ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Wally Mau ᱨᱮᱱᱟᱜ Haimen Vanke Jadeite ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ

Wally Mau ᱨᱮᱱᱟᱜ Haimen Vanke Jadeite ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2020

Haimen Vanke Jadeite ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ

Wally Mau ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Maudea Design Studio

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱰᱤᱡᱟᱭᱤᱱ

Haimen Vanke Jadeite ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱦᱟᱭᱢᱮᱱ ᱵᱷᱟᱱᱠᱮ ᱡᱮᱰᱟᱭᱴ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱡᱤᱭᱟᱝᱥᱩ ᱯᱚᱱᱚᱛ ᱨᱮᱱᱟᱜ ᱦᱟᱭᱢᱮᱱ ᱨᱮ ᱢᱤᱫᱴᱟᱹᱝ ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱠᱟᱱᱟ᱾ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱫᱚ ᱒᱐᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱦᱟᱹᱵᱤᱡ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱟᱨ ᱚᱲᱟᱜ ᱨᱮᱱᱟᱜ ᱢᱟᱨᱟᱝ ᱯᱟᱥᱱᱟᱣ ᱟᱨ ᱩᱥᱩᱞ ᱪᱷᱟᱫ ᱨᱮᱱᱟᱜ ᱜᱩᱱ ᱵᱮᱵᱷᱟᱨᱚᱜᱼᱟ᱾ ᱞᱮᱭᱟᱩᱴ ᱫᱚ ᱢᱟᱨᱮ ᱨᱟᱪᱟ ᱱᱟᱠᱥᱟ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱟᱨ ᱫᱚᱨᱮᱭᱟ ᱫᱩᱣᱟᱹᱨ ᱨᱮᱱᱟᱜ ᱴᱷᱟᱶ ᱱᱟᱜᱟᱢ ᱥᱟᱶ ᱥᱟᱹᱜᱟᱹᱭ ᱫᱚᱦᱚᱭᱟ᱾ ᱢᱤᱫᱴᱟᱹᱝ ᱢᱟᱨᱵᱚᱞ ᱠᱚᱯᱷᱤ ᱴᱮᱵᱩᱞ ᱟᱨ ᱠᱚᱢᱚᱞ ᱫᱩᱲᱩᱵ ᱡᱟᱭᱜᱟ ᱦᱚᱛᱮᱛᱮ ᱢᱤᱫᱴᱟᱹᱝ ᱟᱨᱟᱢ ᱞᱟᱩᱸᱡᱽ ᱴᱷᱟᱶ ᱛᱮᱭᱟᱨᱚᱜᱼᱟ, ᱟᱨ ᱱᱤᱞ ᱨᱚᱝ ᱠᱚ ᱫᱚ ᱚᱱᱟ ᱴᱚᱴᱷᱟ ᱨᱮᱱᱟᱜ ᱦᱟᱹᱠᱩ ᱥᱟᱵ ᱡᱤᱭᱚᱱ ᱠᱚ ᱩᱭᱦᱟᱹᱨ ᱚᱪᱚᱭᱟ᱾ ᱵᱟᱨᱭᱟ ᱠᱟᱴ ᱛᱮ ᱛᱮᱭᱟᱨ ᱴᱷᱟᱶ ᱨᱮ ᱵᱷᱤᱟᱭᱯᱤ ᱚᱲᱟᱜ ᱟᱨ ᱜᱤᱫᱽᱨᱟᱹ ᱴᱷᱟᱶ ᱢᱮᱱᱟᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱫᱷᱟᱨᱛᱤ ᱠᱷᱚᱱ ᱪᱷᱟᱫ ᱦᱟᱹᱵᱤᱡ ᱠᱟᱸᱪ ᱛᱮ ᱮᱥᱮᱫ ᱟᱠᱟᱱᱟ ᱡᱮᱢᱚᱱ ᱱᱤᱡᱚᱨᱟᱭᱛᱤ ᱫᱚᱦᱚᱭᱚᱜᱼᱟ᱾ ᱢᱤᱫᱴᱟᱹᱝ ᱢᱟᱨᱟᱝ ᱥᱤᱲᱦᱤ ᱚᱱᱟ ᱡᱟᱭᱜᱟ ᱛᱟᱞᱟ ᱛᱮ ᱟᱴᱠᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱪᱮᱛᱟᱱ ᱥᱮᱫ ᱨᱟᱠᱟᱵᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Haimen Vanke Jadeite ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Haimen Vanke Jadeite ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The large-span, high-scale spatial characteristics of the building, combined with the history of the Millennium Sea Gate and the prestige of the Jadeite, are the key elements of our design considerations. Therefore, we finally decided to create a multi-dimensional blend of ancient and modern, fashionable and luxurious for the urban newcomers here. Meeting place.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project covers a total of 2000 square meters. Two wooden blocks in the VIP room and the children's area are extended on both sides of the central axis, and can only be seen through the floor-to-ceiling glass partition on one side. It has independent privacy and internal and external connectivity, which maintains the beauty of the external order and magnifies the visual scale of the interior space.
ᱴᱮᱜ ᱠᱚ
Interior, Commercial, Sales Center, Oriental elements, Natural, Elegant, Cultural
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The introverted and elegant marble coffee table is matched with a soft stool that looks like a random place, which will inadvertently reflect the current free and easy lifestyle.
The soft furnishings here use modern charm, which will match the blue of the fishermen's life scenes, and enrich the depth and content of the space.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
It's not just that creating something new is a creation. It's equally creative to re-develop a familiar thing as an unknown field. Therefore, the designer chose to inherit the spatial layout of the traditional four-in-one courtyard and implant the temperament of the Haimen Cultural Museum. The "order" of time and space, the "potential" of space.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Haimen City, Jiangsu Province, which is known as the "Jianghai Gateway", is located at the mouth of the Yangtze River and faces Shanghai across the river. Enter the open academic institution, through the quiet courtyard, through the corridor to the main building of the sales office. In the Tang Dynasty poet Zhang Jiuling, in the "Wang Yue Huai Yuan", the situation of "the sea is shining and the moon is at the end of the world" is also unfolding.
ᱯᱨᱮᱨᱚᱱᱟ
Following the design concept of Vanke Jadeite Oriental Residence and new aesthetics, the project is based on the design of "Love Poetry, Elegant and Natural", and blends Haimen's past, now and future in space. Therefore, after rooted in history and culture to tell modern life, designers will also inject space into the future, allowing people to feel a new possibility of design.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in March 2018 in Haimen and finished in August 2018 in Haimen.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The large-scale staircase rotates upwards, re-emphasizing the fusion of the freedom of contemporary art and the promotion of future life in a silent way.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Wally Mau, 2018.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Wally Mau
Cui Wei
Wan Lijun
Liu Yajuan
Ye Xiaotong
Li Wenjing
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Zhang Jing and Yan Sicong, Reception Hall, 2018.
Image #2: Photographer Zhang Jing and Yan Sicong, Negotiate Area, 2018.
Image #3: Photographer Zhang Jing and Yan Sicong, Entrance, 2018.
Image #4: Photographer Zhang Jing and Yan Sicong, Art Installation, 2018.
Image #5: Photographer Zhang Jing and Yan Sicong, Stairs, 2018.

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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