ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yi Xiong ᱨᱮᱱᱟᱜ Lily of the Valley ᱢᱩᱫᱟᱢ

Yi Xiong ᱨᱮᱱᱟᱜ Lily of the Valley ᱢᱩᱫᱟᱢ ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱜᱟᱦᱱᱟ· 2026

Lily of the Valley ᱢᱩᱫᱟᱢ

Yi Xiong ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Aris Fine Studio

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

25,748

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#183380 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Lily of the Valley ᱢᱩᱫᱟᱢ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱞᱤᱞᱤ ᱚᱯᱷ ᱫᱽ ᱣᱮᱞᱤ ᱫᱚ ᱢᱤᱫ ᱢᱩᱫᱟᱢ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ 18K ᱥᱚᱱᱟ, ᱠᱨᱤᱥᱚᱵᱮᱨᱤᱞ ᱟᱨ ᱜᱳᱞᱟᱯᱤ ᱥᱮᱯᱷᱟᱭᱟᱨ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱞᱤᱞᱤ ᱚᱯᱷ ᱫᱽ ᱣᱮᱞᱤ ᱟᱨ ᱵᱤᱨ ᱥᱴᱨᱚᱵᱮᱨᱤ ᱛᱟᱞᱟ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱚᱱᱟᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱷᱚᱱ ᱩᱭᱦᱟᱹᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ᱾ ᱛᱚᱦᱚᱨ ᱛᱚᱦᱚᱨ ᱥᱚᱱᱟ ᱰᱟᱲ ᱠᱚ ᱢᱤᱫ ᱥᱟᱢᱟᱞ ᱵᱟᱝ-ᱥᱚᱢᱟᱱ ᱫᱷᱟᱸᱪᱟ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱠᱷᱩᱞᱟᱹ ᱵᱮᱱᱟᱣ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱠᱷᱩᱞᱟᱹ ᱨᱩᱯ ᱫᱚ ᱯᱟᱨᱚᱢᱯᱟᱨᱤᱠ ᱵᱚᱸᱫᱽ ᱦᱤᱨᱟᱹ-ᱢᱚᱛᱤ ᱥᱮᱴᱤᱝ ᱵᱚᱫᱚᱞ ᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ ᱟᱨ ᱢᱩᱫᱟᱢ ᱨᱮ ᱩᱥᱟᱹᱨᱟ ᱟᱭᱢᱟ ᱮᱢ ᱟᱠᱟᱫᱟ᱾ ᱦᱟᱹᱨᱤᱭᱟᱹᱲ ᱟᱨ ᱜᱳᱞᱟᱯᱤ ᱦᱤᱨᱟᱹ-ᱢᱚᱛᱤ ᱠᱚ ᱨᱚᱝ ᱛᱚᱯᱚᱞ ᱵᱮᱱᱟᱣ ᱠᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱷᱟᱸᱪᱟ ᱨᱮᱭᱟᱜ ᱦᱟᱹᱴᱤᱧ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱠᱮᱫᱟ᱾ ᱠᱷᱩᱞᱟᱹ ᱫᱷᱟᱸᱪᱟ ᱠᱷᱟᱹᱛᱤᱨ ᱛᱮ ᱱᱚᱶᱟ ᱢᱩᱫᱟᱢ ᱫᱚ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱠᱟᱹᱴᱩᱵ ᱢᱟᱯ ᱨᱮ ᱥᱮᱴᱮᱨᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Lily of the Valley ᱢᱩᱫᱟᱢ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Lily of the Valley ᱢᱩᱫᱟᱢ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Inspired by the symbiotic relationship between lily of the valley and wild strawberry, this ring translates their organic growth into a controlled asymmetrical structure. Layered gold branches create a fluid spatial hierarchy, while the open construction departs from traditional enclosed gemstone settings.
This ring evokes a subtle sense of suspension, shifting it from mere adornment to an expression of emotion and personal presence, reflecting a balance between softness and structural strength.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Ring size: US 6.25 (inner diameter approx. 16.7 mm)
Center stone: 2.2 ct chrysoberyl
Material: 18K gold, total weight approx. 6 g
Custom sizing available upon request
ᱴᱮᱜ ᱠᱚ
Organic Growth, Symbiotic Relationship, Asymmetrical Structure, Open Construction, Fluidity, Sense of Suspension, Gold Branches, Spatial Hierarchy, Sculptural Metal, Contemporary Femininity
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Materials: 18K gold, chrysoberyl, and pink sapphire
Craftsmanship: This ring reinterprets botanical jewelry through structural abstraction rather than literal representation. Controlled asymmetry is introduced while maintaining visual balance, with visual weight distributed across an open form to create a sense of suspension. Sculptural metalwork is integrated with precise gemstone setting, while color contrast functions as a structural element rather than decoration.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The core challenge lies in achieving both structural stability and visual lightness within an open, asymmetrical form.
Through multiple rounds of structural testing, the support relationships between gold branches and the positioning of the gemstones were refined to ensure stability and durability during wear. The gemstones are integrated into the overall structural system, aligning visual expression with functional integrity and moving beyond the constraints of traditional jewelry construction.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This design explores how the logic of organic growth can be translated into a controlled asymmetrical structure. Through structural balance and a reconstructed spatial hierarchy, it captures the rhythm and fluidity of nature without directly replicating botanical forms.

The open structure maintains stability while introducing a sense of lightness and freedom, resulting in a dynamic yet restrained composition. It reflects the resilience and strength associated with contemporary femininity.
ᱯᱨᱮᱨᱚᱱᱟ
Inspired by the symbiotic relationship between lily of the valley and wild strawberry, this ring does not replicate botanical forms directly, but instead translates their underlying growth logic into a dynamic structure.

The contrast between green and pink gemstones reflects the harmony and variation found in nature. An open construction combined with layered elements enhances fluidity and spatial balance, translating natural rhythms into a contemporary jewelry language.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in February 2026 in New York.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The open structure accommodates a range of finger sizes, allowing flexibility in wear.
The asymmetrical composition is carefully calibrated to maintain both visual harmony and structural stability.
As the wearer moves, subtle shifts in angle reveal changing spatial relationships, creating a dynamic visual experience.
Layered metal elements reduce visual density while maintaining structural clarity, balancing everyday wearability with artistic expression.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yi Xiong
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Aris Xiong (Yi Xiong)

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ