ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Titus Ebbecke ᱨᱮᱱᱟᱜ ARTificial ᱟᱨᱴᱤᱯᱷᱤᱥᱤᱭᱟᱜ (ARTificial) - ᱡᱟᱹᱛᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱳᱵᱳᱴ

Titus Ebbecke ᱨᱮᱱᱟᱜ ARTificial ᱟᱨᱴᱤᱯᱷᱤᱥᱤᱭᱟᱜ (ARTificial) - ᱡᱟᱹᱛᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱳᱵᱳᱴ ᱫᱚ ᱨᱚᱵᱚᱴᱤᱠᱥ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱨᱚᱵᱚᱴᱤᱠᱥ· 2020

ARTificial ᱟᱨᱴᱤᱯᱷᱤᱥᱤᱭᱟᱜ (ARTificial) - ᱡᱟᱹᱛᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱳᱵᱳᱴ

Titus Ebbecke ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: University of Applied Sciences Wuerzburg-Schweinfurt

ᱨᱚᱵᱚᱴᱤᱠᱥ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

19,798

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#95165 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

ARTificial ᱟᱨᱴᱤᱯᱷᱤᱥᱤᱭᱟᱜ (ARTificial) - ᱡᱟᱹᱛᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱳᱵᱳᱴ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱟᱨᱴᱤᱯᱷᱤᱥᱤᱭᱟᱜ ᱢᱮᱱᱟᱜᱼᱟ ᱢᱤᱫ ᱡᱟᱹᱛᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱳᱵᱳᱴ ᱡᱟᱦᱟᱸ ᱦᱚᱲ ᱦᱚᱲ ᱨᱮᱭᱟᱜ ᱵᱟᱜᱮ ᱵᱟᱝ ᱴᱷᱤᱠ ᱮᱢ ᱠᱟᱜ-ᱟᱜ ᱠᱟᱲᱟᱨ ᱛᱮᱭᱟᱨ ᱦᱚᱪᱚᱭ ᱟᱭ ᱡᱟᱦᱟᱸᱨᱮᱸ ᱠᱟᱲᱟᱨ ᱴᱷᱮᱱ ᱠᱟᱹᱢᱤ ᱦᱚᱪᱚᱭᱟ ᱾ ᱢᱤᱫ ᱡᱮᱱᱮᱨᱮᱴᱤᱭᱳᱡ ᱮᱰᱵᱚᱨᱥᱮᱨᱤᱭᱟᱹᱞ ᱱᱮᱴᱣᱟᱨᱠ (generative adversarial network) ᱢᱤᱫ ᱱᱟᱶᱟ ᱯᱚᱴᱨᱮᱴ ᱛᱮᱭᱟᱨ ᱦᱚᱪᱚᱭ ᱟᱭ, ᱟᱨ ᱢᱤᱫ ᱱᱟᱶᱟ ᱮᱞᱜᱳᱨᱤᱫᱢ (algorithm) ᱰᱤᱡᱤᱴᱟᱞ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱠᱚᱹᱨᱰᱤᱱᱮᱴ (coordinates) ᱨᱮ ᱵᱚᱫᱚᱞ ᱮᱢᱟ ᱾ ᱚᱱᱟᱜ ᱛᱟᱭᱚᱢ ᱢᱤᱫ ᱤᱱᱰᱟᱥᱴᱨᱤᱭᱟᱞ ᱨᱳᱵᱳᱴ ᱠᱮᱱᱣᱟᱥ (canvas) ᱨᱮ ᱮᱠᱨᱤᱞᱤᱠ (acrylic) ᱛᱮ ᱚᱱᱟ ᱯᱚᱴᱨᱮᱴ ᱠᱟᱲᱟᱨ ᱮᱫᱟᱭ ᱾ ᱵᱟᱨ ᱠᱛᱷᱟ ᱵᱚᱴᱟᱢ (buttons) ᱟᱹᱯᱤᱨ ᱟᱠᱟᱛᱮ, ᱢᱮᱥᱤᱱ ᱮ ᱢᱤᱫ ᱟᱹᱣᱟᱛ-ᱟᱹᱣᱟᱛ ᱢᱳᱴᱤᱯ (motif) ᱵᱟᱪᱷᱟᱣ ᱮᱫᱟᱭ, ᱠᱟᱲᱟᱨ ᱦᱟᱴᱟᱣ ᱮᱫᱟᱭ, ᱵᱨᱟᱥ (brush) ᱥᱟᱯᱷᱟᱭ ᱮᱫᱟᱭ ᱟᱨ ᱠᱟᱹᱢᱤ ᱠᱟᱛᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱟᱦᱮᱸᱸ ᱢᱮᱸ ᱠᱟᱲᱟᱨ ᱠᱟᱹᱢᱤ ᱚᱪᱚᱜ ᱟᱠᱟᱱᱟ ᱾ ᱠᱟᱹᱴ, ᱠᱚᱸᱠᱨᱤᱴ (concrete) ᱟᱨ ᱥᱴᱤᱞ (steel) ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱵᱷᱤᱛ (foundation) ᱴᱷᱤᱠ ᱠᱟᱹᱢᱤ ᱨᱮ ᱜᱚᱲᱚ ᱮᱢᱟᱭ ᱟᱭ ᱾ ᱱᱚᱶᱟ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ ᱮᱴᱟᱜ ᱠᱩᱞᱟᱹᱣᱤ ᱦᱩᱭᱩᱜ ᱟᱠᱟᱱᱟ ᱡᱮ, ᱪᱮᱫ ᱠᱟᱲᱟᱨ ᱛᱮᱭᱟᱨ ᱦᱚᱪᱚᱭ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱚᱠᱟ ᱵᱩᱡᱷᱤᱠᱟᱛᱮ ᱡᱤᱭᱟᱹᱛ ᱛᱟᱦᱮᱸᱸᱠᱚ ᱛᱟᱞᱟ ᱠᱷᱟᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ARTificial ᱟᱨᱴᱤᱯᱷᱤᱥᱤᱭᱟᱜ (ARTificial) - ᱡᱟᱹᱛᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱳᱵᱳᱴ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ ARTificial ᱟᱨᱴᱤᱯᱷᱤᱥᱤᱭᱟᱜ (ARTificial) - ᱡᱟᱹᱛᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱳᱵᱳᱴ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This robot is among the first fully autonomous machines which create art with barely any human authorship. Upon starting the system, the installation generates a completely new portrait with artificial intelligence. A novel algorithm converts the digital AI art into coordinates and the robot then paints it on canvas with acrylic. The sculpture works without human supervision and challenges the belief of art creation as a property of human or artificial intelligence.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Dimensions: 3000 X 2000 X 1500mm
Weight: 450kg
ᱴᱮᱜ ᱠᱚ
artificial intelligence, ai, generative art, robot, industrial robot, algorithmic, software engineering, installation, robot, gan, generative adversarial network
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The images are created with a generative adversarial network. The algorithm is written in Python with OpenCV and NumPy. The KUKA robot and the computer are connected with an Ethernet connection. The custom made foundation has been created out of wood, concrete, and steel. A novel algorithm has been developed for this project. The robot is capable of painting unlimited images without human supervision.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
This project required contacting a robot manufacturer, getting funds, transporting the robot and installing its numerous control interfaces. A foundation needed to be designed and constructed, to ensure the safe operation of this dangerous piece of industrial equipment. Finally, the author had to learn how to program a robot, as well as training the artificial Intelligence for multiple days on the most powerful GPU in existence and developing a completely novel algorithm for converting an AI image into coordinates in a safe manner.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This project is based on image synthesis with artificial intelligence and the combination of machine learning with robotics. A novel algorithm and method have been developed, to research whether art-creation can be linked to intelligence and if this sculpture qualifies as an authentic artist. This research has been conducted in cooperation with KUKA and was supervised under the head of corporate research. The algorithmic basis of this image-to-coordinate-translation will be published in 2020.
ᱯᱨᱮᱨᱚᱱᱟ
Intelligence and consciousness seem to be almost exclusive to the human species. Similarly, the creation of art appears to be strongly bound to the intelligence of its author. This exclusivity between art creation and intelligence is so strong, that proving whether machines can be artists, is an essential step towards true artificial intelligence. As Art and intelligence still lack definitions, this project provokes discussions on whether this machine has these attributes.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This bachelor thesis has been created from February 2019 to July 2019. It demonstrated its ability during a two-day exhibition in August 2019, where it painted over 10 hours in front of a hundred visitors.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The key element of this project is its autonomy. The robot decides what to generate on a random basis and paints as it wishes. This is an attempt to emulate human artists and their creative freedom as much as possible. Two buttons need to be pressed and the robot will start to generate a random image, take paint, clean its brush and will continue to paint until the artwork is finished.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ