ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Panteha Asgharzade ᱨᱮᱱᱟᱜ The Reflection of Light Office Interior Design

Panteha Asgharzade ᱨᱮᱱᱟᱜ The Reflection of Light Office Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

The Reflection of Light Office Interior Design

Panteha Asgharzade ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Allied Consolidated

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#93174 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Reflection of Light Office Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ

ᱨᱳᱥᱱᱟᱭ ᱨᱮᱭᱟᱜ ᱯᱨᱚᱛᱤᱯᱷᱚᱞᱚᱱ (Reflection of Light) ᱢᱮᱱᱟᱜᱼᱟ ᱢᱤᱫ ᱳᱯᱷᱤᱥ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱟᱦᱟᱸ ᱢᱤᱫ ᱯᱩᱨᱟᱹᱱᱮ ᱟᱠᱟᱱ ᱟᱨᱦᱚᱸ ᱱᱟᱶᱟᱠᱮᱫ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱟᱭ ᱨᱤᱱ ᱮᱨᱤᱭᱟ ᱠᱚ ᱛᱮ ᱠᱚ ᱴᱟᱸᱜᱤ ᱡᱟᱭᱜᱟ ᱛᱮ ᱛᱟᱦᱮᱸᱱ ᱟᱠᱟᱱᱟ ᱾ ᱯᱮᱭᱟᱹ ᱠᱚᱨᱟᱹᱭ ᱠᱚᱞᱚᱢ ᱠᱚ ᱚᱠᱛᱚ ᱰᱤᱸᱰᱟ ᱠᱚᱨᱮ ᱩᱠᱩᱭ ᱮᱱᱟ, ᱚᱱᱟ ᱴᱮᱨᱮ ᱠᱟᱹᱴᱤᱡ ᱡᱟᱭᱜᱟᱠᱚᱨᱮ ᱢᱤᱫ ᱥᱚᱢᱟᱱ ᱟᱨ ᱮᱠᱟᱛᱟᱨ ᱰᱤᱸᱰᱟ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱮᱱᱟ ᱾ ᱠᱚᱴᱷᱟ ᱠᱚ ᱡᱚᱠᱷᱚᱸ ᱛᱮ ᱡᱟᱸᱰ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱢᱮᱱᱮᱡᱟᱨ ᱟᱨ ᱠᱟᱹᱢᱤ ᱦᱚᱲᱟᱠᱚ ᱢᱤᱫ ᱯᱟᱨᱥᱤ ᱩᱫᱩᱜ ᱮᱢ ᱟᱨ ᱚᱲᱦᱚᱸ ᱛᱮ ᱛᱟᱦᱮᱸᱱ ᱡᱮᱴᱟᱜ ᱠᱟᱹᱴᱤᱡ ᱛᱟᱦᱮᱸᱱ ᱦᱚᱸᱠᱚ ᱾ ᱠᱚᱴᱷᱟ ᱠᱚ ᱨᱚᱸᱜᱤᱡ ᱠᱨᱤᱥᱴᱟᱞ ᱨᱮᱡᱟᱜ ᱴᱩᱠᱩᱭᱮᱱᱟ, ᱟᱨ ᱨᱮᱡᱟᱜ ᱫᱤᱵᱟᱲ ᱠᱚ ᱠᱚᱴᱷᱟ ᱠᱚ ᱦᱟᱹᱴᱤᱧ ᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱠᱩᱲᱤ ᱚᱨᱚᱜ ᱥᱟᱹᱠᱩᱠᱚ ᱡᱟᱦᱟᱸ ᱡᱟᱭᱜᱟ ᱨᱮ ᱥᱮᱴᱮᱨ ᱠᱟᱛᱮ ᱛᱟᱦᱮᱸᱱ ᱠᱚ ᱾ ᱡᱤᱚᱯᱚᱞᱤᱢᱟᱨ ᱠᱚᱸᱠᱨᱤᱴ, ᱦᱟᱨᱟ ᱠᱚᱸᱠᱨᱤᱴ ᱟᱨ ᱵᱮᱫ ᱫᱟᱜ ᱵᱮᱵᱚᱥᱛᱟ ᱦᱚᱸ ᱵᱮᱵᱚᱦᱟᱨ ᱦᱩᱭ ᱮᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Reflection of Light Office Interior Design ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Reflection of Light Office Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The main concern of this project was to solve the dilemma of columns and unused spaces between these columns, which were covered with wall panels. Eventually an efficient and consistent wall was created for each space. The next important issue was the design of the communication between the internal managers of the company, where the rooms were designed and put together so that the related staff would stay in touch and be in a completely transparent and intimate environment.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Area : 230m
ᱴᱮᱜ ᱠᱚ
Culture , Green material
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Geo polymer concrete , Waste water management , Green concrete
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Designing the plan was a challenge because of the many columns in the building and the effort to hide them and to have the office with the right light.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The method facilitates design through an iterative process drawing on different knowledge, as to design while considering different aspects of architectural design such as function, structure, light and acoustic. These aspects are continuously considered for the office. The method consists of five phases: 1) Problem or idea phase 2) Analysis 3) sketching 4) synthesis 5) presentation. Where the work between the different phases happens iteratively.
ᱯᱨᱮᱨᱚᱱᱟ
The design of this unit has always been a matter of simplicity and readability. All walls are covered with colored crystal glass to allow individual images of the project walls to be viewed as soon as they are in space. Another important thing for us was that all spaces had natural light, so glass partitions were used to separate the rooms.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in june 2019 in tehran and finished in september 2019.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The office is a renovation of an old building. Access to all the spaces and their proper layout was the most challenging part of the design due to the limited area of the building.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
The reflection of light
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Architect: Pantea Asgharzadeh
Design team: Anahita Asgharzadeh
Design team: Hasan dehghanpour
Design team: meysam Mohamadpour
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1,2,3,4,5: Mohammad Hassan Ettefagh, 2019.
Illustrator : Saeed Shahdadfar

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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