ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ibanez Razzera and Lorenzo Razzera ᱨᱮᱱᱟᱜ Trenta ᱫᱩᱨᱩᱵ ᱠᱟᱴᱷᱤ (ᱟᱨᱢᱪᱮᱭᱟᱨ)

Ibanez Razzera and Lorenzo Razzera ᱨᱮᱱᱟᱜ Trenta ᱫᱩᱨᱩᱵ ᱠᱟᱴᱷᱤ (ᱟᱨᱢᱪᱮᱭᱟᱨ) ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2026

Trenta ᱫᱩᱨᱩᱵ ᱠᱟᱴᱷᱤ (ᱟᱨᱢᱪᱮᱭᱟᱨ)

Ibanez Razzera and Lorenzo Razzera ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Razzera

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

20,330

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#181457 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Trenta ᱫᱩᱨᱩᱵ ᱠᱟᱴᱷᱤ (ᱟᱨᱢᱪᱮᱭᱟᱨ) ᱵᱟᱵᱚᱛ ᱛᱮ

ᱴᱨᱮᱱᱴᱟ ᱫᱚ ᱢᱤᱫᱴᱮᱱ ᱟᱨᱢᱪᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱚᱠᱟᱨᱮ ᱫᱮᱭᱟ ᱛᱮᱭᱟᱨᱚᱜ ᱦᱟᱹᱴᱤᱧ (ᱵᱮᱠᱨᱮᱥᱴ) ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱛᱟᱭᱚᱢ ᱥᱮᱫ ᱨᱮᱱᱟᱜ ᱢᱤᱫᱴᱮᱱ ᱢᱮᱰ ᱠᱚᱞ (ᱢᱮᱠᱟᱱᱤᱡᱚᱢ) ᱛᱮ ᱯᱮᱭᱟ ᱞᱮᱠᱟᱱ ᱚᱲᱮᱡ ᱠᱚᱬ ᱥᱟᱡᱟᱣᱚᱜᱼᱟ, ᱚᱱᱟᱛᱮ ᱱᱚᱶᱟ ᱫᱩᱨᱩᱵ ᱡᱟᱭᱜᱟ ᱫᱚ ᱜᱟᱞᱢᱟᱨᱟᱣ ᱟᱨ ᱡᱤᱨᱟᱹᱣ ᱵᱟᱨᱭᱟ ᱞᱟᱹᱜᱤᱫ ᱴᱷᱤᱠ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱱᱟᱜ ᱛᱟᱞᱟ (ᱵᱮᱡ) ᱫᱚ ᱨᱟᱝ ᱮᱢᱟᱠᱟᱱ ᱴᱟᱩᱨᱤ ᱠᱟᱴ ᱛᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱫᱚᱦᱲᱟ ᱵᱤᱨ ᱨᱚᱦᱚᱭ (ᱨᱤᱯᱷᱚᱨᱮᱥᱴᱮᱥᱚᱱ) ᱠᱷᱚᱱ ᱦᱮᱡ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱵᱷᱤᱛᱨᱤ ᱨᱮᱱᱟᱜ ᱠᱷᱚᱞ ᱫᱚ ᱦᱚᱲᱢᱚ ᱞᱮᱠᱟᱱ (ᱮᱱᱟᱴᱚᱢᱤᱠᱟᱞ) ᱯᱞᱟᱭᱣᱩᱰ ᱛᱮ ᱵᱮᱵᱷᱟᱨᱟᱠᱟᱱᱟ᱾ ᱠᱟᱴ ᱨᱮᱱᱟᱜ ᱴᱩᱠᱲᱟᱹ ᱠᱚ ᱫᱚ ᱟᱹᱰᱤ ᱴᱷᱤᱠ ᱥᱤ.ᱮᱱ.ᱥᱤ (CNC) ᱢᱮᱥᱤᱱ ᱛᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱᱟ, ᱟᱨ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱩᱭᱦᱟᱹᱨ (ᱱᱮᱪᱩᱨᱟᱞ ᱞᱮᱫᱚᱨ) ᱦᱟᱹᱴᱤᱧ ᱫᱚ ᱛᱤ ᱛᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱᱟ᱾ ᱢᱮᱰ ᱨᱮᱱᱟᱜ ᱴᱩᱠᱲᱟᱹ ᱠᱚ ᱨᱮ ᱤᱞᱮᱠᱴᱨᱚᱥᱴᱮᱴᱤᱠ ᱠᱚᱴᱤᱝ ᱮᱢᱟᱠᱟᱱᱟ᱾ ᱞᱮᱛᱟᱲ ᱵᱟᱸᱠᱟ ᱜᱟᱨ ᱠᱚ ᱟᱨ ᱡᱮᱞᱮᱡ ᱛᱮ ᱢᱮᱥᱟᱣᱟᱱ ᱨᱩᱯ ᱛᱮ ᱱᱚᱶᱟ ᱟᱨᱢᱪᱮᱭᱟᱨ ᱫᱚ ᱢᱩᱨᱛᱤ ᱞᱮᱠᱟᱱ ᱨᱩᱯ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾ ᱢᱤᱫ ᱡᱚᱲᱟᱣᱟᱱ ᱡᱟᱝᱜᱟ ᱫᱚᱦᱚ ᱠᱷᱟᱴᱞᱤ (ᱚᱴᱚᱢᱟᱱ) ᱛᱮ ᱱᱚᱶᱟ ᱥᱮᱴ ᱫᱚ ᱯᱩᱨᱟᱹᱣᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Trenta ᱫᱩᱨᱩᱵ ᱠᱟᱴᱷᱤ (ᱟᱨᱢᱪᱮᱭᱟᱨ) ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Trenta ᱫᱩᱨᱩᱵ ᱠᱟᱴᱷᱤ (ᱟᱨᱢᱪᱮᱭᱟᱨ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The design stands out for its innovative backrest adjustment system, offering three distinct comfort levels via a metallic mechanism on the rear. Its aesthetic is marked by high-complexity wood machining, featuring continuous curved lines and fluid transitions. Reconciling ergonomic excellence with a sculptural form, the chair adapts for both social interaction and deep relaxation, showcasing a sophisticated balance between technology and craftsmanship.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Armchair: Width 790mm x Depth 1040mm x Height 860mm. Ottoman (Puff): Width 620mm x Depth 500mm x Height 370mm. Primary Materials: Tauri Wood, Natural Leather, and Carbon Steel. The design integrates an internal anatomical plywood shell and a stained solid wood base.
ᱴᱮᱜ ᱠᱚ
Armchair, Trenta, Wood, Organic
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The production combines high-precision CNC machining for the wooden components with artisanal upholstery. The base is crafted from reforestation Tauri wood with a stained finish, while the internal structure features anatomical plywood. Metallic parts receive a durable electrostatic coating. This synergy between advanced automation and reforestation wood sourcing ensures structural integrity and environmental responsibility for the high-end market.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The main technological challenge was reconciling the organic, fluid lines of the original sketch with the constraints of industrial production. Executing the complex wood machining required significant software optimization and a high degree of technical synergy with the manufacturing chain. Developing the integrated metal adjustment system within a wooden structure also demanded meticulous engineering to maintain structural durability without compromising the sculptural silhouette.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This applied research bridges artistic sketching with industrial precision to achieve fluid forms and elevate the regional furniture cluster's potential. Using iterative 3D modeling and CNC optimization via CAD/CAM tools, designers worked with machine programmers and Italian consultants. Results include an innovative reclining system and complex joinery, proving that design complexity and reforestation sourcing drive regional technological growth and luxury business value.
ᱯᱨᱮᱨᱚᱱᱟ
The inspiration stems from the desire to transform wood into a fluid language, where sinuous curves challenge the boundary between creative manual sketches and precision engineering. This project invites the viewer to explore its tridimensional details, offering a sensory journey through natural materials and high-end manufacturing.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The armchair was developed in 2021 (or late 2020) as part of a commemorative collection in Brazil.
It was officially launched on the market in early 2022. It was one of the highlights at ABIMAD'33 (Brazilian Furniture and High Decoration Accessories Fair), which took place between February 1st and 4th, 2022, in São Paulo.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The user interacts with the piece through a manual adjustment system located on the backrest. By operating the metallic mechanism, the chair reclines into three specific comfort angles. This feature allows for a personalized experience, transforming the object from a standard armchair into a lounging piece. The transition is smooth and intuitive, emphasizing user-centric design and functional versatility.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Ibanez Razzera
Lorenzo Razzera
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer Roberto Majola, Main image, 2022
Photographer Roberto Majola, Optional Image #1, 2022
Photographer Roberto Majola, Optional Image #2, 2022
Photographer Roberto Majola, Optional Image #3, 2022
Photographer Roberto Majola, Optional Image #4, 2022
Video Credits Roberto Majola, 2022

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ