱨᱚᱜ ᱛᱮᱭᱟᱭ ᱾ ᱫᱷᱤᱨᱤ ᱞᱮᱠᱟᱱ ᱯᱷᱚᱨᱪᱟ ᱨᱮᱭᱟᱜ ᱯᱟᱱᱮᱞ ᱠᱚ, ᱢᱟᱴ ᱟᱨ ᱴᱟᱭᱴᱮᱱᱤᱭᱟᱢ ᱛᱮ ᱦᱟᱨᱟᱣᱟᱠᱟᱱ ᱢᱮᱴᱟᱞ ᱠᱚ, ᱟᱨ ᱵᱟᱝ ᱥᱤᱫᱷᱟᱹ ᱢᱟᱨᱥᱟᱞ ᱛᱮ ᱧᱩᱛᱟᱹᱭ ᱡᱟᱭᱜᱟ ᱫᱚ ᱠᱚᱢᱞᱚ ᱢᱟᱨᱥᱟᱞ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱭᱟ ᱾ ᱵᱚᱞᱚ ᱫᱩᱣᱟᱹᱨ ᱨᱮ ᱢᱤᱫ ᱥᱠᱨᱤᱱ ᱠᱮᱵᱤᱱᱮᱴ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱠᱟ ᱫᱚ ᱧᱮᱞᱚᱜ ᱞᱟᱹᱠᱛᱤᱭᱟᱜ ᱴᱷᱟᱶ ᱟᱨ ᱡᱤᱱᱤᱥ ᱫᱚᱦᱚ ᱡᱟᱭᱜᱟ ᱵᱟᱨᱭᱟ ᱠᱟᱹᱢᱤ ᱢᱤᱫ ᱛᱮ ᱠᱚᱨᱟᱣ ᱮᱫᱟᱭ ᱾ ᱛᱩᱨᱩᱭ ᱠᱚᱬᱟ ᱨᱮᱭᱟᱜ ᱚᱴᱟ ᱴᱟᱭᱤᱞ ᱠᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱛᱟᱞᱟ ᱨᱮ ᱵᱚᱫᱚᱞ ᱴᱷᱟᱶ ᱠᱚ ᱩᱫᱩᱜᱟ, ᱟᱨ ᱦᱮᱸᱫᱮ ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱪᱟᱸᱫᱚᱞᱟ ᱫᱚ ᱛᱟᱦᱮᱸᱱ ᱚᱲᱟᱜ ᱠᱮ ᱠᱮᱴᱮᱡ ᱮᱫᱟᱭ ᱾ ᱥᱚᱯᱷᱟ ᱛᱟᱭᱚᱢ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱵᱟᱸᱠᱟ ᱰᱤᱥᱯᱞᱮ ᱭᱩᱱᱤᱴ ᱫᱚ ᱦᱟᱢᱟᱞ ᱡᱤᱱᱤᱥ ᱠᱚ ᱠᱚᱢᱞᱚ ᱮᱫᱟᱭ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Ink Moon ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ink Moon ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The carefully selected palette of black, gray, and white unfolds a captivating visual rhythm, reminiscent of the subtle gradations seen in traditional ink wash painting. Additionally, the precise arrangement of stone textures, matte metals, and indirect lighting plays a vital role in ensuring that the ink toned space retains its soft luminosity while providing a sense of visual breathing room.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project is about 110 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior, Design, Residence, Modern, Style
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The entryway is beautifully designed with a screen cabinet that serves as an inviting transitional focal point, seamlessly blending visual interest with practical storage. This space is enhanced by a striking arrangement of stone-textured panels and elegantly curved metal elements, which together create a delightful balance between privacy and openness.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Notably, this artistic element resonates with the symbolism of the full moon, embodying a sense of satisfaction and harmony. As such, it emerges as the most compelling focal point in the entire space, capturing attention and enhancing the overall ambiance.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Furthermore, the display storage unit positioned behind the sofa is crafted from rich dark stone and complemented by titanium plated metal, featuring gracefully curved openings. This design choice introduces soft lines that contrast beautifully with the substantial materials, alleviating the bulkiness often associated with heavy structures.
- ᱯᱨᱮᱨᱚᱱᱟ
- This residential project draws its inspiration from the profound depth of ink and the ethereal glow of moonlight found in Eastern aesthetics. By thoughtfully calibrating light within rich, dark materials, the design effectively addresses the fundamental need for stability and rhythm in urban living environments.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project was finalized in August, 2025, in Taipei, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Moreover, the floor is adorned with sophisticated hexagonal tiles in shades of black, white, and gray, which not only add depth to the aesthetic but also clearly delineate the transition between the interior and exterior spaces. As they move into the living room, visitors find a dark wood ceiling that acts as a stunning visual anchor, drawing the eye upward and adding warmth to the environment.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Nanowarm Design, 2026
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Yi Ching Lin
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Nanowarm Design, 2026
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
