ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Wei Jingye and Jiang Tianran ᱨᱮᱱᱟᱜ Elegance Kursi, Chai Table

Wei Jingye and Jiang Tianran ᱨᱮᱱᱟᱜ Elegance Kursi, Chai Table ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2020

Elegance Kursi, Chai Table

Wei Jingye and Jiang Tianran ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Lu Xun Academy of Fine Arts

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Elegance Kursi, Chai Table ᱵᱟᱵᱚᱛ ᱛᱮ

ᱮᱞᱮᱜᱮᱸᱥ ᱢᱮᱱᱟᱜ ᱠᱩᱨᱥᱤ ᱟᱨ ᱪᱟᱭ ᱴᱮᱵᱩᱞ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱮᱠᱨᱮ ᱟᱨᱟᱢ ᱡᱚᱛᱚᱱ ᱨᱮᱭᱟᱜ ᱠᱟᱴᱷᱤ ᱠᱟᱱᱟ ᱾ ᱚᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱯᱟᱭᱭᱯ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ ᱨᱮᱭᱟᱜ ᱮᱠᱮᱨ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱚ ᱵᱟᱸᱠᱟ, ᱠᱟᱴᱟᱭ ᱟᱨ ᱡᱚᱲᱟᱚ ᱠᱟᱱᱟ ᱮᱠᱠᱟᱱ ᱮᱠᱠᱟᱱ ᱟᱨ ᱛᱤᱸᱜᱩ ᱡᱟᱦᱟᱸᱜᱮ ᱵᱟᱭ ᱴᱷᱤᱡᱟᱹ ᱪᱮᱛᱟᱱ ᱚᱠᱛᱚ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾ ᱴᱮᱵᱩᱞ ᱠᱟᱴᱷᱤ, ᱟᱹᱴᱮ ᱟᱨ ᱡᱟᱛᱴᱮ ᱨᱩᱱᱩ ᱠᱚ ᱠᱟᱴᱷᱤ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱟᱨᱟᱢ ᱟᱨ ᱩᱬᱩᱢ ᱨᱚᱲ ᱚᱠᱛᱚ ᱥᱮᱞᱮᱫ ᱮᱫᱟ ᱾ ᱠᱩᱨᱥᱤ ᱨᱮᱭᱟᱜ ᱛᱮᱦᱮᱸ ᱨᱮ ᱵᱟᱸᱜᱟᱞ ᱟᱠᱟᱱ ᱯᱟᱭᱭᱯ ᱠᱚ ᱚᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱛᱮ ᱠᱟᱴᱷᱤ ᱫᱚ ᱦᱟᱹᱞᱠᱟ ᱟᱨ ᱮᱠ ᱛᱟᱞ ᱪᱮᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱡᱟᱠᱟᱛ ᱫᱚ ᱠᱟᱴᱷᱤ ᱨᱮᱭᱟᱜ ᱨᱮᱠᱷᱟ ᱠᱚ ᱥᱟᱶᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾ ᱮᱞᱮᱜᱮᱸᱥ ᱫᱚ ᱚᱯᱷᱤᱥ, ᱯᱟᱰᱷᱟᱭ ᱚᱲᱟᱜ ᱟᱨ ᱚᱲᱟᱜ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱴᱷᱤᱠ ᱠᱟᱱᱟ, ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱡᱟᱛᱴᱮ ᱦᱟᱴᱤᱧ ᱟᱠᱟᱱ ᱚᱠᱛᱚ ᱨᱮ ᱴᱷᱤᱠ ᱦᱚᱲ ᱮᱛᱞᱟᱭ ᱟᱠᱟᱱ ᱵᱟᱱ ᱨᱮ ᱜᱚᱲᱚ ᱦᱚᱪᱚ ᱟᱭ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Elegance Kursi, Chai Table ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Elegance Kursi, Chai Table ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This is a set of casual furniture consisting of chair and tea table. Its advantage is that it is both lively and rhythmic. It uses the stainless steel tube after bending welding forming, forming a solid and stable structure as the support frame, which is durable and cost-effective. Tabletop, chair face and armrest with wood add comfort and beauty. Stainless steel tube extension trend coincides with wood edge rhythm. The stainless steel tube pipe arrangement in the back of the chair increases the design of the chair and makes the whole furniture look lively and light.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Chair and tea table by stainless steel tube and Brazil beautiful pear wood two kinds of material combination and become, integral modelling is fluent, lumber part USES numerical control and manual processing and become, stainless steel tube material USES the processing way of bend, cut, weld to form.
ᱴᱮᱜ ᱠᱚ
Log, Stainless steel tube, Simplicity, Leisure, Comfortable
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The design of wood using machinery and manual processing, metal pipe using bending, cutting, welding and other processing technology. The main material of the furniture is stainless steel tube and Brazilian rosewood.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The creative challenge in the process is to make boring stainless steel tube lively and rhythmic, and to increase the comfort of furniture.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The advantage of furniture is that it is both lively and light, and has a sense of rhythm. It uses stainless steel tubes to be welded after bending to form a solid and stable structure as a supporting skeleton, which is durable and cost-effective.
ᱯᱨᱮᱨᱚᱱᱟ
Design inspiration comes from the texture of wood. By refining the line rhythm of wood texture, using the stainless steel tube as the line, wood as the surface, to form a stable structure and lively with rhythmic style.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The design project began in January 2018 in Shenyang, was completed in June 2018, and was exhibited in the art museum of Shenyang Lu Xun Academy of Fine Arts in June 2018.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
This furniture is designed for various purposes, such as office, study, and life. Designed to fit people sitting posture and habits, it is suitable for a variety of sitting postures, sitting on a chair with their feet down, and the seat back fits the shape of the person back, which can help people to make a correct sitting posture, suitable for entertainment, reading and other activities.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Wei Jingye
Jiang Tianran
Jia Zhuohang
Li Tianning

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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