ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Thomas Geissert ᱨᱮᱱᱟᱜ Airport Bremen ᱰᱟᱦᱟᱨ ᱩᱫᱩᱜ ᱵᱮᱵᱚᱥᱛᱟ

Thomas Geissert ᱨᱮᱱᱟᱜ Airport Bremen ᱰᱟᱦᱟᱨ ᱩᱫᱩᱜ ᱵᱮᱵᱚᱥᱛᱟ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱜᱨᱟᱯᱷᱤᱠ· 2020

Airport Bremen ᱰᱟᱦᱟᱨ ᱩᱫᱩᱜ ᱵᱮᱵᱚᱥᱛᱟ

Thomas Geissert ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Teamgeissert

ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#93704 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Airport Bremen ᱰᱟᱦᱟᱨ ᱩᱫᱩᱜ ᱵᱮᱵᱚᱥᱛᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱤᱫ ᱩᱥᱩᱞ-ᱠᱚᱱᱴᱨᱟᱥᱴ ᱱᱟᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱥᱟᱯᱷᱟ ᱡᱤᱱᱤᱥ ᱠᱨᱚᱢ ᱱᱟᱶᱟ ᱵᱮᱵᱚᱥᱛᱟ ᱮ ᱵᱷᱮᱜᱟᱨ ᱮᱫᱼᱟ᱾ ᱩᱫᱩᱜ ᱫᱚᱦᱚ ᱵᱮᱵᱚᱥᱛᱟ ᱞᱚᱜᱚᱱ ᱠᱟᱹᱢᱤᱭᱟ ᱟᱨ ᱮᱭᱟᱨᱯᱚᱨᱴ ᱨᱮᱱᱟᱜ ᱥᱮᱵᱟ ᱜᱩᱱ ᱞᱟᱹᱜᱤᱫ ᱱᱟᱯᱟᱭ ᱮᱱᱮᱢ ᱮᱢᱟᱭ᱾ ᱱᱟᱶᱟ ᱪᱤᱠᱤ ᱵᱮᱵᱷᱟᱨ ᱥᱟᱶ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱞᱟᱹᱠᱛᱤᱭᱟᱱ ᱥᱟᱫᱷᱚᱱ ᱫᱚ, ᱢᱤᱫ ᱵᱷᱮᱜᱟᱨ ᱛᱤᱨ ᱪᱤᱱᱦᱟᱹ ᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱩᱥᱩᱞ-ᱠᱚᱱᱴᱨᱟᱥᱴ ᱨᱚᱝ ᱠᱚᱣᱟᱜ ᱩᱫᱩᱜ ᱠᱟᱱᱟ᱾ ᱠᱟᱹᱢᱤᱭᱟᱹ ᱟᱨ ᱢᱚᱱᱚᱛᱚᱛᱛᱚ ᱥᱟᱛᱟᱢ ᱠᱚ ᱪᱮᱛᱟᱱ ᱨᱮ ᱵᱤᱥᱮᱥ ᱫᱷᱭᱟᱱ ᱮᱢ ᱟᱠᱟᱱᱟ, ᱡᱮᱢᱚᱱ ᱱᱟᱯᱟᱭ ᱧᱮᱞ ᱫᱟᱲᱮ, ᱯᱟᱲᱦᱟᱣ ᱫᱟᱲᱮ ᱟᱨ ᱵᱟᱝᱼᱟᱲᱟᱜ ᱡᱤᱱᱤᱥ ᱵᱟᱰᱟᱭ᱾ ᱱᱟᱶᱟ ᱮᱞᱭᱩᱢᱤᱱᱤᱭᱚᱢ ᱠᱮᱥ ᱠᱚ ᱱᱟᱶᱟ ᱡᱩᱜᱽ ᱨᱮᱱᱟᱜ, ᱥᱩᱫᱷᱨᱟᱹᱣ LED ᱟᱨᱟᱜ ᱥᱟᱶ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱪᱤᱱᱦᱟᱹ ᱴᱟᱣᱟᱨ ᱠᱚ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Airport Bremen ᱰᱟᱦᱟᱨ ᱩᱫᱩᱜ ᱵᱮᱵᱚᱥᱛᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Airport Bremen ᱰᱟᱦᱟᱨ ᱩᱫᱩᱜ ᱵᱮᱵᱚᱥᱛᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The goal was to create a system with its own identity and originality that goes beyond. Characterized by its modern, contemporary appearance with the modern classic typography. The calm appearance should promote safety, confidence and deceleration among passengers. A contrasting modern design and a clear information hierarchy characterize this new system. The orientation system works easy and makes a positive contribution to the service quality of the airport.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Various dimensions according to the neccessities on-site
ᱴᱮᱜ ᱠᱚ
modern, contemporary, reluctant, minimal, plain, timeless
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
New aluminium cases with contemporary, optimized LED illumination are used for the signage system.
Bremen City Airport has introduced new flight information display screens (FIDS) throughout its terminal complex.
The screen-designs are created by teamgeissert and displayed on NEC MultiSync V651 models.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The arrow became an independent, striking element suitable for the pictograms newly designed.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The new font is the Fago OT. The font is used in different font sizes. This builts a hierarchy that captures and structures the information facilitated.
The primary information is flight-related information, the secondary information concern the service facilities in the airport.
ᱯᱨᱮᱨᱚᱱᱟ
The aim in designing the new wayfinding system was to create a calm atmosphere and a balanced general view without creating visual disturbances. The choice of typography and icons as well as the lighting and coloring make orientation easier for international guests.
The most important means besides using the new font, Fago OT from Ole Schäfer is the introduction of high contrast colors. Our focus was on functional and psychological aspects such as good visibility, readability and barrier free information.
The decisive factor for the effectiveness of the new guidance and orientation system is the complete information chain.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
starting in 2012
finished in 2018
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
the wayfinding system works simply, safely, quickly and intuitively. It not only guides and accompanies the passengers, but also makes the space tangible and thus creates identification and identity.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Thomas Geissert
Anne Wichmann
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
teamgeissert

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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